Thanks!
On Thu, Mar 16, 2023 at 11:35 PM Werner LEMBERG wrote:
>
> From: Kees van den Doel
> Subject: Re: Bach ornaments
> Date: Thu, 16 Mar 2023 23:12:03 -0700
>
> >> > Are the ornaments used in Bach's music available in Lilypond?
> >
> >> Not all
> > Are the ornaments used in Bach's music available in Lilypond?
> Not all of them currently. There is GSoC project that – assuming it
> is taken by a potential student – would probably add some missing
> ones.
Thanks. And where can I find the ones that are currently available?
Kees
Are the ornaments used in Bach's music available in Lilypond?
These ones: http://www.jsbach.net/images/ornaments.html
Thanks,
Kees
Is there a way to get correct MIDI when using \repeat volta and
\unfoldrepeats with a DC al fine? I.e., make the MIDI stop at the "fine"
second time through.
Thanks,
Kees
I have a \repeat volta 2 { music}, but a few bars inside "music" are
different the second time through.
Is there a way to do something like this:
\repeat volta 2 { A \alternative {{a1}{a2}} B}
Written out fully Aa1BAa2B.
Darn, of course I find it in the docs as soon as I ask:
melisma
\melismaEnd
On Sun, Nov 21, 2021 at 9:59 PM Kees van den Doel wrote:
> I'd like to indicate long melismas in the notes instead of counting - - -
> in the lyrics, but I don't want a gigantic slur showin
I'd like to indicate long melismas in the notes instead of counting - - -
in the lyrics, but I don't want a gigantic slur showing.
Is there an alternative to using () slur marks to do this?
Thanks,
Kees
On Sat, Aug 28, 2021 at 3:00 PM Lukas-Fabian Moser wrote:
> Hi Tom,
>
> Tom Sgouros schrieb am Sa., 28. Aug. 2021, 23:47:
>
>> Hello all:
>>
>> The Frescobaldi people pointed their fingers back at Lilypond, of course.
>> Can anyone tell me the easiest way to convert a Midi file into
>> human-rea
A 14 year old bug must be some sort of record.
Workaround seems to put a grace note in all voices, but use 's' to make
unwanted ones invisible.
Cheers,
Kees
On Mon, Aug 23, 2021 at 11:41 AM Aaron Hill
wrote:
> On 2021-08-23 11:30 am, Kees van den Doel wrote:
> > Trying t
Trying to shift a note away from the barline which it's touching by adding
a \grace s16, but I ran into what appears a bug?
\version "2.22.1"
mus = \relative {
\repeat volta 2 {
c'1
}
\alternative {
{ c1}
{ \grace c16 c1}
}
}
musb = \relative {
\repeat volta 2 {
c'1
}
Forgot to reply-all again, sorry. Picture of my problem attached as
well.Seems to be caused by the volta repeat bar as the single barlines are
OK.
[image: Image1.png]
On Mon, Aug 23, 2021 at 10:28 AM Kees van den Doel wrote:
> I have a similar problem but only in one place and it's wo
Forgot mailinglist, sorry.
-- Forwarded message -
From: Kees van den Doel
Date: Wed, Aug 11, 2021 at 12:03 PM
Subject: Re: 5.6.1 Substitution function syntax
To: Jean Abou Samra
Thanks Jean, David,
That clarifies it, subtle stuff!
Kees
On Wed, Aug 11, 2021 at 11:45 AM Jean
Referring to
https://lilypond.org/doc/v2.22/Documentation/notation/substitution-function-syntax
I don't understand this sentence explanating "...music...":
>normal LilyPond input, using $ (in places where only LilyPond constructs
are allowed) or # (to use it as a Scheme value or music function ar
om
<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
On Sun, Aug 8, 2021 at 9:37 AM Lukas-Fabian Moser wrote:
> Hi Kees,
>
> Am 07.08.21 um 18:41 schrieb Kees van de
0
On Sat, Aug 7, 2021 at 9:41 AM Kees van den Doel wrote:
> Great, you are updating it!
> Yes ligatures and accidentals didn't work. I mixed in normal LP ones but
> it looks very ugly.
