-visibility = ##f
\tuplet 4/3 {
s4 g'4
}
}
\new Voice {
\voiceFour
\tuplet 4/3 {
r4 g'8 d'8
}
}
>>
On Sun, Nov 18, 2018 at 8:33 PM Ryan Michael
wrote:
> hello lilypond community,
> I am trying to have sustained voices across a 4/3 eighth note tuplet
> bracket. My des
hello lilypond community,
I am trying to have sustained voices across a 4/3 eighth note tuplet
bracket. My desire is to simply have one tuplet bracket which encloses each
of the four voices as a single entity. Lilypond seems to discretize /
assign tuplet brackets for each voice given the following:
ere is where
the system break occured
}
\new Voice {
r1 r1 r1
}
>>
r1\startTextSpan r1\stopTextSpan
On Sun, Oct 14, 2018 at 2:27 AM Ryan Michael
wrote:
> THank you Pierre,
> exactly what i was looking for. However, how can i turn off the left
> textSpan property if i want to
rs,
> Pierre
>
> Le dim. 14 oct. 2018 à 09:38, Ryan Michael a
> écrit :
>
>> Hi all
>>
>> So i have a scenario where I want a textSpanner to follow a heading i
>> have
>> over the treble clef of a system where there is only action in the left
>>
Hi all
So i have a scenario where I want a textSpanner to follow a heading i have
over the treble clef of a system where there is only action in the left
hand (Bass clef). e.g.
%
\version "2.18.2"
up = \new Staff = "up" {
r1/^\markup{\huge "molto rit."} r1\startTextSpanner r1 r1\stopTextSpan
Hello, So I know how to change the priority of the ottava such that it
appears on the outside of other elements of the system. However, in my
case, I simply want to increase the vertical space between the ottava in
the other elements. How do I accomplish this? I have tried something like
%%%
\v
Hello
I am trying to offset my markup text above the staff by a horizontal
quantity. I can't seem to do so. I have tried
%
\version "2.18.2"
r8^\markup{\tweak #'X-offset #1.5\huge"tempo I"} r8 r2.
%
but that results in a syntax error.
--
ॐ नमः शिवाय
_
Hello. I am currently working on a piano piece and I want to have sustain
spans below the bass clef while the left hand is resting for whole
measures. I want to the sustain to line up with tuplets on the right hand
in the treble clef. My current strategy is to fake the same phrase in the
bass clef
Hello I am trying to write crotchet notation but with the \harmonic default
shape. Instead of it having a open notehead i would like it to be filled
black like in a normal eighth note or quarter note. Is there a way to
customize the \harmonic notation for these shorter durations of notes?
Thanks!
Sorry should read *"submit"* not submit.
Ryan.
On Fri, Nov 10, 2017 at 10:20 PM, Ryan Michael
wrote:
> I am trying to place "submit" markings after dynamics, but I would like
> the dynamics to be the actual default dynamic font as opposed to bold text.
> Here
I am trying to place "submit" markings after dynamics, but I would like the
dynamics to be the actual default dynamic font as opposed to bold text.
Here is my current hacky approach:
%%
\version "2.18.2"
{
\time 4/4
d'4\pp fis' fis'\fermata bes'-\markup{\bold "ff" \italic "sub."}
7;!8\p g-> r8} r4
}
}
%
I think it is because I have an incorrect not duration, but I have checked
the first few bars again and again and they seem correct.
On Mon, Oct 16, 2017 at 2:14 AM, Thomas Morley
wrote:
> 2017-10-16 9:36 GMT+02:00 David Kastrup :
> &
Hello!
I am trying to have a bar take up way more horizontal space since I have a
lot of dynamic markings that bunch up since they are at small subdivisions
of the note and with great frequency for example I try
\version "2.14.1"
{
a32\p bes32\pp g32\mp d'32\<~ d'8
bes'8->-\markup{\bold
Ah okay so I need to do " system-system-spacing.basic-distance = #8" where
do I put it in my score?
Ryan.
