Is it possible to manually set the page number with which lilypond begins when
it engraves its page numbers for a given score? Perhaps a means analogous to
that by which one can manually set the bar number with which lilypond begins
when it engraves its bar numbers for a given score:
\set Score.
Depending on context, a particular begin-repeat sign or end-repeat sign will
refuse to print even though others are printing fine within the same document.
Gmane would not allow me to post a snippet, but one can be found at
http://pefty.elementfx.com/repeat%20sign%20problem.ly
Please share any i
I would like to provide a running text translation across the top of each page
of a vocal score I am creating. I assume the easiest way to do this would be
with the \header block, but I'm having trouble figuring out how to specify what
header to place on each page.
If the \header block, is not th
When a repeated section begins in one clef and ends in another (as in the Basso
Continuo part I'm working on), it would be nice to be able to add a "reminder"
clef at the end of the repeated section, to alert the player to return to the
original clef when the repeat sign is reached.
This behavio
I am producing an edition in 4/2 time, but I would like to use the traditional
symbol for cut time (ยข) rather than the numerical signature (4/2). Is there a
straightforward way to do this and still have lilypond create measures that are
4 half-notes long instead of two half-notes long?
Thanks
pet
Francisco Vila gmail.com> writes:
> Here goes another (uglier) starting point:
>
> arrows = \markup { \postscript #psarrows }
>
> { c'1-\arrows }
>
> % end
Thanks, Francisco! Unfortunately when I try to implement this code, lilypond
fails to recognize \postscript. I'm in v.2.10.33-1, so I
Kieren MacMillan sympatico.ca> writes:
> >> So, is there a lilypond slashcommand to
> >> render the little diverging arrows that appear
> >> at the end of a staff that's about to be
> >> divisi beginning in the next system?
> You might start with the following:
> arrow = \markup { \fontsiz
Peter Kaplan gmail.com> writes:
> So, is there a lilypond slashcommand to
> render the little diverging arrows (point-
> ing "northeast" and "southeast") that appear
> at the end of a staff that's about to be
> divisi beginning in the next sy
Kieren MacMillan sympatico.ca> writes:
>
> As for "straightforwardly"... Does anyone know why it is that "layout-
> set-staff-size does not change the distance between the staff
> lines"?? It's quite a pain to try to figure out the correct magstep
> adjustment for every different score and/o
Kieren MacMillan sympatico.ca> writes:
>
> Hope this helps!
> Kieren.
>
Indeed! Thanks much. Now I just need to figure out how to straightforwardly
adjust staff sizes between the different movements.
Set Global-Staff-Size
does a nice job adjusting everything at once, but it seems this comm
I would like to set two short movements of a piece on the same page, but with
different line-widths (one movement's lines set at 18cm, the other's left to
vary with the text). What is the easiest way to implement this, within a single
score? Can I apply a unique
\paper { }
block to each individ
Dave mho.com> writes:
>
> I'm transcribing a violin piece that
> has divisi and unison. The divisi portions
> are not synchronsous (i.e. they have
> basically different parts) and need to be
> on separate staffs. How would I make a
> score that has 2 staffs for the divisi
> part and 1 st
This question is answered in the second example of the section on
Dynamics in the manual. Peter, can you provide a hint on how to make it
even more clear?
/Mats
It is very difficult to say any of this clearly and concisely. The only
positively misphrased bit seems to be the phr
I am interested in making phrasing slurs that are (graphically, not
rhythmically) dotted or dashed, in order to differentiate them visually from
ordinary legato slurs (to be represented with solid slurs). Is there a way to
do this straightforwardly in lilypond? I Was not able to find it in the ma
Occasionally a crescendo or decrescendo needs to begin not at the commencement
of a note's duration, but rather halfway through the note. Can such a situation
be properly typeset using lilypond? If so, how?
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