>
> I had some questions I sent to your email on your webpage but it bounced:
>
>
Thanks!
On Sat, Aug 7, 2021 at 1:53 AM Lukas-Fabian Moser wrote:
> Hi Kees,
>
> Am 07.08.21 um 08:12 schrieb Kees van den Doel:
> > How can I get all barlines to look like ticks? As in \bar "'".
> > I got from manual
> >
> > \set Staff.whichBar
amp;utm_content=webmail>
Virus-free.
www.avg.com
<http://www.avg.com/email-signature?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail>
<#DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2>
On Sat, Aug 7, 2021 at 4:53 AM Lukas-Fabian Moser wrote:
> Hi Kees,
How can I get all barlines to look like ticks? As in \bar "'".
I got from manual
\set Staff.whichBar = "'"
but that puts a bar between every note.
\override BarLine.glyph = #"'"
does nothing.
Thanks,
Kees
references.
>
>
> > On 6 Aug 2021, at 21:41, Kees van den Doel wrote:
> >
> > Excuse me for being direct, but this is nonsense. It's nice you've read
> that (outdated) book but I've been actively performing Persian music for
> decades and I know how we
On Thu, Aug 5, 2021 at 8:39 PM Kees van den Doel wrote:
> But there's also blackmensural.ly by Lukas Pietsch; it's quite old (and
>> to be honest I don't know it at all and can't say how it deals with your
>> problem), but maybe it's of use to you:
>&g
wrong.
It's working fine now, nothing is broken that needs to be fixed??
As far as I'm concerned the problem of upgrading persian.ly to 2.22 is
solved.
Cheers,
Kees
On Fri, Aug 6, 2021 at 9:05 AM Hans Åberg wrote:
>
> > On 6 Aug 2021, at 16:45, Kees van den Doel wrote:
>
>
> > On 31 Jul 2021, at 22:30, Kees van den Doel wrote:
> >
> > On Sat, Jul 31, 2021 at 1:25 PM Hans Åberg wrote:
> >
> > Change the names for the double arrowed accidentals to the ones you want
> to use. They are in smufldata.ily.
> >
> >> T
>
> But there's also blackmensural.ly by Lukas Pietsch; it's quite old (and
> to be honest I don't know it at all and can't say how it deals with your
> problem), but maybe it's of use to you: http://www.lukas-pietsch.de/Music/
>
I got everything to work fine, except the special note shapes.
Inter
In black notation minim looks like modern 1/4 note and semiminim looks like
modern 1/8 note.
It is not correct though, semiminim and shorter notes are one flag short,
so Minim and Semiminim look identical. See example.
Unless I'm missing something this is a bug, is there a workaround?
Thanks,
Ke
I'm trying to reproduce the notes caudatae, as in image.
Attached minimal code is as far as I got, but I can't get
\mergeDifferentlyHeadedOn to do anything which would make it work I think.
Or is there a smarter way?
Thanks,
Kees
\version "2.22.1"
whitenote = \once \override NoteHead.style = #'p
Here's a minimal example showing the problem.
On Tue, Aug 3, 2021 at 6:37 PM Kees van den Doel wrote:
> I have a score with different key signatures in the voices. The incipit
> does not align properly as the flat takes space and shifts things.
> See attached. I've simply ad
I have a score with different key signatures in the voices. The incipit
does not align properly as the flat takes space and shifts things.
See attached. I've simply added the incipits to each voice as in the
example in the docs.
I've tried adding key signature to top incipit voice and setting
\o
P would be better but hasn't happened.
Anyways it's now working fine with current version so I'm happy.
Thanks,
Kees
On Tue, Aug 3, 2021 at 7:32 AM Thomas Morley
wrote:
> Am Mo., 2. Aug. 2021 um 18:33 Uhr schrieb Kees van den Doel <
> kvd...@gmail.com>:
> >
&
Sorry, keep forgetting to "reply-all"...
