how to change staff with 2 voices??

I'd like to create tables of scales and patterns for practice. Specifically for piano. Is there a simple way of creating them? I tried the automatic staff change as described in the manual. It works but I've run into problems when I introduce the second voice or in my case, the left hand. For

Re: absolute pitches in relative mode

--- Gilles <[EMAIL PROTECTED]> wrote: > Hi. > > > [...] If it's a single note, there's no > > problem, but if the precedent is a chord how does > Lily > > figure out the pitch of the following note. > > AFAIK, it's the fundamental of the chord that's > taken into > account to determine the f

absolute pitches in relative mode

I writing a piano arrangement with polyphony and I find myself correcting the absolute pitches a lot. I can't figure out how the octave of the next note is determined. If it's a single note, there's no problem, but if the precedent is a chord how does Lily figure out the pitch of the following no

Re: jazz chords

--- Han-Wen Nienhuys <[EMAIL PROTECTED]> wrote: > > Kenneth Teh wrote: > > It seems to me that based on these observations, > what > > Lilypond needs is a context for creating chord > names > > that > > > > (1) does not try to actually build

jazz chords

I know this is an old topic and various folks have discussed this at length on this list. Nonetheless, I'd like to throw in a few more remarks on the subject. It's true that the jazz chord names printed by lilypond are weird from a jazz perspective and it is also true that there is a mechanism vi

coda placement problem

I'm having trouble placing the coda symbol. The closest I've come to what I want is reproduced below. g2 c,2 | \mark \markup { \small \musicglyph #"scripts.coda" } % mark jump point r8 g'8 af8[ g8] ef4 d4 | c1~ | c1 \once \override Score.RehearsalMark