original message-
From: "Mats Bengtsson" mats.bengts...@ee.kth.se
To: "Oscar van Eijk" oscar.van.e...@oveas.com
CC: "lilypond-user Mailinglist"
Date: Wed, 27 Jan 2010 01:13:35 +0100
-----------
(Sorry Mats, just answered directly to you, I still can't get used to the
Reply button using the sender's address iso the list :-S Anyway, this is
forwarded to the list)
--
Oscar van Eijk
Oveas Functionality Provider
Zwaardenburg 63 -- 3437 RJ Nieuwegein
T: +31(0)30 - 889 7812 -- F
Hi All,
I'm currently engraving a piece for several instruments, one of them an
acoustic guitar.
I'ld like to be able to print both the full score, and the instruments
separately, in which case I wanna print guitar tabs as well.
At some locations I add a second voice, as in the snippet I includes
Hi all,
Thank u all for your answers.
I'll go for Alexander's solution. Indeed not the most beautiful one in
the code, but the result is exactly what I want.
Oscar
On Thu, 2009-07-23 at 20:21 +0200, Alexander Kobel wrote:
> Oscar van Eijk wrote:
> > I've attached an
Hi all,
I wrote a piece for piano that I'm now typesetting in Lilypond. However,
there's a construction in which I run into problems.
I've attached an snippet that shows a bit what I need (it's the same bar
twice); the triplets in the left hand are connected to a chord, but the
highest notes are p
Kulp wrote:
> Oscar van Eijk wrote:
> > Hi All,
> > I upgraded my system from Ubuntu 8.04 to 9.04, which included a newer
> > Lilypond as well.
> > I'm not quite sure which version I had before; it was some 2.11.x, but
> > now I'm on the stable branche.
> &
Hi All,
I upgraded my system from Ubuntu 8.04 to 9.04, which included a newer
Lilypond as well.
I'm not quite sure which version I had before; it was some 2.11.x, but
now I'm on the stable branche.
However, there's a crash in Lilypond that is known in a 2.11 release,
but here it is:
bash$ lilypon
Hi All,
Sourceforge.net has launched the 2008 Community Choice Awards for the
best open source project.
I'm involved in several projects (not Lilypond; here I'm just a
user :-), and IMHO LilyPond is an example project in usability,
documentation and support, so I nominated LilyPond in the categor
Trevor,
If you're gonna change the template anyway, maybe it's usefull to add an
\unfoldRepeats to make sure percent- and volta repeats are actually repeated
in midi:
\score {
\unfoldRepeats {
\new PianoStaff <<
\new Staff = "upper" << \upper \dynamics \pedal >>
\new Staff = "lo
Hi Kieren,
Apparently I didn't understand the section 3.2.2 Neil referred to (I'll
do some re-reading :), but indeed, this exactly solves my problem,
thanks!
Oscar
On Wed, 2008-04-16 at 07:28 -0400, Kieren MacMillan wrote:
> Hi Oscar,
>
> Oops... forgot about this part of your posting:
>
> > t
On Tue, 2008-04-15 at 22:19 +0100, Neil Puttock wrote:
> On 15/04/2008, Oscar van Eijk <[EMAIL PROTECTED]> wrote:
> > Neil,
> >
> > Thanks for your reply, but the idea is, the phrase ends where the
> > dualvoice ends, in this example at the last 'a'
Hi All,
I'm trying to find a way to let a (phrasing) slur that started in single
voice mode, end immediately after a multivoice part ended, as in:
\version "2.11.41"
<<
\relative c' {
c8\( d e f g a b c
<<
{ d c b a g fis g a } \\
{ g,2 b }
>> { \hideNotes b\) \unHideNo
Thanks again Mats!
I no-one has any suggestions for improvements, this is my final version
(I'm working with the attached flamenco.ly).
The result of the inline test is again at
http://vaneyck.terra-terra.com/flamenco.pdf
Take care,
Oscar
On Wed, 2008-03-19 at 09:47 +0100, Mats Bengtsson wrote:
`unknown'
Oscar
On Tue, 2008-03-18 at 22:12 +0100, Mats Bengtsson wrote:
> Quoting Marc Hohl <[EMAIL PROTECTED]>:
>
> > On Tuesday 18 March 2008 18:38:59 Oscar van Eijk wrote:
> ...
