but reading them I can not determine if there is a way to use it in
windows or not.
I run lilypondtool as setup with easylilypond and them upgraded with the
latest lilypond and lilypondtool and I have 5 local songwriters setup
this way also. What can I do to to help them compile their music i
I didn't know what your original paper size was - and on my machine it
all fit on 1 8x11 page. So I think with adjusting the paper size and
font size and then a bit of tweaking it should work fine.
Frank Zimmerman wrote:
Timothy,
Thanks for the sample LY file. I tested it out and for a bas
Graham Percival wrote:
On Mon, 15 Sep 2008 12:21:38 -0500
Tim Litwiller<[EMAIL PROTECTED]> wrote:
What I would like to find is some kind of program that would play a
note or tone and she would try to sing that note or tone back into a
microphone and then it would continue to the nex
Nick Bailey wrote:
We did some work on Rosegarden which might interest you:
http://www.n-ism.org/Papers/Nick_Bailey/icmc2008_19ETrehearsal.pdf
The software described in that paper was for training expert musicians
to sing microtonal songs which have more than 12 divisions of the
scale suc
This is not specifically on the topic of lilypond but my daughters love
of singing and trying to help her learn to sing is one of the things
that got me interested in lilypond in the first place.
She loves to sing and I would love to help her learn to hear when she
hits a pitch. We are 2 hours
Well, you decide!
I'll keep the thread open for a while, and then make a final decision
based on the majority of responses I get.
Thanks!
Kieren.
I agree, keep the midi code in the examples - comment it out if you want.
with a reference or link to the part of the documentation that explain
It looks like the attachment didn't come thru - so my example doesn't
make a lot of sense.
If you want to see the example let me know and I'll put it on a web
server after work tonite.
Timothy C Litwiller wrote:
Timothy C Litwiller wrote:
This isn't perfect but may be a place for you to start
I am really stuck and would appreciate some help. I have tried just
about every which way there is and I apparently don't understand the
concept here.
I am trying to enter braces at the beginning of the song. I was
suggested that they should go in the set stanza part of the lyrics and I
agr
Are you thinking that lilypond is a program you open and interactively
work with?
If that is what you want you will want to download from here.
http://valentin.villenave.info/spip.php?article44
It will give you an editor with an output viewer and a music player
linked to lilypond that all work
sorry for replying to myself - I don't see that the frist attempt
reached the list.
Timothy C Litwiller wrote:
A friend of mine composed a song and we have some similar layouts in
our Church songbooks
look like this attached braces.jpg
You sing to the start of the chorus on the first line of
Reinhold Kainhofer wrote:
Am Dienstag, 4. März 2008 schrieb Timothy C Litwiller:
Thanks so much for that. It looks like it is working very well.
You're welcome. Note, however, that the clef you are generating is effectively
the same as "treble_8", since the C clef defines the positio
So do you right click and choose edit source? or do you right click and
choose open with and then notepad?
It seems edit source opens lilypad - which does as you say. But if you
open with notepad it works as you expect notepad to work.
I really like the lilypondtool addition to jedit - It mak
If I make a song with \clef c a flat on the top staff the notes are
1/2 line off from where they are expected to be.
will setting the clef to tenor or mezzosoprano move the note the 1/2
line it needs to move
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It does sort of work in win 98. I had to get an older version of Java,
edit the .cmd file to call that version and then rename it to .bat
I made the shortcut start minimized and autoclose so the dos window goes
away.
Tim Litwiller wrote:
So, is there any chance that this will work on
So, is there any chance that this will work on windows 98? I'm guessing
not, but let me know if it does. My friend that I am hlping with
lilypond only has a windows 98 computer. The have all their school
stuff in MS Works or I would change them to linux.
Actually, I may still have a windows
Thanks so much for that, another thing to add to my watch for this list.
Ralph Little wrote:
Tim Litwiller wrote:
Yeh, I'm moving along trying different suggested methods as I go,
keeping notes as to what works. and what doesn't.
