> The general principles are described in the section on "Vertical spacing
> inside a system" in the manual.
In the 2.10.14 manual the section is called simply "Vertical Spacing,"
but thank you; this is exactly the pointer I needed. Your suggestions
solved my problem.
But your suggestions seem t
How do I move the chord symbols up from the staff in a lead sheet? The
chord symbols come very close to the textscripts and I want to move
them apart. Thanks!
-- Robert
P.S. Version 2.10.14.
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> Oh, there is a misunderstanding. I haven't said that this is the
> wrong way (rather the opposite). I was just wondering what you are
> actually trying to do.
I see. I explained what I am actually trying to do in a different
message. Basically I want "Fine" at the end of one line, and a letter
> That's also solve in the latest development versions.
How stable are the development versions? If I try using them, will I
be happy or more frustrated?
Many thanks for your advice!
-- Robert
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> This is what I've said: You are using the RehearsalMark mechanism to
> place a fermata and a tempo indication. Neither of them is a real
> rehearsal marks actually.
The user manual recommends using "\mark" for both of those. See
section 8.1.3.
If the manual is recommending the wrong way, what
I wrote:
> Werner wrote:
> > Robert wrote:
> > > I want a rehearsal mark at the end of one line, and a different
> > > rehearsal mark at the beginning of the next line.
> > Hmm. I've never seen this before. I assume that you use the
> > RehearsalMark grob for something different, right?
> I don't
> > I want a rehearsal mark at the end of one line, and a different
> > rehearsal mark at the beginning of the next line.
>
> Hmm. I've never seen this before. I assume that you use the
> RehearsalMark grob for something different, right?
I don't understand your question. Something different fr
> > I wonder, though, how I can get it to appear *below* the chords...
>
> One method is to typeset the text as a text script instead of using \mark:
>
> | c'4^\markup { \huge \line{ \box "C" \bold "(first time only)" }}
>
> Then it will be connected to the stave and therefore the chords
> w
following files disappears. How do I
get them both to appear in the right places?
-- Robert Kennedy
--
\new Staff { c''1
\once \override Score.RehearsalMark #'break-visibility =
#begin-of-line-invisible
> I've probably missed something, but in v 2.10.14/2.11/14 and
> 2.10.15/2.11.15 if convert-ly is invoked (through Update Syntax), the
> following message is presented:
>
> Traceback (most recent call last):
>File "/Users/ssanders/Documents/Lilypond stuff/LilyPond 2.11.x/
> LilyPond.app
> In my experience, having played a number of pieces with glissandi, "rips"
> to us horn players, the straight line notation is quite common. I've seen
> both.
Thanks for your input on this. I have seen the straight-line option in
horn charts, but only in handwritten ones. Most horn charts (even
> In the latest development version, this problem doesn't exist anymore
> since the collision handling has been improved. Actually, the result you
> get there is similar to what you get if you add
> \once \override Score.RehearsalMark #'padding = #6
> before the corresponding \mark command, i.e
es no
horizontal space, but does take vertical space.
Thanks for any help with this!
-- Robert
\header{
title = "Bouncing with Bud (Bebop in Pastel)"
composer = "Earl Rudolph \"Bud\" Powell"
ent
hanks!
-- Robert Kennedy
\header{
title = "Bouncing with Bud (Bebop in Pastel)"
composer = "Earl Rudolph \"Bud\" Powell"
enteredby = "Robert Kennedy"
style = "jazz"
tagline = "&qu
y setting some
property will have no effect, and (hopefully) what different property
or object I should use instead. There must be a way better than
guessing. How can I learn about it?
Thanks in advance for any help!
-- Robert Kennedy
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It seems in Lilypond (v2.10.14) the default notation for glissandos is
a straight line. I've never seen that notation used for glissando
before so I have no idea why it's the default, but that's OK because
everything can be changed, right?
So I tried "\override Glissando #'style = #'zigzag", think
Late last night I wrote:
> This looks like it should work, and LP accepts it OK, but it doesn't
> have any effect...
Embarassingly, now it seems to work. I must have been having some kind
of version control problem when I wrote that. Many thanks to everyone
who helped!
-- Rob
u'd like to try and see if it really
works for you.
Again, many thanks for helping!
-- Robert
\header{
title = "Bouncing with Bud (Bebop in Pastel)"
composer = "Earl Rudolph \"Bud\" Powell"
entered
oser = "Earl Rudolph \"Bud\" Powell"
enteredby = "Robert Kennedy"
style = "jazz"
}
harmonies = \chordmode {
bes1:maj bes1:maj b1:maj b1:maj
bes2:maj c:m7 d:m7 ees:dim7
}
melody = \relative {
\key bes \major
\repeat volta 2 { r8 f bes[ f'~]
ems like a documentation bug that there is no example
and no discussion of how to do this.
If anyone can show me the right way, I'll be very grateful! Thanks in
advance!
-- Robert Kennedy
\header{
title = "Bouncing with Bud (Bebop in Pastel)&q
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