On Tuesday 30 December 2003 20:47, Han-Wen Nienhuys wrote:
> Dear list,
>
> I am revamping parts of the fonts. Almost all of the font is ok,
> and the larger parter could even be called elegant, save for two
> groups of glyphs,
>
> * The accordeon symbols
[...]
I'm not really any kind of expert,
On Wednesday 17 December 2003 10:23, Mats Bengtsson wrote:
[...]
> > angle type brackets attached to the system?
[...]
> > Is there any
> > way to force the angle brackets onto PianoStaff?
>
> Yes, try
> \score{
>...
>\paper{
> ...
> \translator{
>\PianoStaffContext
>
On Tuesday 16 December 2003 17:58, Mats Bengtsson wrote:
[...]
> http://lilypond.org/doc/v2.0/input/regression/out-www/collated-files.
>html#beam-cross-staff-auto-knee.ly and
> http://lilypond.org/doc/v2.0/input/regression/out-www/collated-files.
>html#auto-change.ly
Yes, thanks. I've more or les
Sorry to become a pest here: I've missed my deadline but still in a
panic to finish and I cannot find how to do this
|O
| |O |O where this is in the treble clef
| | |
+---+---+---+
|
|
O|and this in the bass.
Also how do I get /
On Monday 15 December 2003 17:23, Mats Bengtsson wrote:
> Please see the section on "Fine tuning layout" in the Tutorial and
> the "Tuning objects" section in the Reference Manual.
> See also the archived email
> http://mail.gnu.org/archive/html/lilypond-user/2003-10/msg00195.html
That looks usefu
Help!!!
I have to finish this tonight!
This score has a section where there is a treble+bass system for two
lines and the rest is just one staff. How do I do it?
TIA
--
richard
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On Monday 15 December 2003 16:00, Mats Bengtsson wrote:
[...]
> can set font-relative-size if you want a smaller version of the
> symbol:
> \property Voice.Script \override #'font-relative-size = #-1
Thanks, Mats.
I think one of my problems is understanding where to put commands, and
how to turn
This is quite a learning curve! I have to use two voices in some bars,
so I end up needing to carry the two voices to wherever phrasing slurs
lead. Sometimes I have to put the same note in both voices and make
one stem transparent, so as to include all ties and slurs. Fiddly, but
manageable.
On Sunday 14 December 2003 13:17, Richard Lyons wrote:
> Another small problem.
>
> I have a tie in a phrasing slur.
[...]
Okay, the tie has now decided to print even across the time signature --
don't know what I did wrong before... But I still need to deepen the
slur (to ge
Another small problem.
I have a tie in a phrasing slur. Unfortunately the tie crosses a new
time signature, so lilypond drops it. I put a slur instead, but the
slur crashes through the phrasing slur. I think I should be able to
flatten the slur, but my best guess,
\once \property Voice.Sl
On Sunday 14 December 2003 03:39, Graham Percival wrote:
[...]
> Ahh, another LilyPond cellist! There's quite a few of us. :)
My daughter is the cellist. But good to know I'm in the right place.
> a4^\open
>
> It's in the section of the manual that deals with articulations (and
> fingerings).
I am new to lilypond (which looks really nice btw).
My first task is a cello solo. Has many harmonics, but I think there is
no way to enter them in lilypond. I've looked on the archive and only
found reference to the diamond head notation. Is there no way to enter
the small circle over the n
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