> > It looks great, the arrows are much better than \rtoe/\ltoe, but
> > t
Hi All,
I promise, this is my last mail in a row about flamenco notation :)
I've been figuring out a few options, and came up with something that
might be useful for the LSR.
It's not perfect, but my current knowledge is insufficient for further
fine- tuning. Any help is welcome, but I think most
Hi All,
Last week I sent a mail with some flamenco notations. Since then, I've
been playing around a little (the result is just too big to attach; it's
at http://vaneyck.terra-terra.com/flamenco.pdf).
The inline lilypond code uses the attached flamenco.ly.
It contains a simple up-down stroke with
Stephen, Try the exclamation mark:{ c! cs! cs c! } To change the style
globally, see
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-big-page#Automatic-accidentals. Oscar "Stephen
Lavelle" <[EMAIL PROTECTED]> schreef:
>I'm using the forget accidental scheme at the moment in a piece, but
>
;, 'm', 'a' and 'x'. and
without printing the noteheads except for the first chord in a tuplet.
What I'm looking for is an (easy) way to engrave this with LilyPond.
Oscar
On Wed, 2008-03-12 at 17:29 -0400, David Raleigh Arnold wrote:
> On Wednesday 12 March 2008 1
Hi all,
I've seen a few discussions about Flamenco notations, but so far no
solution I liked.
In this example I created a golpe symbol (needs some enhancements, but I
like it so far) and a rasgueado, which can easily be implemented as an
abanico.
Now what I'ld like is a kinda function that allows
d f \change Staff = "up" \stemUp \times 2/3 {a[ d f} |
a16] d,[ f a \times 4/5 {d16] f[ a d32. f64 ~ f16] ~} f4 ) r |
\noBreak
d4 a f d ||
}
>>
\layout{ ragged-right = ##t }
Might be a matter of taste, but I think this looks more elegant.
Oscar
On Tue, 2008-03-04 at 22
I'll be
able to fix that.
Thnx,
Oscar
On Tue, 2008-03-04 at 10:02 +0100, Mats Bengtsson wrote:
>
> Oscar van Eijk wrote:
> > Hi All,
> >
> > I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
> > can't get it without
On Mon, 2008-03-03 at 21:00 -0800, notesetter wrote:
> As I'm brand new to lilypond (and thus far, really enjoying it), I
> don't
> know how to tell lilypond to put arrowheads on arpeggio lines for rasgueado
> notation.
>
> Anyone?
Yep; using \arpeggioUp and \arpeggioDown; see
http://lilypond.or
Hi All,
I'm 'Lilyponding' a small prelude I wrote. It's only one page, but I
can't get it without collisions.
I attached a PNG, if that's not clear enough; the PDF is at
http://vaneyck.terra-terra.com/Senorio.de.los.Llanos.pdf.
My problem is mainly the slur above bars 19 and 20 that collide with
Great, thanks!
On Mon, 2008-02-25 at 15:49 +0200, Joe Neeman wrote:
> On Sun, 2008-02-24 at 22:12 -0300, Han-Wen Nienhuys wrote:
> > 2008/2/22, Oscar van Eijk <[EMAIL PROTECTED]>:
> > >
> > > Any suggestions? Is this a bug?
> >
> > Yes;
> >
Hi all,
I've written arpeggios using tuplets with this code:
\times 8/7 { es,,32 g bes es \change Staff = upper g bes es}
\times 8/7 { g es bes g \change Staff = lower es bes g}
\times 8/7 { es g bes es \change Staff = upper g bes es}
\times 8/7 { g es bes g \change Staff = lower es bes g}
It
Hi All,
I'm trying to write the following:
cis'16\mp\( dis e gis cis, dis e gis cis, dis e gis cis, dis e gis
cis' dis e gis cis, dis e gis cis,\< dis e gis cis, dis e gis\)
using a repeat:
\repeat "percent" 2 {
cis'16 dis e gis cis, dis e gis cis, dis e gis cis, dis e gis
}
Is
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