-- Forwarded message -----
From: Kees van den Doel
Date: Mon, Aug 2, 2021 at 9:24 AM
Subject: Re: Persian music package
To: Thomas Morley
Too many things wrong with that, starting with missing sori symbol, wrong
koron symbol in key
On Sun, Aug 1, 2021 at 10:40 AM Kees van den Doel wrote:
>
>
> On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
> wrote:
>
>>
>> Furthermore I'd replace the override for Accidental.extra-offset by:
>> \override Accidental.Y-offset =
>>
>
> Typo
On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
wrote:
>
> Furthermore I'd replace the override for Accidental.extra-offset by:
> \override Accidental.Y-offset =
>
Typo I assume and you mean "\override Accidental.extra-offset ="?
> #(lambda (grob)
> (cdr
> (assoc-g
On Sun, Aug 1, 2021 at 2:29 AM Thomas Morley
wrote:
>
> I'd simply drop your overrides for Accidental.Y-extent and
> Accidental.X-extent.
> Let the skylines do their job as already proposed by Jean.
>
I should have answered you first. That seems to solve everything! At least
on the demo example,
Accidental.X-extent = #'(-2 . 2)
>
> }
>
>
> Now try adding
>
> \layout {
>\context {
> \Score
> \override Accidental.horizontal-skylines =
> #ly:grob::simple-horizontal-skylines-from-extents
>}
> }
>
> and you'll get an e
l 31, 2021 at 11:21 PM Jean Abou Samra wrote:
> Le 01/08/2021 à 08:06, Kees van den Doel a écrit :
> > convert-ly from LP v2.22.1 also didn;t add the "alteration-" here.
> > Windows 10 system.
>
> (Please keep the list posted, so everyone can reply
> and benefit
Jul 31, 2021 at 11:49 AM Hans Åberg wrote:
>
> > On 31 Jul 2021, at 19:41, Kees van den Doel wrote:
> >
> > A decade ago I wrote the attached header persian.ly which supports
> Persian music notation + microtuning.
> > A hack with a downloaded font is necessary as
Attached is a demo of meterless typesetting. Unfortunately it required
persian.ly (see email earlier today) and v 2.12
but the "meterless" aspect does not depend on that so I hope it's still
useful.
On Sat, Jul 31, 2021 at 7:30 AM wrote:
> Hello !
>
> I have a question about whether Lilypond ca
perfectly fine with the old version, but it is a bit annoying to be
forced to use 2.12.
Thanks,
Kees
\version "2.12.2"
%{
Author: Kees van den Doel kvand...@shaw.ca
Init file for Persian music notation.
To use download the PostScript Type 1 Microtonal Font from Andrián
Pertout (
Is there a way to do a \shiftDurations of 2/3?
I have a voice with almost all dotted minims and semibreves {c2. c1. } in
6/2 and want to change to 2/2 and use \scaleDurations to make it fit.
I would not be surprised by "no" as there are a few "minim semiminim" like {e2
d4 c2.} occurrences which w
Of course I find it right after posting the question, sorry.
https://lilypond.org/doc/v2.18/Documentation/notation/displaying-rhythms#automatic-note-splitting
On Mon, Jul 26, 2021 at 3:56 PM Kees van den Doel wrote:
> Is there a way to change notes that cross barlines to ties?
>
>
Is there a way to change notes that cross barlines to ties?
So in 4/4 "c1. d2 c1" should be changed into "c1~c2 d2 c1"?
I vaguely remember there is a way but I can't find it in the docs, ot maybe
it was a different program.
Is there a way to translate a ly file from italian to english?
I want to edit a score but instead of do re mi names want english names for
the note names.
Is there a way to prevent the notes in ossia staves to show up in MIDI?
Is there a way to place AccidentalCautionary a fixed distance above the
staff instead of a fixed distance above the note, which I did like this?
\override Staff.AccidentalCautionary.font-size = #-2
\override Staff.AccidentalCautionary.parenthesized = ##f
\override AccidentalCautionary
$ /cygdrive/d/Program\ Files\ \(x86\)/LilyPond/usr/bin/python midi2ly.py
bwv0026_04.mid
LY output to `bwv0026_04-midi.ly'...
$ echo works!
works!