On Tue, Oct 10, 2017 at 2:02 PM, Karlin High wrote:
> On Tue, Oct 10, 2017 at 3:49 PM, Ryan Michael
> wrote:
> > I am writing a piece for clarinet which has a sing
Hello,
I am writing a piece for clarinet which has a single Staff. I would like
the music to have more vertical space between each system as it is drawn
normally. How do I do that?
Thanks!
Ryan.
--
ॐ नमः शिवाय
___
lilypond-user mailing list
lilypond-use
yes that is exactly what i was seeking todo. Thank you!
Ryan.
On Sun, Oct 8, 2017 at 11:48 AM, Ben wrote:
> On 10/8/2017 2:33 PM, Ryan Michael wrote:
>
> Hello,
> I am trying my 8va to be above the rest of markup (which includes a
> \markup and a fermata). Currently it is below
Hello,
I am trying my 8va to be above the rest of markup (which includes a \markup
and a fermata). Currently it is below the fermata and the \markup but i
would like it to go above each of those items.
Here is what causes it:
%%
\version "2.18.2"
up = \new Staff = "up"
{
\ottava # 1
\tie
Here is what is displaying with the above SMUFL glyph names:
https://ibb.co/kbfw0b
Sorry I didn't include in original email.
On Sun, Oct 1, 2017 at 1:00 AM, Ryan Michael
wrote:
> Thank you Both for your suggestions,
> I have tried Joram's approach by
> 1) adding the Bravura
Thank you Both for your suggestions,
I have tried Joram's approach by
1) adding the Bravura otf to my Lilypond installation by adding it in the
following location :
Lilypond.app/Contents/Resources/share/fonts/otf/Bravura.otf
2)
I linked my .ly file to the snippets folder by including it with the
I have my right hand of my piano music and i want to tie the in
the first voice to the next use of it in time
<<
\stemDown c''8~
\new Voice {
\stemUp c''16 e''16~
}
>>
<<
\new Voice {
\stemUp
4.
}
It is currently not tying the c'''8 in the first voice to 4.
similarly it
I am following the lilypond documentation for cross Staff beaming:
http://lilypond.org/doc/v2.19/Documentation/notation/common-notation-for-keyboards#cross_002dstaff-stems
I have the following in my lower voice:
%%
r8 r32
\autoBeamOff
\voiceOne
\crossStaff{
des,32->
\tuplet 4/3{
I have an upper and lower part of a piano staff.
In the upper staff I have the following phrase which I would like the last
note, a Gb in the second octave of the instrument be engraved on the bass
clef of the second staff. Currently it is just placed below the treble with
ledger lines:
\
)))
Here is a gist of the score:
https://gist.github.com/ebbnormal/62a8893942a5e6f91735afdf77f2081a
I basically make a simple call to \glissandoTextOn as you do before I use
\glissando.
Any ideas?
On Wed, Jun 22, 2016 at 2:15 PM, Thomas Morley
wrote:
> 2016-06-22 22:42 GMT+02:00 Ryan Mich
Hello, I am trying to engrave the following gesture:
%
bes16\glissando
\tuplet 3/2{ aes8\glissando-\markup{\teeny"glissando between Ab and Bb"}
\once \hide NoteHead a8\glissando \once \hide NoteHead a16\glissando
bes16~}
my idea is to draw the first 16th not
0.3
> ly:text-interface::print)
> -\markup { \teeny "wait for viola cue" }
> \stopTextSpan
> -\tweak TextScript.stencil #(make-stencil-boxer 0.1 0.3
> ly:text-interface::print)
> ^"B »
> }
>
> do what you want?
>
> JM
>
> > Le 3 juin 2
I have the following snippet
%%
\time 4/4
\once \override TextScript.stencil =
#(make-stencil-boxer 0.1 0.3 ly:text-interface::print)
r1\fermata-\markup{\teeny "wait for viola cue"}\stopTextSpan^"B"
%%%
However the above applies a stencil boxer
Hello, I have a string quartet score,
and I would like to show the canonical abbreviations for each instrument
to the left of each staff line throughout the piece. How can I do that?
Ryan.
p.s.
this is my layout:
\score {
\new StaffGroup <<
\new Staff << \global \cello >>
\new Staff <
great idea! Thank you all!
