Err! I've never really sorted out the cconcept of contexts. I've just
copied them when they looked OK Then fiddled.
I've got the immediate problem solved thanks to you both & I am now
trying to research cotenxts in a more formal way.
Many thanks
Steve
On Wed, Jul 19, 2017 at 02:25:06PM -0700,
Hello all,
Having trouble finding how to silence chordNames while not silencing
the rest of the arrangement. I would have thought it wa easy but can't
spot it. Can someone point me at it.
Many thanks Steve
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On Sun, Apr 16, 2017 at 07:44:55PM -0500, David Wright wrote:
> On Sun 16 Apr 2017 at 20:35:41 (+0100), Steve Downes wrote:
> > I attach a short script together with the rejection notice. I feel
> > confident I shall feel foolish when I recieve a reply but what am I
>
I attach a short script together with the rejection notice. I feel
confident I shall feel foolish when I recieve a reply but what am I
doing wrong here?
The version number is correct. & the same as my previous work.
I can see no problem with the script as far as it's gone & neither,
apparently,
I cannot understand why anybody uses html (except their software point
them at it) I decided 20 years ago when word processors were coming in
with various formats that I would always use plain text unless there
was a strong reason not to because:-
1) it took less storage
2) it travelled faster
3)
It may or may not be relevant but I find if I do what have you done I
can get it change to sample to a guitar sound. However it doesn't
sound like a guitar to me unless I sort out the chord voicing to a
guitar inversion as well. This is quite a bit of work so I usually
silence the chord names so th
On Wed, Apr 08, 2015 at 01:25:05AM -0700, PharoahS wrote:
> Hi Nathan
>
> Thank you for your answer,
> I use timidity with debian
> Did you listen to my code exemple? Have you a long sound or short snaps?
>
>
>
>
> --
> View this message in context:
> http://lilypond.1069038.n5.nabble.com/the
Works for me & noted for future use.
Thanks
Steve
On Fri, Apr 03, 2015 at 01:22:45PM +0100, Neil Puttock wrote:
> On 3 April 2015 at 12:19, Pierre Perol-Schneider
> wrote:
> > I'm sorry, doesn't seem to work too... ;(
>
> This should work:
>
> #(define t tuplet)
>
> Cheers,
> Neil
>
> _
Is it possible to reduce the chordmode volume while keeping it in &
displaying the chords in the PDF?
Failing which is it possible to maintain the PDF output while
silencing the midi output and/of change the instrument. Piano stops me
listening constructively.
Steve
_
Hello list people,
I have started writing bass line & chord charts to assist in the
integration of a new bass player. I would like to make a good job of
it because if it works well I will build it into a band library.
It is normal in my (jazz) market to use % in a bar to mean repeat
previous bar
Surely if it's his solo it is up to him/her how he wishes to interpret
it. His interpretation can change (& should change) if his mood
changes.
Steve
On Sat, Dec 14, 2013 at 12:41:36PM +0100, Xavier Noria wrote:
> Not specific to Lilypond but hope you don't mind the question, I have
> looked for
try to do better.
Many thanks
Steve
On Tue, Nov 08, 2011 at 02:28:31PM -0800, -Eluze wrote:
>
> hi
>
> steve downes wrote:
> >
> >
> >> To get rid of all except piano staffs which only contain Whole
> >> Measure Rests, use:
> >>
> >> \
On Tue, Nov 08, 2011 at 06:50:32PM -, Phil Holmes wrote:
> - Original Message - From: "Steve Downes"
>
> To: "lilypond-user Mailinglist"
> Sent: Tuesday, November 08, 2011 6:46 PM
> Subject: Hiding or delaying new staffs
>
>
> >I have
I have a situation I feel there should be an answer to but cannot find it. I
write arrangements which start with, say, 8 bars intro during which , again
say, up to 4 front line instruments are doing nothing. I either want to
suppress their staffs during the intro or not create them till the end
On Mon, Nov 07, 2011 at 01:17:12PM +0100, eluze wrote:
> have a look at 'Vertically aligning ossias and lyrics' in
> http://lilypond.org/doc/v2.15/Documentation/notation/modifying-single-staves#ossia-staves
>
> Eluze
>
Sorted now, thanks very much for your help
Steve
On Mon, Nov 07, 2011 at 10:04:04AM +, Steve Downes wrote:
> I have been using the excellent jazzcombo template by Amelie Zapf, & I
> am now doing my third fake sheet. So far just a bass staff & chords &
> annotations above it. The first two, & all the examples in the
I have been using the excellent jazzcombo template by Amelie Zapf, & I
am now doing my third fake sheet. So far just a bass staff & chords &
annotations above it. The first two, & all the examples in the
manuals, put the chords above the staff, where I want them. My third,
which I am working on now
5:35:55PM +0200, David Kastrup wrote:
> > David Rogers writes:
> >
> > > Steve Downes writes:
> > >
> > >> I am finding finding my way round the manuals a bit convoluted at
> > >> present & merging info from one section into a scr
On Tue, Oct 04, 2011 at 09:40:21PM -0400, Ralph Palmer wrote:
> On Tue, Oct 4, 2011 at 6:10 PM, Steve Downes wrote:
>
> > Hello all,
> >
> > I could do without altering the octave of each note manually & feel this
> > should be possible.
> >
> &
Hello all,
New to this group so I hope I get it rightish.
I have done a choir arrangement (in Rosegarden) & exported to lilypond. this
has worked fine after a bit of work. I now want to condense this into a piano
part with trb & bs clefs. I have been adapting it using the parallelMusic
method
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