Cheers,
Kees
On Thu, Jun 17, 2021 at 6:17 PM David Wright
wrote:
> On Thu 17 Jun 2021 at 17:06:22 (-0700), Kees van den Doel wrote:
> > T
On windows 10, a fresh install of lilypond.
On Windows "powershell"
> midi2ly -V
brings up a window "how do you want to open this file".
On mintty (another CMD shell)
mintty screen dump
bash: /cygdrive/d/Program Files (x86)/LilyPond/usr/bin/midi2ly:
/usr/bin/python3: bad interpreter: No such file
I want to change all half-notes in an existing score to look like quarter
note with no stem.
Everything else should remain unchanged.
Is there a way to do this without editing every occurrence?
Thanks.
Thanks everyone, I should have read the manual, works fine.
Cheers,
Kees
On Thu, May 27, 2021 at 2:51 PM Ralph Palmer
wrote:
> On Thu, May 27, 2021 at 2:04 PM Kees van den Doel
> wrote:
>
>> Hi all,
>>
>> I want to attach grace notes after a note which is last in
Hi all,
I want to attach grace notes after a note which is last in measure.
Problem is the grace notes are printed in the next bar, which is wrong.
Using \afterGrace is even worse, seems broken.
Snippet and pdf of problem attached.
Any help would be appreciated. Of course I could make barlines
Thanks, I got it working now.
Kees
- Original Message -
From: James Bailey
Date: Monday, March 15, 2010 11:43 pm
Subject: Re: lilypond-book question
To: Kees van den Doel
Cc: lilypond-user@gnu.org
>
> On 16.03.2010, at 05:16, Kees van den Doel wrote:
> > running latex.
Hi all,
How am I supposed to use lilypond-book on windows?
I'm in a cygwin csh shell. Instructions say:
>To produce a PDF file through PDFLaTeX, use
>lilypond-book --pdf yourfile.pdftex
>pdflatex yourfile.tex
lilypond-book is however not a recognized command.
I then tried (after fin
Of course there is nothing really wrong with the current website.
Most people will want to just download lilypond and try it out;
who has time to read all the crap on a product's website?
Once they've clicked on the downloaded icon on their screen something
reasonable should happen.
Kees
- Ori
- Original Message -
From: Graham Percival
Date: Thursday, December 17, 2009 12:48 pm
Subject: Re: GUI
To: Kees van den Doel
Cc: lilypond-user@gnu.org
> On Thu, Dec 17, 2009 at 8:23 PM, Kees van den Doel
> wrote:
> >
> > From: Graham Percival
> >> On T
- Original Message -
From: Graham Percival
Date: Thursday, December 17, 2009 9:00 am
Subject: Re: GUI
To: Valentin Villenave
Cc: lilypond-user@gnu.org
> On Thu, Dec 17, 2009 at 3:30 PM, Valentin Villenave
> wrote:
> > On Thu, Dec 17, 2009 at 11:44 AM, Bertalan Fodor (LilyPondTool)
> >
- Original Message -
From: Tim McNamara
Date: Tuesday, December 15, 2009 6:18 pm
Subject: Re: GUI (was: Re: No Work!
To: lilypond-user
>
> On Dec 15, 2009, at 11:07 AM, Kees van den Doel wrote:
>
> > If lilypond came with a rudimentary GUI I think it would at
> l
;where is the program??"), and move on.
What you point to looks like a plan for a serious IDE, I think that's a
different issue.
Kees
- Original Message -
From: Valentin Villenave
Date: Tuesday, December 15, 2009 9:24 am
Subject: Re: GUI (was: Re: No Work!
To: Kees van den Doel
If lilypond came with a rudimentary GUI I think it would at least octuple the
number of people trying it out.
Something simple like a window with File/compile menus, a text editor pane,
compile messages at bottom,
and a score preview. No more features needed, it's just to get people who don't
k
Don't forget to mention this publication where the Persian microtonal
accidentals were introduced,
which are the only ones that are standardized (and still absent in lilypond):
Vaziri, A. N., Dastur-e Tàr, Tehran, 1913.