On Sun, May 15, 2016 at 7:50 PM, Andrew Bernard
wrote:
> Hi Ryan,
>
> Yes, at 2.19.41 specifying dotted-line style for text spanners just uses
> tiny dashes that look a bit like dots, and you can’t make them larger.
>
> I have scheme code to do what you want, but it is
f a g f a g b, b\stopTextSpan
%
It just prints bigger dashes, while intermittently placing a "." at the
period
length
On Sun, May 15, 2016 at 6:00 PM, Carl Sorensen wrote:
>
>
> On 5/15/16 4:24 PM, "Ryan Michael" wrote:
>
> >please confer
please confer with this Schoenberg op 30 engraving, where the "rit ...
Tempo" are designed in the way I am trying to achieve.
https://www.youtube.com/watch?v=AidU-4YF03Y
On Sun, May 15, 2016 at 3:18 PM, Ryan Michael
wrote:
> Hello I am trying to go for a classic textSpan l
Hello I am trying to go for a classic textSpan look, by using essentially a
period '*.*' quite large and bold.
as the in lieu of the 'dashed-line, line style. Is there a way I can do
this?
Thank you!
Ryan.
--
ॐ नमः शिवाय
___
lilypond-user mailing list
I have a chord and I am trying to make the last note, which happens to also
be in parenthesize, to have a small Font-size for the notehead.
Here is my lily code :
\tuplet 3/2{32 ees'16\harmonic }
which currently just renders the same font-size for all notes (the default
size)
--
ॐ नमः शिवाय
_
For future thread reference, in adobe illustrator, if you do "Save As > EPS
file"
You want to set the "Preview Format" field to "None"
On Thu, May 5, 2016 at 10:53 PM, Ryan Michael
wrote:
> You are brilliant Sven! how could you inspect / intuit the binary h
You are brilliant Sven! how could you inspect / intuit the binary header?
Currently would just like to shift the eps image to the left of its current
placement. How can I do that?
On Thu, May 5, 2016 at 10:44 PM, Sven Axelsson
wrote:
> On 6 May 2016 at 00:34, Ryan Michael wr
Forgive me. The error is:
lilypond/current/scm/stencil.scm:779:26: Wrong type argument in position 1:
#f
On Thu, May 5, 2016 at 3:23 PM, Simon Albrecht
wrote:
> On 06.05.2016 00:14, Ryan Michael wrote:
>
>> I have the following snippet
>>
>> %%%
I have the following snippet
%%%
2\fermata^\markup{
\epsfile #X #20 #"recorder_fingering.eps"
}
%%%
Where I use an eps file generated from Adobe Illustrator.
Here is the .eps file
http://www.mediafire.com/download/f3st88sh146vbja/recorder_fingering.eps
I have had
Thank you! for reference here is the solution :
%%%
c4^\markup\teeny{
\ezscore ##{ { c16 } #}
"="
\ezscore ##{
{
\tuplet 3/2{c8 \xNote c \xNote c}
}
#}
}
%%
On Tue, Apr 26, 2016 at 12:22 PM, Thomas Morley
wrote:
> 2016-04-26 20:50 GMT+02:00
I have the following :
\markup {
\teeny\note #"16" #UP \teeny"=" \teeny \note #"8" #UP
}
but I would like the sixteenth note that I draw with \note to be equivalent
to an eighth note within a tuplet ,not just a vanilla eighth note. How
would that be notated with \note?
Thanks!
Ryan.
--
ॐ नमः
Hello I would like to draw a simple
eighth note = eighth note
in the ^\markup{} on a particular bar of music. How can I draw two eighth
notes in
a markup block without a staff?
Please see attached for what I am going for. Thanks!
Ryan.
--
ॐ नमः शिवाय
__
Why is that a bad idea?
On Monday, April 11, 2016, David Kastrup wrote:
> Ryan Michael > writes:
>
> > Sorry all . I was doing \transpose but on something demarcated as
> \relative
> > c'{}
> >
> > Which meant it was an octave higher after transpositio
Sorry all . I was doing \transpose but on something demarcated as \relative
c'{}
Which meant it was an octave higher after transposition
On Sunday, April 10, 2016, Tim McNamara wrote:
>
>
> Sent from my iPad
>
> > On Apr 10, 2016, at 5:21 PM, Ryan Michael > wrote
Hello . I have a score that I would the entirety of to be transposed down a
perfect fifth.
