I'm sorry, once last try: The file I've attached this time works as an
\include for me; it should work for you.
-Leland
On Tue, Mar 23, 2010 at 1:40 PM, Slattery, Tim - BLS
wrote:
>
>> I'm sorry, I seem to have left off the closing parenthesis!
>> Try again with the code I have attached this tim
I'm sorry, I seem to have left off the closing parenthesis! Try again
with the code I have attached this time...
-Leland
On Tue, Mar 23, 2010 at 1:11 PM, Slattery, Tim - BLS
wrote:
>> Tim,
>>
>> All you need to do is include that code somewhere in your
>> file, and then use \override in your \gl
of Sacred Harp-style engraving, but
these repeats go a long way towards making your music look
traditional.
-Leland
On Tue, Mar 23, 2010 at 11:03 AM, Tim Slattery wrote:
> "Robin Bannister" wrote:
>
>>Leland Kusmer wrote:
>>> Is there a way to do this?
>>
&g
Hello!
> Lilypond does this according to bar-glyph-alist, by calling calc-glyph-name
> from within the barline print routine.
> But when you override the BarLine stencil like this, you are bypassing the
> barline print routine.
>
Gotcha.
So try something (which calls calc-glyph-name) like
>
> #
Hello!
I'm a (sometimes) composer of shapenote music, in the style of the
Sacred Harp, and have been working on a particular issue.
Sacred Harp music has different glyphs for repeat barlines, and
different conventions for using them. The glyph usually uses only one,
heavy barline (rather than two
