Re: variant on "many syllables to one note"

I'm pretty sure that adding "\set melismaBusyProperties = #'()" before your notes will do what you want. On Tue, Jan 18, 2011 at 4:09 PM, Graham King wrote: > In the early sixteenth century manuscript I'm working on, the scribe has > set the first three syllables of "angelorum" to a single note t

Spurious Repeat Symbol

How can I get rid of the extra repeat symbol in this example? I'm sure it is caused by the rest at the beginning of the repeat. I've tried hiding an extra note along with a skip, but I can't figure out how to do this and get the rest back. Ted %%% Begin example. \version "2.12.0" melody = \relat

Re: how to get half-bar used in Bach Music?

Does this do what you want? \version "2.12.3" \relative c' { \override Staff.BarLine #'bar-size = #2.0 c4 c c c | c c c c | } On Sat, Nov 20, 2010 at 9:00 PM, Marc Mouries wrote: > thanks Nick. A half-bar is Bach's writing was a bar containing the same > number notes but only went over

Re: Acciaccatura Inside Arpeggio

Thank you! That works brilliantly. Ted On Wed, Mar 19, 2008 at 5:03 PM, Neil Puttock <[EMAIL PROTECTED]> wrote: > Hi Ted, > > Here's one way of doing it, using a hidden grace note: > > \version "2.11.42" > \paper { ragged-right = ##t } > \score { > \new Staff \relative c'' { >

Acciaccatura Inside Arpeggio

I've been searching the archives and the LSR for hints on how to put an acciaccatura inside an arpeggio without success. I've attached a scan from a Chopin nocturne to show what I mean. Can someone show me how this is done? Ted <>___ lilypond-user mailin

Re: Why Is This Merge Behavior Different?

or that I want. Ted > -- Forwarded message -- > From: "Gilles THIBAULT" <[EMAIL PROTECTED]> > To: "Ted Stanion" <[EMAIL PROTECTED]>, > Date: Fri, 8 Feb 2008 09:27:38 +0100 > Subject: Re: Why Is This Merge Behavior Different? >

Why Is This Merge Behavior Different?

Hello All, The following code is modified from section 6.3.5 of the LilyPond 2.10.33 manual. Can someone explain to me why the eighth note and half note have their heads merged in the first measure while the quarter note and the half note in the second measure do not? Thanks, Ted Begin merg

Re: Still Have convert-ly Questions/Problems.

I tried this and it works for in a DOS command prompt. It failed the same way in my bash shell - it seems to want to use the python installed for Cygwin. Still, this is a better solution to what I was doing. Thanks, Ted ___ lilypond-user mailing list

Still Have convert-ly Questions/Problems.

I managed to get 'convert-ly' version 2.8.1 to run in Cygwin by doing the following: 1) I have Cygwin LilyPond 2.6.4 installed. This was installed in the default location using the 'setup' program. 2) I have Windows Lilypond 2.8.1 installed in the directory c:\nobackup\LilyPond. 3) I copi

Problems Running convert-ly

I had been using LilyPond 2.6.4-1 under cygwin. I decided to switch to 2.8.1 under Windows XP. I am trying to run convert.ly in a cygwin bash shell. I started by adding /LilyPond/usr/bin to my PATH. When I try to run convert-ly.py, however, I am getting the following messages: Traceback (most rece

How to Get Line Breaks in the Tagline

ried. Ted Stanion \version "2.4.6" \include "english.ly" #(set-global-staff-size 24) \paper { #(set-paper-size "letter") topmargin = 0.5\in } \header { title = "Twinkle, Twinkle" composer = "Traditional" tagline = "Typeset by Ted Sta

Getting Started - Problem with Piano Centered Dynamics and Pedal

change the PedalSustainStyle to bracket; this also failed. Can anyone explain what I've done wrong? My input file is attached. Thank you, Ted Stanion % Generated by lilypond-book % Options: [printfilename,texidoc,linewidth] \layout { linewidth = 160 \mm } \renameinput "piano-dynamics