On 19.03.2009 11:59, Brett Duncan wrote:
> Luc Saffre wrote:
>> in some printed scores I find a chords notation as shown in the
>> attached picture. Is there a way to render this in LP? I didn't
>> find any better than writing "a2:sus4 a" which is less clear..
Hello,
in some printed scores I find a chords notation as shown in the attached
picture. Is there a way to render this in LP? I didn't find any better
than writing "a2:sus4 a" which is less clear...
Luc
<>___
lilypond-user mailing list
lilypond-user@gnu
Oops, errata:
an added 4th must be coded "c:5.4", not "c:add4".
Luc
On 19.03.2009 9:49, Luc Saffre wrote:
> Thanks, Brett.
>
> To summarize for myself, and maybe some documentation maintainer wants
> to integrate that somewhere:
>
> If I'm encodi
s = #( append
( sequential-music-to-chord-exceptions chExceptionMusic #t)
ignatzekExceptions)
And coding the short form "c:4" into the LP source is actually a bad
idea because that yields c-e-f, which doesn't actually fit any of the
above interpretations of "C4".
Lu
On 15.03.2009 2:04, M Watts wrote:
> Miklos Vajna wrote:
>> Now I want the same with A^4, so I type:
>>
>> \chords {
>> a:4
>> }
>>
>> and I get: A^4/sus4/add3.
>>
>> Question: How do I get just an "A^4"? :)
>
> Just use a chord name exception -- it looks like a lot of setting up,
> but it'
On 27.12.2007 22:17, Trevor Daniels wrote:
> although this doesn't meet your objective of keeping the
> parts distinct.
Yes, it is sad but true: there is no solution for this problem at the
moment. The only hope seems to be that some volunteer writes a new
partcombine implementation...
Luc
___
On 27.12.2007 20:26, Trevor Daniels wrote:
> There is no 'proper' way of doing this, unfortunately.
> The recent discussion on \partcombine which you can
> see in the archives points out the problems with this.
> Of course, you can always simply insert \stemUp and
> \stemDown commands in the alto l
Hello,
in a songbook for SATB choir, I'd like to save paper by turning the alto
stems up and the tenor stems down whenever this is possible. For many
songs, this would make the result more dense without being less readable.
If you look at the attached satb2.pdf:
- the first line is the default ou