Fantastic, thank you very much!
El 2023-02-23 15:24, Jean Abou Samra escribió:
Le jeudi 23 février 2023 à 15:13 +0100, mi...@orbelanet.com a écrit
:
Good morning,
I have 2 question related to spacing in lilypond:
* How to avoid the excessive gap that forms between the sixteenth
notes
(marked
Oh, I'm so sorry!
My problem is not relationed with lilypond directly.
Is just a neovim mapping problem with .ly files, that convert cc to cis
(to easyly write sharps and flats). Then when a compile next line:
\accepts ChordNames
is modified in:
\acisepts ChordNames
and compilation break off
Yes, sorry, I see the typo just now.
My lilypond version is 2.24.0.
El 2023-02-21 13:13, Jean Abou Samra escribió:
Le mardi 21 février 2023 à 13:03 +0100, Jean Abou Samra a écrit :
Le mardi 21 février 2023 à 12:41 +0100, mi...@orbelanet.com a
écrit :
Thanks a lot for your response! It looks
Hi everyone,
when I write the chords together with one or several melodies, the
chords form a horizontal line, in such a way that if the range of the
melody is very wide, some chords end up being very far from the notes.
I attach a sample of the .ly file along with its pdf, where you can see
Thanks a lot Michael!
It was just what I was looking for!
El 2023-02-09 20:36, Michael Werner escribió:
The docs you want to refer to this for would be:
http://lilypond.org/doc/v2.24/Documentation/notation/flexible-vertical-spacing-paper-variables#list-of-flexible-vertical-spacing-paper-variabl
Hi everyone,
Just a easy question:
How can we further separate the different lines that make up a score?
I mean a score for a single melodic instrument. Sometimes I find the
music too close together, and I wish I could change the default spacing.
\version "2.24.0"
violin = \relative {
a b
This is my first attempt at scheme hacking and I would appreciate a little help.
What I am trying to do is implement editorial ties ( a small vertical line
mid tie). I can find the X mid point easily enough, but cannot work out how to
find the Y position (relative to currentpoint).
The second qu
