> See the previous posting with the travel details. You'll need a type B
> local transport ticket.
>
I will be at Dortmund more or less tomorrow by 15.30, if someone else
is arriving to at this hour (or in a similar timespan), we can try the
trip together, I will try U41 + bus + feet (but probably
On Sun, Aug 19, 2012 at 3:02 PM, David Kastrup wrote:
>
> Details are still somewhat fuzzy since I don't have all that much
> feedback concerning who will arrive when and leave, but there are some
> corner points.
>
> Apparently Janek will be arriving in advance. No details yet as to his
> exact
On Thu, Aug 2, 2012 at 5:15 PM, Nils wrote:
>> What else could we do to "work together"? (be it with musescore,
>> denemo, laborejo, elysium, etc)
>> - Graham
>
> For my part: nothing. Laborejo is created for Lilypond, not just a notation
> tool with an exporter. I can adapt to any Lilypond chan
On Sun, Jul 29, 2012 at 11:03 AM, David Kastrup wrote:
> Rodolfo Zitellini writes:
>
>> Hi All!
>> is the meeting open to all users?
>
> Yes. We need to keep track of the head count and have to cater for
> accommodation/food accordingly, but that does not seem like mu
On Fri, Jul 20, 2012 at 10:40 PM, David Kastrup wrote:
>
> Hello,
>
> before further delaying the announcement due to minor issues (for
> example, OpenStreetMap wants to have the meeting occur in an electrical
> power transformer array), here is the web site with the information.
> I'll add forgot
On Tue, Jun 19, 2012 at 2:58 PM, Colin Campbell wrote:
> On 12-06-19 01:03 AM, Janek Warchoł wrote:
>>
>> On Tue, Jun 19, 2012 at 8:55 AM, Rodolfo Zitellini
>> wrote:
>>>
>>> who is the maintainer of musicxml2ly? I made a small small patch to
>>>
On Wed, May 16, 2012 at 7:55 PM, Colin Hall wrote:
>
> On Wed, May 16, 2012 at 10:42:09AM +0200, pls wrote:
>> It's not a regression. It has never been officially fixed. A while
>> ago I posted a bug report and a minimal example:
>> http://old.nabble.com/musicxml2ly%3A-chordnames-placement-bug-td3
On Mon, Jun 18, 2012 at 4:00 PM, Janek Warchoł wrote:
> On Mon, Jun 18, 2012 at 1:27 PM, Rodolfo Zitellini wrote:
>> ... if I add another staff above, the figures seem to stick on the
>> bottom of the upper staff:
>>
>> Snippet [..]
>>
>> You should ge
On Sun, Jun 17, 2012 at 2:09 PM, David Nalesnik
wrote:
> Hi Rodolfo,
>
> On Sun, Jun 17, 2012 at 5:22 AM, Rodolfo Zitellini
> wrote:
>>
>> I am looking a bit on the bracketed-accidental issue (which could be
>> my only conditio sine qua non with my publisher).
&g
On Sun, Jun 17, 2012 at 12:52 PM, Xavier Scheuer wrote:
> On 16 June 2012 11:45, Rodolfo Zitellini wrote:
>> Hi All,
>> I have to prepare a book to follow the house style of my publisher,
>> and I'm struggling a bit with the following things:
>>
>> 1) Align
parenthesis/bracket and change the
glyph? or in alternative add a callback to I can hook a custom bracket
stencil? what do you think?
Thanks,
Rodolfo
On Sat, Jun 16, 2012 at 11:45 AM, Rodolfo Zitellini wrote:
> Hi All,
> I have to prepare a book to follow the house style of my publisher,
>
Hi Nelson,
this is an issue with QT 4.8 in macports, that seems not to behave
well with Frescobaldi. I prepared a version with the old 4.7, but with
this version the pdf preview is broken. Unfortunately I did not have
any further time to see this issues, I hope to find some this summer.
