Graham Percival <[EMAIL PROTECTED]> writes:
> On Fri, 25 Jul 2003 20:33:50 -0700
> Starling <[EMAIL PROTECTED]> wrote:
> I'm not certain what you mean by this -- could you provide a scanned image
> of the notation you desire?
No, but I might be able to find s
What is a good way to represent runs, that is long sequences of
possibly hundreds of notes that are all of the same short duration,
and fit within a certain type of scale? (church mode, chromatic, whole
tone, etc...)
Starling
___
Lilypond-user
Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes:
> Starling <[EMAIL PROTECTED]> writes:
> What can I say? Patches appreciated :-)
Oh I'd love to, if I could get it to compile. c.c Downloaded the CVS
source followed the lexer-gcc 3.0 rules, and got an error telling me
t
Jan Nieuwenhuizen <[EMAIL PROTECTED]> writes:
> Starling <[EMAIL PROTECTED]> writes:
>
> What about lily/parser.yy? You may also want to have a peek at the
> lexer, which is in lily/lexer.ll.
Ooh! Thanks. That'll teach me to ls lily/*.c* :)
...although it
I was just looking through the source for lily... does anybody know
which files the language parser is in? I can see how the
Repeated_music object repeats things, but I'm not sure exactly how the
program interprets "\repeat..." into a Repeated_music obj
nd such an appropriate use, too! Prelude
1 of the Well-Tempered Clavier is a piece I'd hate to put every single
duration down for.
I think that'll work for me. :) If it doesn't, I'll be sure to use
it as an example for whatever half-baked ripoff variation I have to
do. Thank
formative, but it doesn't
deal with sequences inside of sequences and post-unfold-evaluation.
Starling
___
Lilypond-user mailing list
[EMAIL PROTECTED]
http://mail.gnu.org/mailman/listinfo/lilypond-user
