How can this be done?
N.B. My goal is also Gould's preferred way of engraving such chords; see
p. 58: Overlapping Chords. By default, LilyPond outputs her example
chords as she would have them "in cramped conditions":
<<
{
\cadenzaOn
2.
} \\ {
2.
}
>>
Thanks in advance,
Owen Lamb
th everyone in the development community, and
I'd like to stick around if I can. I plan on continuing to improve SMuFL in
LilyPond, but in case I don't follow through, I've included in the summary
a list of what to do next.
Happy LilyPonding,
Owen Lamb
Arizona State University
ad. Is this distinction important enough that we
should ask to make it an official part of SMuFL? (If not, it'll still be
around in our font, but it won't be as likely to be found in future fonts
made by other folks who abide by the standard.)
Thanks in advance for your input,
Owen Lamb
Hi Paolo,
To customize spacing after a barline or time signature grob (or any other
similar grob, like a clef), you can try overriding properties in its
space-alist. The first-note property dictates spacing when a grob is next
to the first note in a line; the next-note property is for when this
ha
Hi Michael,
Looks like LilyPond prints both lv ties, but they end up at exactly the
same spot. The ^ and _ prefixes let you specify direction for most
anything, including \laissezVibrer, so you could do this to separate them:
\new Staff {
<<
{
d,4 ^\laissezVibrer ^\markup{ 0.0 }
}
Hi Caio,
I'm not sure if there's a way to customize the coded order of accidentals,
and for some reason tweaking the X-offset property doesn't seem to work
either. In your case, making a couple of manual tweaks to the flat's and
double-flat's extra-offset properties (which are added after all the