Kees
- Original Message -
From: Joseph Wakeling
> I'm really pleas
The Ab's sound horribly out of tune, as if they were meantone G#'s.
Kees
- Original Message -
From: Torsten Anders
Date: Wednesday, September 9, 2009 4:27 pm
Subject: Re: Microtonal Helmholtz-Ellis notation in Lilypond: fine-tuning
To: lilypond-user@gnu.org
> Dear Joseph,
>
> This notat
Not sure if it will help you, but you can look at my solution for microtonal
notation in this package: http://people.cs.ubc.ca/~kvdoel/tmp/persian.zip
Cheers,
Kees
- Original Message -
From: Torsten Anders
Date: Monday, September 7, 2009 5:21 am
Subject: Microtonal Helmholtz-Ellis not
> > > these programs operate as you describe
> >
> > Okay, then they *do* use (essentially) the same method as Lilypond,
> > not some "visually-oriented" method which "follows the key
> signature"...>
>
> Not so. In Sibelius, you put the key signature, e.g. F sharp
> major, then
> type
> the pl
>From: Kieren MacMillan Hi David R,
>
> > AFAIK, all of the graphical-interface music scoring programs
> > use the visually-oriented logic.
>
> The last time I used Finale — which, thankfully, was a very long
> time
> ago! ;) — there were only two ways of entering notes:
>
> 1. From a MIDI k
I want to have one voice all in red but can't find how to set the color of the
dot after a dotted note,
does anyone know?
Kees
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
> > I wonder why I (and, as I can imagine, 99% of users out there)
> have always
> > to put \unfoldRepeats in a different \score block just for
> correct MIDI
> > output, thus having to put in a variable all the \score
> content and use it
> > in both \score blocks.
I would also prefer \unfold
> Kees van den Doel wrote:
> > Unfortunately Western notation doesn't work like that.
> Accidentals (microtonal or not) operate on the 7
> > diatonic pitches, not on 12 semitones. I think you think the
> "arrow" somehow alters
> > already altered no
- Original Message -
From: Joseph Wakeling
Date: Sunday, April 5, 2009 2:41 pm
Subject: Re: Quarter-tone notation with arrows
To: Kees van den Doel
Cc: lilypond-user@gnu.org
> Kees van den Doel wrote:
> > A given alteration results in one specific glyph.
>
> :-(
>
- Original Message -
From: Joseph Wakeling
Date: Sunday, April 5, 2009 5:21 am
Subject: Quarter-tone notation with arrows
To: lilypond-user@gnu.org
> Hello all,
>
> One of the delights to see in the News for 2.12 was the new
> material on
> quarter-tone and other microtonal notation.
Hi all,
I updated the persian.ly init file with some more Persian "keys", instructions
for setting up the fonts for the Mac (thank you Patrick) and some extended
examples.
http://www.cs.ubc.ca/~kvdoel/tmp/persian.zip
There are still plenty of problems, for example the Persian accidentals don't
Does this do the job?
h = #(define-music-function (parser location note) (ly:music?)
(set!
(ly:music-property note 'tweaks)
(acons 'style 'cross
(ly:music-property note 'tweaks)))
note)
\relative c' {
8
}
Kees
- Orig
I just put in the rehearsal marks (\mark \markup{\box A} etc. where needed)
and when AB is to repeated I just write it on the staff:
\staffText "AB" g2 s4 \bar "|."
g2 is the note that I replace with "AB", and staffText is defined as:
staffText = #(define-music-function (parser location markte
Works. I did look at the hints in ly/grace-init.ly but they didn't help.
You did (with 2 solutions!).
Thanks^2.
Kees
> > How can I remove the slur from acciacatura (or add a slash to
> grace)?
> See the file ly/grace-init.ly for hints. This is one
> possible solution:
>
>
> \version "2.1
How can I remove the slur from acciacatura (or add a slash to grace)?
Kees
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
How can I correctly suppress printing dynamics marks (which I want for the
MIDI)?
(I have a score where dynamics is indicated with note size.)