I tried
\Transpose c f,{
E4 e f g g f e d c c d e e4. D8 d2 r2
}
But that was greater than a fifth.
Then I tried
\transpose c f{
%ibidem%
}
But that also didn't work ...
}
--
ॐ नमः शिवाय
__
rizontal-spacing
>
> Cheers,
> Pierre
>
> 2016-01-31 3:34 GMT+01:00 Ryan Michael :
>
>> Hello ,
>> I would like the current bar width of my piece to be 3 x the current bar
>> width for only one measure? I imagine i use an \override but can't think of
>> wh
Thanks! except i don't wish to hide the bar, but rather stretch out its
width for a single measure.
On Sat, Jan 30, 2016 at 11:26 PM, Helge Kruse wrote:
> You can hide the bar lines as in the example of the notation reference:
> http://lilypond.org/doc/v2.18/Documentation/notation/visibility-of-
Hello ,
I would like the current bar width of my piece to be 3 x the current bar
width for only one measure? I imagine i use an \override but can't think of
what else I would do to accomplish this task. Thanks!
Ryan.
--
ॐ नमः शिवाय
___
lilypond-user mai
Precisely! Thank you!
On Thu, Jan 14, 2016 at 1:04 PM, Thomas Morley
wrote:
> 2016-01-14 21:49 GMT+01:00 Ryan Michael :
> > I am trying to use the triangle notepad for all of the notes in a chord,
> but
> > would not like the triangle notehead to appear anywhere else in the
I am trying to use the triangle notepad for all of the notes in a chord,
but would not like the triangle notehead to appear anywhere else in the
score.
I have the following:
\version "2.18.2"
\relative {
\set shapeNoteStyles = ##(triangle triangle)
1~
4 r16. e'32 fis,,8-> r8 b
relative c''
>> {
>> \once \hide NoteHead
>> a\glissando c
>> }
>>
>>
>>
>>
>>
>> Am 12.01.2016 22:12, schrieb Ryan Michael:
>>
>>> I have the following two bars:
>>>
>>> %51%
>>> tuplet 3/2
I have the following two bars:
%51%
\tuplet 3/2{
r8-\markup{\italic "gesprochen"} d'8 dis8}
\tuplet 3/2{ r16 cis cis a r16 cis} \tuplet 3/2{ cis a r16 a
cis8\glissando}
\once \hide NoteHead g4\glissando
%52%
cis,2 r4 r8 dis'-\markup{\italic "gliss"}
I would like to make a slur from the g4 of
I have the following basic lilypond layout
\header{
title = "Title of My Piece"
composer = "Ryan Wieghard"
}
\score{
%score stuff%
}
\pageBreak
\markup{
%Text formatting, columns, etc.%
}
I would like to add a header to the markup that follows the score. When I
write:
\header {
Hello I have the following score block:
\score {
\new StaffGroup <<
<<
\new Staff \new Voice = "recorder" << \global \recorder >>
>>
<<
\new Staff \new Voice = "viola" << \global \viola >>
>>
\new Lyrics \lyricsto "viola" \verseOne
>>
\markup {
\fill-line {
Hello hel
I have the following lilypond format
dis1\<~ dis1~\!\>dis2\!
but really i want a
dis1
with < > (cresencendo / decrescendo)
underneath it. How can I do that and size the crescendo and decresendo to
my liking (say span the < to last 3 quarters of the whole note and the > to
last a quarter)
Tha
\new Voice \global
> \new Voice = "recorder" \recorder
> >>
> \new Lyrics \lyricsto "recorder" \verseOne
> >>
>
> \layout { }
> \midi { }
> }
> %%
>
> It’s more logical IMO to keep the Lyrics outside the Staff, but both work.