If you want
Hi All,
I have to prepare a book to follow the house style of my publisher,
and I'm struggling a bit with the following things:
1) Aligned BassFigures ABOVE the staff.
The publisher wants them all above. I include the figures to my Staff
context and set \bassFigureStaffAlignmentUp: it works, but e
On Tue, May 29, 2012 at 1:45 PM, Federico Bruni wrote:
> 2012/5/29 Jan Nieuwenhuizen :
>>
>> Just to make sure you have seen
>>
>>
>> http://www.opengoldbergvariations.org/b-sendorfer-sponsors-open-goldberg-project-providing-concert-grand-ceus-recording-technology-0
>>
>> Wouldn't LilyPond hav
On Tue, Mar 27, 2012 at 4:09 PM, Wilbert Berendsen wrote:
> Op Tue, 27 Mar 2012 10:38:54 +0200
> Philippe Massart schreef:
>
>> File
>> "/Users/philippe/Desktop/frescobaldi.app/Contents/MacOS/frescobaldi_app/po/setup.py",
>> line 46, in current if not language or language.isNull():
>> Attribute
On Mon, Mar 26, 2012 at 12:11 AM, vic hug wrote:
> hello,
>
> seems to work here (mbpro 15" early 2011 osx 10.6.8), but can't find
> Lilypond, asks to check for lily path and permissions and i don't see where
> i should indicate the path. Anyway, i'm starting with updating Lilypond,
> which i have
On Sun, Mar 25, 2012 at 6:45 PM, Stan Sanderson wrote:
>
> On Mar 25, 2012, at 8:37 AM, Rodolfo Zitellini wrote:
>
>> Hi All,
>> I did some quick and quite dirty esperimenting with cx_freeze, and I
>> should have something more or less working which I'd
I fixed the icon :)
BUT I am having some issues with various TypeErrors with
PyQtNullVariants, ex., in the open menu item:
Traceback (most recent call last):
File "/Users/xhero/devel/frescobaldi-2.0.4/frescobaldi_app/mainwindow.py",
line 372, in openDocument
files = QFileDialog.getOpenFileNa
Hi All,
I did some quick and quite dirty esperimenting with cx_freeze, and I
should have something more or less working which I'd like to test on
other systems:
http://www.xhero.org/frescobaldi.zip
this was compiled on macos 10.7.3 intel with qt 4.8 from macports. The
archive should contain every
I can give this a try. I tried using py2app on frescobaldi but it had
some issues and I didn't have time to sort them out.
Rodolfo
On Thu, Mar 22, 2012 at 5:29 PM, Wilbert Berendsen wrote:
> Hi all,
>
> Unfortunately I don't have access to a Mac. But it would be very nice
> if someone is able to
On Mon, Mar 12, 2012 at 2:52 PM, John Link wrote:
>
> On Mar 12, 2012, at 9:42 AM, David Bobroff wrote:
>
> On 3/11/2012 6:39 PM, John Link wrote:
>
> A few years ago I was encouraged to try LilyPond as an alternative to
> Sibelius because LilyPond produced more beautiful scores. I was also told
>
There are loads of music up to the 20th century that wait to be
published in a good edition, but I think the kikstarter was so
successful mostly because the Goldbergs are a quite popular and
famous.
We could easily find something appealing to scholars like me (I dream
of and integral of Torelli :)
Ciao Wilbert,
I have been using Frescobaldi a bit for some work on MacOS X and I can
say it works like a charm! Thanks for your nice work!
I just have an annoying issue with the Music View: the scrollbar size
does not seem to get calculated correctly and it is possible to scroll
the doc only for ci
On Tue, Sep 27, 2011 at 12:11 PM, Wilbert Berendsen wrote:
> Hi There,
>
> after almost one year of frantic development I'm happy to announce a
> usable alpha-release of Frescobaldi 2.0 (version 1.9.0).
>
> https://github.com/wbsoft/frescobaldi (click Download)
>
> Frescobaldi is a dedicated LilyP
Hi all!