Hi Tim,
Could you mail the file to me as an att
In email setting
under your account
Composition & Addressing - do you have it set to Compose message in HTML
format
and then if you have preferred to recieve message format as plaintext in
the addressbook.
if they are different thunderbird will try to convert
if you don't have the list in you
the bass voice isn't showing below that tenor in the bottom staff
It is rather displaying after the end of the song - but the midi is
playing it at the correct time.
It was ok, last night when I was editing it - but I lost the \aikenheads
after the first rests.
when I was trying to fix that I m
Eduardo Vieira wrote:
Citando Tim Litwiller <[EMAIL PROTECTED]>:
snipped ...
Hello, I want to share my experiences with hymns and songs, too. Actually, once
you get the hang of it, Lilypond is perfectly suited for your needs Tim.
There is a good workaround for typing the four
Thanks for that - It looks very nice and not so hard to incorporate as
some examples.
Kieren MacMillan wrote:
Hi Reinhold,
The "centering" here is achieved by simply putting the common text
into the
second stanza, which happens to be vertically centered. However, if
you have
four stanzas, th
Thanks, with your help I'm getting there!
I had figured out having a second DevNull voice to space the repeating
last night.
I'm not sure I understand the second snippet tho.
also I'm sure that there is some kind of \markup that I can use to
vertically center the soprano lyrics section where
Valentin Villenave wrote:
2007/9/8, Tim Litwiller <[EMAIL PROTECTED]>:
I've been working on this piece, it is set in 4/4 time and rather than
start as I think it should with a whole measure it places a 1/4 note and
then the first bar. That throws the bars off for the whole song.
I've been working on this piece, it is set in 4/4 time and rather than
start as I think it should with a whole measure it places a 1/4 note and
then the first bar. That throws the bars off for the whole song.
here is a scan of the music I am working from
http://www.litwiller.net/images/powerin
here is a link to a scan of the original
http://www.litwiller.net/images/powerintheblood.jpg
Ralph Little wrote:
Hi,
It would be easier to look at an example I guess.
If you can scan it when you get home and send me a link, I'll have a
look!
Cheers,
Ralph
Tim Litwiller wrote:
Ok,
Ok, that fixes something I hadn't noticed yet :)
Maybe that will help with a question I was saving for after I got the
flags problem fixed.
I have some songs that alto, tenor or bass have some repeating in the
chorus.
like the song that Gordon Gilbert sent.
in the chorus the soprono and alto
I'm playing with it. The notes are slightly different from my copy
I changed to the head style we use - I haven't got the part combine
working yet.
and the tenor and bass repeating words I haven't figured out yet.
Father Gordon Gilbert wrote:
Hi Tim,
Attached is a copy of a hymn I have do
http://lilypond.org/doc/v2.11/Documentation/user/lilypond/Vocal-ensembles#Vocal-ensembles
on this page
section
D.4.2 SATB vocal score and automatic piano reduction
if you look at the piano reduction part it gets it right. or at least
in this sample.
so if I could just make it do the
Ralph Little wrote:
Hi Tim,
OK, it is a bit of a frig if you fancy giving it a try, but I think I
can make it happen and it depends on what version of Lilypond you are
using.
Find the file part-combiner.scm - it should be in the scm directory of
your Lilpond installation.
Search for the s
I updated the link to contain the whole scan.
this song only has 4 or 5 but I need something flexible enough for 60 -
100 songs.
\partcombine {f4 f f g a8 a4 } {c4 c c c f8 f4} <>
\partcombine {a2} {f2}...
I'm not sure that that is much better, though - it depends on how many
of the spl
I have my .ly file at home. I'll have to wait till I get there this
evening to send you an example.
Ralph Little wrote:
Hi,
I had a bit of a fiddle and came up with the following which produces
pretty much what you want, but I'm not really happy with it.
It uses chords instead of \partcombi
I have a bunch on sunday school songs like this that I need to put into
lilypond so we can make clean nice prints.
I have been playing with it for a week now and going thru the manual and
tutorial, downloading samples and layout tools like Jedit and the pspad
plug ins and canorus.
I haven't
I've tried sending my question 2 times already and I didn't ever get it
back.
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