I had not seen that the link was in the PPS before sending the email...SorryRémyenvoyé : 2 mai 2022 à 06:20de : Remy CLAVERIE à : lilypond-user@gnu.org, t.j.pink...@alumnus.utwente.nl, "Tjeerd J. Pinkert" objet : Re: Automated crossed syllable binding notes?Hi Tjeerd,The two cross
Hi Tjeerd,The two crosses are the symbol of a sharp, I think.Is the whole original score available on internet ?Thanks,Rémyenvoyé : 1 mai 2022 à 22:56de : "Tjeerd J. Pinkert" à : lilypond-user@gnu.orgobjet : Automated crossed syllable binding notes?Dear users,I'm trying to set some music in petru
Attached an other way to create aligned incipits.HTHRémyenvoyé : 19 avril 2022 à 16:34de : Adam Griggs à : lilypond-user@gnu.orgobjet : Re: Incipit alignmentUse that \incipit command, and move as much as you can to the \layout block to simplify the \score.See the attached file for how I do it. On
Alasdair,I am not sure to correctly understand what you want to do...Do you have a small example ?ThanksRémyenvoyé : 9 février 2022 à 08:16de : Alasdair McAndrew à : lilypond-user@gnu.orgobjet : Setting relative pitch as a global declaration?I'm sorry about all these damn-fool queries of mine; I
Hi Alaisdair,What about : \markup\fill-line{ \null \fontsize #2 \italic "Au Rondeau puis au premier"} ??Rémyenvoyé : 8 février 2022 à 08:04de : Alasdair McAndrew à : lilypond-user@gnu.orgobjet : Right justifying text between systemsHello,I'm typesetting some French late baroque music, which start
Omid,
You should consider using a VPN, I think.
Good luck
Rémy
> Message du 02/11/21 16:14
> De : "Omid Mo'menzadeh"
> A : "Phil Holmes"
> Copie à : "lilypond-user"
> Objet : Re: LilyPond website is not available in some countries
>
>
Well, that's good news, since it would mak
Hi Stéphane,
I think you need to have several Lyrics like :
altoWords_A = \lyricmode {
\set stanza = "1. "
% 1st verse and chorus
}
altoWords_B = \lyricmode {
\set stanza = "2. "
% 2nd verse and chorus
}
altoWords_C = \lyricmode {
\set stanza = "3. "
% 3rd verse
Hi Jerry,
Here is a MWE with ossia/lyrics:
\version "2.18.2"
OssiaLyrics = \lyricmode {
Ma -- gni -- fi -- cat
}
\new Staff
<<
\new Voice \relative c {
c''4 b d c
<<
{ c4 b d c }
\new Staff
<<
\new Voice = "V" \relative c'' { e4 d f e }
Hello Paul,
Here is a small example to show you how I use lyrics for cue voices. I am not
sure that it is the best lilypondic-way to code, but it works.
Have a nice day,
Rémy
PS : Sorry for the notes in Italian.
\version "2.18.2"
\include "italiano.ly"
cueVerseII = \new Voice \re
David,
If I correctly understand your problem, you need to have the Lyrics of the alto
voice above the Staff after the eight bar.
I think the best solution is to use the 'alignAbovecontext' which sould be
applied to a 'Staff' context. You will find a proposal attached to this email.
If y
Hi Stacy,
Here is a excerpt of a score, including a markup with a score inside (version
2.16.2) :
d1 ~d8 fis8 gis8
^\footnote \markup \tiny "See footnote" #'(-.1 . .1) \markup {
\lower #0.8 { \super { * } } "Original:"
\left-align \score {
\new Staff \with {
\remo
I think you're right because the numbering has changed over the last century
and I'm not familiar with it. The lithurgy at Luther's time had 150 psalms.
Rémy
> Message du 20/08/19 16:02
> De : "Karlin High"
> A : "Remy CLAVERIE" , &q
Greetings to all,
This piece does not come from a book of psalms (there atre no more than 150
psalms) but from a song book (GesangBuch) and this is not the original metering
which is only 2/2. the original pitch is also a 3rd higher.
Have a nice day,
Rémy
> Message du 20/08/19 15:
I Confirm the Vaughan's opinion.
'Behind bars' is a must have book, very well structured and documented. I paid
it around 60€ in 2015.
Rémy
> Message du 14/05/19 03:11
> De : "Vaughan McAlley"
> A : "lilypond-user"
> Copie à :
> Objet : Re: "D.C. al Fine" best practice
>
>
Hi Stephan,
Elaine Gould (Behind bars - Ed. Faber Music) wrote 2 pages on Da Capo and Dal
Segno layouts.
Her recommandation is to add the term 'al Fine ' below the 'D.C' term. No
more...
But from the example, we can see (page 238) that this markup is written below
the staff, in italic a
Hi Paul,
I don' know why the code doesn't work as expected because I dislike the
cueDuring function.
Nevertheles, here is a proposal with an other solution :
\version "2.18.2"
oboeNotes = \relative c' {
R1 a'1 R1
}
CueNotes = \relative c' {
c1 s1 d
}
words = \lyricmode { worda wordc
Hi Bernhard,
To have an empty, I use this bookpart :
\bookpart {
\markup \null \pageBreak
\header {
tagline = ##f
title= ##f
composer = ##f
}
}
HTH
Have a nice day,
Rémy
> Message du 01/10/18 13:42
> De : "Bernhard Kleine"
> A : lilypond
Thanks a lot !
I confirm that I.mo stands for 'Primo' and 2.do stands for Secundo.
Have a nice day,
Rémy
> Message du 09/02/18 11:48
> De : "Johannes Roeßler"
> A : "Remy CLAVERIE" , lilypond-user@gnu.org
> Copie à :
> Obje
Hi Johannes,
I am also interested by the fasimile of this cantata. Could you send us the web
link ?