This is roughly what I did:
1) I already had a working macports installation with some very basic
libs (www.macports.org), and I already had python 2.7 installed
2) I installed qt 4.7 w/bindings: sudo port install py27-pyqt4
This downloaded and compiled qt4 - qt4-mac
With this setup,
Fantastic!
out of curiosity I tried running Frescobaldi on my mac and after
fiddling a bit wit macports to get native qt4 and poppler, it works
quite well indeed :)
Cheers,
Rodolfo
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.
Hello,
I'm transcribing a piece that starts with a \grace, more like the
following snippet:
%%
notes = \relative c'' {
\clef "treble" \key es \major \time 4/4
\grace { as16 } g16 [ f16 es16 d16 ] c16 [ es16 d16 c16 ]
d16 [ c16 b16 a16 ] g4 ^\trill
}
\score {
\new Staff <<
Fantastic, that quite did it!
thanks
Rodolfo
On Sun, Feb 20, 2011 at 11:01 PM, Gilles THIBAULT
wrote:
>> process of converting
>> them manually to two separate voices:
>> 8
>>
>> becomes
>>
>> << { e8 f g a} \\ { c8 d e f } >>
>>
>
> With the function \extractNote of the snippet you have given
Hi all,
I have two voice passages in music written out as chords, and since I
need separate beams (up and down), i'm in the process of converting
them manually to two separate voices:
8
becomes
<< { e8 f g a} \\ { c8 d e f } >>
Now I was wondering, is there a way I could do this in scheme? T
>> We do actually have one:
>>
>> http://lsr.dsi.unimi.it/LSR/Item?id=155
>
> Actually this is not quite the same thing.
>
> Showing a tweak to show 'smaller' accidentals would be useful to others. So
> I think we could probably 'update' this LSR snippet (rather than create a
> new one) to include
>
> What about making cautinary accidentals and:
> \override Voice.AccidentalCautionary #'font-size = #-5
> \override Voice.AccidentalCautionary #'parenthesized = ##f
>
> Toine
>
Hi Toine,
you actually anticipated me by a few minutes :)
Yes overriding AccidentalCautionary is the best solution, I
Dear All,
The house style of my publisher wants suggested accidentals to be
displayed usign a smaller font than "normal" ones. This is done easily
overriding the font size for every accidental. BUT how do I do this is
a chord? Let's suppose I have a three note chord
And I want the cis to have th
On Wed, Apr 21, 2010 at 11:03 PM, Neil Puttock wrote:
>
> Nasty. :)
>
> Thanks for reporting this; I'll add it to the bug tracker once I've
> done a few more tests.
>
> It seems any override for Stem which precedes the nested override
> triggers the crash. Looks like there's a bug in the nested p
Dear list,
Compiling the following snippet
notes = \relative c' {
\clef treble \key c \major \time 2/4
s16 [g s g ] s16 [g s g ] |
s16 [g s g ] \override Stem #'(details beamed-lengths) = #'(15 15)
s16 [g s g ] |
s16 [g s g ] s16 [g s g ] |
s16 [g s g ] \rev
On Wed, Mar 31, 2010 at 7:41 PM, Aaron Dalton wrote:
> My master's thesis is a modern edition of a book of 16th-century madrigals.
> It is comprised of two parts: the first is all the discursive stuff, and
> then the second is the text, scores, and apparatus. I simply have a single
> .lytex file
On Wed, Mar 31, 2010 at 9:57 PM, Karl Hammar wrote:
> Rodolfo:
> ...
>> So I am wondering: has anyone experience in publishing his works
>> trough a professional publisher?
>
> I'm my own publisher.