>
I have the following lilypond code:
\score {
\new StaffGroup <<
\new Staff << \global \recorder >>
\new Lyrics \lyricsto "recorder" {
\verseOne
}
\new Staff << \global \viola >>
>>
\layout { }
\midi { }
}
However I get the error:
*cannot find Voice `recorder'*
"
I have the following music :
\tempo 4=40
\time 4/4
\clef bass
\barNumberCheck #1
b,1\glissando
\barNumberCheck #2
\once \hide NoteHead bes4\glissando a2\glissando \once \hide NoteHead
a4\glissando
\barNumberCheck #3
\once \hide NoteHead a4\glissando b-\markup{"don't articulate b. stop gliss
e
I would like to add the engraving of
in an editorial note
within the markup below an actual note event.
It simply needs to show the interval of a fifth and that the top
note has the harmonic note head.
How can I do that?
The following throws an error saying you can't add music functions in the
Here is the eps file:
https://www.mediafire.com/?xhsu0jiidib2k9u
What is the simplest lilypond file I could make to prove that it is not the
larger structure of the file and is the eps file causing problems.
And if it is the latter case, how do I ameliorate the eps file? I simply
did an export f
I have a local EPS file called "niolin.eps" which I am trying to add to my
markup. I think i need to add a bounding box for it for it to work, but am
not sure how to do that.
I exported the EPS file directly from Adobe Illustrator.
Here is the lilypond error code:
Wrong type argument in positio
So I have the following seperate .ly file:
\include "eiertanz-1.ly"
\header {
instrument = "Violin"
}
{
\violinOne
}
Which prints the variable which points to the *Voice* violinOne defined in "
eiertanz-1.ly"
however the whole score prints and then the single voice is printed. How
Can I onl
urves like the above slur but without
actually engraving noteheads, just the curve itself.
On Mon, Nov 16, 2015 at 1:37 PM, Ryan Michael
wrote:
> The curves, say, on the second treble staff, in the image.
>
> On Mon, Nov 16, 2015 at 12:09 AM, Andrew Bernard > wrote:
>
>&
e
> image or otherwise indicate what you need? There exist a variety of
> different methods for curves of various sorts.
>
> Andrew
>
>
> On 15 Nov 2015, at 12:56, Ryan Michael wrote:
>
> I have some glissandi curves that I would like to input into my lilypond
> score
I have some glissandi curves that I would like to input into my lilypond
score.
Is it possible to load some vectorized equivalent across x Bars? Or to
simulate my original hand drawn curves somehow?
Here is the example of the notation style I would like to make:
https://www.mediafire.com/?eb1c0gw7
yes!
On Wed, Nov 11, 2015 at 11:59 PM, Urs Liska wrote:
> Am 12.11.2015 um 08:02 schrieb Ryan Michael:
> > I was wondering if there is a way to shift out of the divisive time
> > model of lilypond
> > and simple engrave notes, of whatever value, without setting a global
Looks like I could just use the example for Chants or Psalms notation:
http://lilypond.org/doc/v2.18/Documentation/snippets/rhythms#rhythms-changing-time-signatures-inside-a-polymetric-section-using-_005cscaledurations
On Wed, Nov 11, 2015 at 11:02 PM, Ryan Michael
wrote:
> I was wondering
I was wondering if there is a way to shift out of the divisive time model
of lilypond
and simple engrave notes, of whatever value, without setting a global
system of bars. I know that you can remove bars, but, at least in that
case, in the background, it still is functioning under the global time
s
and extra staff symbol below each real staff with lines.
Please see attached.
On Wed, Oct 28, 2015 at 1:44 PM, Malte Meyn wrote:
>
>
> Am 28.10.2015 um 21:26 schrieb Ryan Michael:
>
>> On Wed, Oct 28, 2015 at 12:52 PM, Malte Meyn
>> wrote:
>>
>>
>>
On Wed, Oct 28, 2015 at 12:52 PM, Malte Meyn wrote:
>
>
> Am 28.10.2015 um 20:37 schrieb Ryan Michael:
>
>> The following is the snippet that happens *within *my single voice cello
>> score.
>>
>> \new Staff <<
>>\new Voice = "first&quo
I know there are ways in lilypond to not display the stem. I would
like to do something slightly different, which is to position the note head
associated with a stem at varying distances away from the stem to denote a
relative rhythmic placement which can be seen in Xenakis' Mists
https://www.youtu
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