Thanks a lot,
Rémy
> Message du 09/02/18 09:58
> De : "Johannes Roeßler"
> A : "Andrew Bernard" , lilypond-user@gnu.org
> Copie à :
> Objet : Re: Tromba "mo"
>
>
Hi Andre
Hi Robert,
Instead of using \voiceTwo, you could add a new tag : \tag #'tag_orchestral {
\voiceTwo}
I think this method will give you the expected result.
HTH
Rémy
> Message du 15/10/17 16:21
> De : "Robert Kubosz"
> A : lilypond-user@gnu.org
> Copie à :
> Objet : Switch b
Hi Luca,
I think that you have to donwload the fonts into the '.fonts' directory of your
home (beware to the 's' at the end of the name). If it does'nt exist, you must
create it. Then, run the 'fc-cache -v- -f' and all the new fonts should be
available for all the software, including libreof
May be she was talking about the IMSLP website ?
The best,
Rémy
> Message du 24/05/17 11:10
> De : "Manuela Gößnitzer"
> A : "Sarah Fosdick"
> Copie à : "lilypond-user Mailinglist"
> Objet : Re: Permission for music
>
>
Which website would that be? AFAIK this here is a
Hi Robert,
You can use this definition:
ficta = { \once \override AccidentalSuggestion #'parenthesized = ##t \once \set
suggestAccidentals = ##t }
And use it this way just before the note with an ? : cis4 \ficta cis?
Have a nice day,
Rémy
> Message du 24/05/17 10:59
> De :
Hello Dirk,
Could you give me the complete example. I will try to see howto to resolve your
problem.
thanks a lot
Rémy
> Message du 20/05/17 18:24
> De : "Dirk Koopman"
> A : lilypond-user@gnu.org
> Copie à :
> Objet : Add second set of lyrics part way through a movement
Hi Devon,
As a Python programmer I could help you, but I did not understand what is the
job to do...
Could you send me some files and explain with a example what you'ld like ?
Thanks a lot
Rémy
> Message du 30/03/17 10:45
> De : "Devon LePage"
> A : "Lilypond-User Mai
Thanks a lot,
Rémy
> Message du 02/09/16 07:03
> De : "David Wright"
> A : "Remy CLAVERIE"
> Copie à : lilypond-user@gnu.org, "Karen Billings"
> Objet : Re: Horizontal positioning of rests
>
> On Fri 02 Sep 2016 at 06:55:31 (+02
Hi David,
What is the book that you named 'NM' ?
Thanks a lot
Rémy
> Message du 02/09/16 05:15
> De : "David Wright"
> A : "Karen Billings"
> Copie à : "Lilypond-User Mailing List"
> Objet : Re: Horizontal positioning of rests
>
> On Thu 01 Sep 2016 at 20:49:04 (+),
Charles,
Could you tell us where this piece come from ?
Thanks a lot !
Rémy
> Message du 24/05/16 17:11
> De : "Charles Johnson"
> A : "Remy CLAVERIE" , "LilyPond Users"
> Copie à :
> Objet : Re: Melisma problem
Like that :
\version "2.14.2"
PartPOneVoiceTwo = \relative f {
\clef "treble_8" \key a \major \time 4/4
a2 a4 a4 a2 a4 r4
a2 a4 a4 a2 a4 r4
a2. gis4 fis1
e1 a2 r2
a2 a4 a4 a2 a4 r4
g2 g4 bes d4. d,8 d4 r4
d2 e4 e a2 a2
fis4 fis a4 a
b2 b2 b1 e,2 r2
e2 gis4 b ais2 ais
b2. b4 ai
OK. thnaks for this information !
Rémy
> Message du 24/02/16 15:39
> De : "Richard Shann"
> A : "Remy CLAVERIE"
> Copie à : "Phil Holmes" , "David Kastrup" , "Thomas Morley" , "lilypond-user"
> Obje
Thanks, it works great !!
Regards
Rémy
> Message du 24/02/16 15:04
> De : "David Nalesnik"
> A : "Remy CLAVERIE"
> Copie à : "Thomas Morley" , "lilypond-user"
> Objet : Re: BarNumber instead of shortInstrume
Because, I am under ubuntu 14.04 and the default version is Lilypond 2.16.2. I
am not an admin on this pro computer, so I can't upgrade...
Rémy
> Message du 24/02/16 14:48
> De : "Phil Holmes"
> A : "Remy CLAVERIE" , "David Kastrup"
Hello David,
Because the syntax between the 2.16 and the 2.19 versions are quite different
and I do not manage to correct this "unbound variable error"...
Thanks
Rémy
> Message du 24/02/16 13:14
> De : "David Kastrup"
> A : "Remy CLA
tring (ly:grob-property g 'text)))
(filter
(lambda (e)
(eq? (grob::name e) 'BarNumber))
(ly:grob-array->list
(ly:grob-object (ly:grob-system grob) 'all-elements
string-ci Message du 24/02/16 12:03
> De : "Thomas Morley"
> A : "Remy CLAVERIE"
> Co
Yes !
Thanks,
Rémy
> Message du 24/02/16 10:48
> De : "Phil Holmes"
> A : "Remy CLAVERIE"
> Copie à :
> Objet : Re: BarNumber instead of shortInstrumentName
>
>
Do you mean the left side?
> --
> Phil Holmes
----
Dear lilypond users,
I would like to place BarNumbers at the right side of a StaffGroup, but I do
not see how to do that. I frist used the X/Y-offset properties but it was not a
good idea because the distance between staves of a StaffGroup is flexible; so
numbers were never really horizontal
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