I tried
\override Score.DynamicText #'stencil = ##f
which actually works fine except I get a string of scary error messages:
programming error: cannot
Is there a way to put vibrato on a note in the MIDI from a lilypond score?
Thanks,
Kees
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Francisco Vila
Date: Monday, March 2, 2009 12:54 am
Subject: Re: Multiple repeats
To: Kees van den Doel
Cc: lilypond-de...@gnu.org
> 2009/3/2 Kees van den Doel :
> > How to write multiple repeats? \repeat volta 4 {..} does not
> indicate that there is more that 1 repeat.
> > I
> Imho Lilypond uses to many bars on one 'row' in a-4 format. I
> got about
> 8 bars (4/4), I prefer to have 4.
> I tried to use:
>
> \layout { }
> \midi {
> \context {
> \Score
> \override SpacingSpanner
> #'base-shortest-duration = #(ly:make-moment 1 16)
>
Thanks that works except I'm in 2/4, but I can disable the stem easily.
Kees
- Original Message -
From: Robin Bannister
Date: Wednesday, February 25, 2009 1:26 pm
Subject: Re: Writing text in a measure
To: Kees van den Doel , Gilles Sadowski
Cc: lilypond-user@gnu.org
> Kees
In the learning material under "advanced tweaks with Scheme" it shows how to do
that.
Kees
- Original Message -
From: M Watts
Date: Wednesday, February 25, 2009 2:03 pm
Subject: Re: Color of notes depending on accidentals
To: cuco
Cc: lilypond-user@gnu.org
> cuco wrote:
> > Is there is
> > I need something like
> >
> > music .. |s-\markup {"Play loud random notes, then burn your
> instrument (30s) "}| more notes...
>
> This seems to work for me (see attached files).
If I run your test2.ly on 2.12.2 it does *not* work. The output is attached.
Bug?
Kees
c.pdf
Description:
I'm trying to write text in an otherwise empty measure (some special
performance instructions).
not above it or below, but in it.
How can I do that? There is a snippet doing something like that
http://lsr.dsi.unimi.it/LSR/Item?id=258
but when I apply it my text overwrites music after the bar in
Hi all,
Many thanks for all your help, we can now write Persian music!!
If you want to try it you can download the init file persian.ly and
the font file (put in Lilypond font directory) from here:
http://www.cs.ubc.ca/~kvdoel/tmp/persian.zip
and try stuff like:
\include "persian.ly"
\version
I managed to print custom key signatures from a microtonal font. One problem
remains, and I wonder if anyone can help me.
In my init file persian.ly I have defined variables for various key signatures
and keys, e.g. for Shur in E
shurEKey = \markup{
\translate #'(0 . 1) \SORISYMBOL
}
shurE
> >> \override Accidental #'stencil = #ly:text-interface::print
> >> \override Accidental #'font-name = #"???"
> >> \override Accidental #'font-size = #?
> >> \override Accidental #'text = #(lambda (grob)
> >> (cdr
> (assoc
> >> (ly:grob-property grob 'alteration)
> >>
>Then in "\context" add
>
> \override Accidental #'stencil = #ly:text-interface::print
> \override Accidental #'font-name = #"???"
> \override Accidental #'font-size = #?
> \override Accidental #'text = #(lambda (grob)
> (cdr (assoc
> (ly:grob-property grob 'alteration)
>
- Original Message -
From: Graham Breed
Date: Tuesday, February 17, 2009 2:06 am
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Behnam Rassi , Hans Aberg ,
lilypond
> Kees van den Doel wrote:
> > Hi Folks,
> >
> > I made an init file &quo
> >> If you look at the persian.ly file I sent, you will find the
> >> symbol for that I think (a blank).
> >
> > On the other hand if you meant not the glyph but the input suffix...
>
> Perhaps an unfortunate choice of word: as a musical
> function,
> regardless whether it is notated.
>
> >
> > On the other hand, if it is lowered an unspecified amount,
> then
> > when
> > transposed, you will need another symbol that raises an
> interval
> > so
> > that the sum is M-m.
>
> If you look at the persian.ly file I sent, you will find the
> symbol for that I think (a blank).