>
I think this simplifies thing a bit, since you don't have to adapt to
someone else's (still unkn
Hi Mike,
> LilyPond's native facilities for setting pure text are very crude. I
> think that you will need to use LaTeX, or some similar system based on
> TeX, to get good layout of your text. I have used LaTeX/AMSTeX quite a
> bit to set mathematical works. You have probably already noticed
> l
Dear list,
I will be doing my thesis (a transcription of eighteenth-century
keyboard music) all with lilypond. I am also contracting with a music
publisher to have it published. Since this publisher lets the editor
(me) do all the layout I am pressing them to do the book all in
lilypond. AFAIK they
no hints anyone?
thanks
rodolfo
On Mon, Jan 18, 2010 at 6:35 PM, Rodolfo Zitellini wrote:
> I tested it with 2.12.2 and 2.13.3
> thanks
> Rodolfo
>
> On Mon, Jan 18, 2010 at 5:57 PM, Reinhold Kainhofer
> wrote:
>> -BEGIN PGP SIGNED MESSAGE-
>> Hash: SHA
I tested it with 2.12.2 and 2.13.3
thanks
Rodolfo
On Mon, Jan 18, 2010 at 5:57 PM, Reinhold Kainhofer
wrote:
> -BEGIN PGP SIGNED MESSAGE-
> Hash: SHA1
>
> Dear Rodolfi,
>
> Am Montag, 18. Januar 2010 17:33:26 schrieb Rodolfo Zitellini:
>> I have a little problem
Dears list,
I have a little problem with the spacing between staves with lyrics.
When all the voices are singing and every voice has it's text,
everything is ok and evenly spaced. But when one or more voices are
silent the vertical space between the silent voices is reduced, giving
a very ugly layo
Hello,
is there someone familiar with the code for the incipit in
http://lsr.dsi.unimi.it/LSR/Item?id=582 ?
The incpits work wonderfully - until I try to put in many pauses. Then
the spacing is just awful, all the pauses are far away from each
other. You can actually see this in the snippet where t
Hello all,
Has the instrument name positioning changed in 2.13.4? The code for
the incipit (http://lsr.dsi.unimi.it/LSR/Snippet?id=582) seems to
completely break since this release. Is there a detailed changelog of
what happened so I can fix it?
thanks,
Rodolfo
___
automatically produce void
3/2 and 'normal' 3/2 from the same input.
Thanks all!
On Mon, Sep 28, 2009 at 10:20 AM, Rodolfo Zitellini wrote:
> Yes, but I would not have correct crotchets - in this type of void
> notation crotchets are written out as quavers, with connected stem
nd then alter the note heads. This should give you correct
> stems.
>
> /Mats
>
> Rodolfo Zitellini wrote:
>>
>> Hello list,
>> I am trying to typeset a piece in 3/2 void notation. I entered all the
>> music in 3/4 and altered the noteheads with #'durati
> Out of interest, why not enter the music in 3/4 ? I'm missing
> something here.
Well yes, it would be indeed simpler to typeset everything in "normal"
3/2 (or 3/4 halving everything), :) but in this particular case I am
trying to faithfully reproduce the look of a seventeenth century
piece, wit
Hello list,
I am trying to typeset a piece in 3/2 void notation. I entered all the
music in 3/4 and altered the noteheads with #'duration-log = 1 to make
all notes white. This fakes 3/2 ok, but all notes bigger than a minim
(in 3/2) now have stem, which requires me to turn on and off all the
stems
On 11/14/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> If you only want larger spacing between the score lines, you should
> instead look at section "Vertical Spacing" and read about
> betweensystemspacing. Note that you can also set the extent of each
> separate Staff by setting the property li
On 11/14/05, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
> Please always keep the discussion on the mailing list,
oops, excuse me, I didn't realize that the From: filed of the mail had
the personal emain and not the list's.
> I hope you know that you have increased the default space occupied by
> e
Hi all,
I am planning of typesetitng with lylipond a large quantity of vocal
music with instruments for a pubblication. I am quite new to lilypond
but after some work I was able to typeset the foist movement of the
first chorus (eight voices + nine instruments). While everything seems
to work out w
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