On
- Original Message -
From: Hans Aberg
Date: Monday, February 16, 2009 1:52 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Behnam Rassi , Graham Breed ,
lilypond
> On 16 Feb 2009, at 21:43, Kees van den Doel wrote:
>
> > > Might you give s
I guess you need context more than resolution; here's a couple of scanned pages:
http://www.cs.ubc.ca/~kvdoel/tmp/koronSori.pdf
Kees
- Original Message -
From: Werner LEMBERG
Date: Sunday, February 15, 2009 10:54 pm
Subject: Re: Persian musical koron and sori
To: kvand...@shaw.ca
Cc: be
- Original Message -
From: Hans Aberg
Date: Monday, February 16, 2009 11:12 am
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Behnam Rassi , Graham Breed ,
lilypond
> On 16 Feb 2009, at 03:48, Kees van den Doel wrote:
>
> > The note immediately
ubject: Re: Persian musical koron and sori
To: Graham Breed
Cc: Kees van den Doel , Hans Aberg ,
lilypond
> On 15-Feb-09, at 6:45 PM, Graham Breed wrote:
>
> > Behnam Rassi wrote:
> >> Yes Kees I downloaded the font and saw the glyphs.
> >> This is as far as I can go wi
ssage -
From: Behnam Rassi
Date: Monday, February 2, 2009 4:48 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Hans Aberg , Graham Breed , lilypond
> Yes of-course send me any relevant picture of Persian music
> notation.
> I'm currently in the phase of col
No I do not need to do precisely that, but something else.
Kees
- Original Message -
From: M Watts
Date: Sunday, February 8, 2009 3:11 pm
Subject: Re: Customized accidentals
To: Kees van den Doel
Cc: lilypond-user@gnu.org
> Kees van den Doel wrote:
> > This snippet:
>
This snippet:
http://lsr.dsi.unimi.it/LSR/Item?id=378
does not work as advertised; it prints both the normal accidentals and the
custom postscript.
Any suggestions on what might be wrong? Also, how could I print custom symbols
like this in the key signature?
Thanks,
Kees
--
%http://lsr.dsi.uni
Really all that's lacking is the koron and sori. A small o is fine for the
tahrir, we have that already.
Kees
- Original Message -
From: Behnam Rassi
Date: Monday, February 2, 2009 4:48 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Hans Aberg , Graham
situation.
> Behnam
> On 2-Feb-09, at 4:50 PM, Kees van den Doel wrote:
>
> >
> >> On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
> >>
> >>> I have several shelves of Persian music books and I have never
> >> seen
> >>> th
> On 2 Feb 2009, at 20:58, Kees van den Doel wrote:
>
> > I have several shelves of Persian music books and I have never
> seen
> > that "variation".
> > The sori is always a rotated = with an > on it, and the koron
> akways
> > has the &
> > standard fonts I'd have thought if we're only talking two new
> glyphs.
> Though there are some variations, I think they semantically the
> same.
> The variation used by Farhat is for koron like an inverted flat
> b, but
> with the loop have the form >, and for the sori, a sharp # but
soon.
Kees
- Original Message -
From: Behnam
Date: Sunday, February 1, 2009 3:16 pm
Subject: Re: Persian musical koron and sori
To: Kees van den Doel
Cc: Hans Aberg , Unicode Mailing List ,
LilyPond users list , Graham Breed
> Thanks Kees.
> Is this for tuning a key or marking
> Is this for tuning a key or marking a specific note? or both?
Both. They are used exactly as normal accidentals.
Kees
> Behnam
> On 1-Feb-09, at 6:07 PM, Kees van den Doel wrote:
>
> > Here's an example from a Persian music book.
> > Kees
> >
> > --
Here's an example from a Persian music book.
Kees
- Original Message -
From: Hans Aberg
Date: Sunday, February 1, 2009 2:14 pm
Subject: Re: Persian musical koron and sori
To: Behnam
Cc: Unicode Mailing List , LilyPond users list
, Graham Breed , Kees van den Doel
> On 1 Feb
1 - 100 of 104 matches
Mail list logo
