pening, but if this happened to me,
> I'd be looking for an earlier tweak or override which hadn't been cancelled.
>
> Paul
>
>
> From: Jin Choi
> To:
> Sent: 15/08/2023 23:11
> Subject: strange detached beam issue
>
> I have a section of piano music where
Control Options but
now has no option for displaying control points.
> On Aug 16, 2023, at 12:56 PM, William Rehwinkel
> wrote:
>
> What PDF did you find this in?
>
> -William
>
> On 8/16/23 12:50, Jin Choi wrote:
>> I came across a PDF describing updates t
ser wrote:
>
> Hi Jin,
>
> Am 16.08.23 um 04:48 schrieb Jin Choi:
>> Is it possible to get this style of s-curve shaped slurs across staves?
>
> It's possible, but it's not fun.
>
> \version "2.24.0"
>
> \new PianoStaff
> <<
>
.
> On Aug 15, 2023, at 9:37 PM, William Rehwinkel
> wrote:
>
> It should be noted that on 2.25.7 this doesn't happen on my machine, and the
> beam renders correctly (after running convert-ly on your snippet, it didn't
> change anything).
>
> -William
>
>
it
open, and that fixed the beaming issue. I have no idea why that worked, or why
it works in the standalone snippet and not in my original case.
> On Aug 15, 2023, at 6:11 PM, Jin Choi wrote:
>
> I have a section of piano music where two voices start in the treble clef and
> subse
I have a section of piano music where two voices start in the treble clef and
subsequently move down into the bass clef. When the right hand moves down, the
beam stays in the treble clef unattached to anything:
When I try to isolate this section, the problem does not occur. I am mystified
as
In the following snippet, a change of time signature appears after an
acciaccatura if the time change happened in one staff without a grace note but
a grace note appears in some other staff. Is there a way to fix this without
making sure the time change always appears in the staff with the grace
I see that it’s possible to place textual marks inside of slurs:
https://lilypond.org/doc/v2.25/Documentation/snippets/expressive-marks_003a-positioning-text-markups-inside-slurs
Is it possible to get crescendo and decrescendo marks within slurs as well?
\version "2.24.1"
top = { \change Staff =
Thank you. I read that page multiple times and couldn’t figure out the proper
context to put it in. That works great.
> On Aug 11, 2023, at 4:24 PM, Xavier Scheuer wrote:
>
> On Fri, 11 Aug 2023 at 20:18, Jin Choi <mailto:j...@alum.mit.edu>> wrote:
> >
> > I have
I have a passage of piano music with a lot of kneed beams between the staves,
and there’s too few objects above the bass staff to force enough space. How can
I increase the default spacing between the treble and bass parts of the piano
staff?
Here’s an example. The “dim.” clashes with the beam
ote:
>
> On Thu 10 Aug 2023 at 20:27:39 (-0400), Jin Choi wrote:
>> I’m transcribing some piano music where it is helpful to use \voiceOne and
>> \voiceTwo for some extended polyphonic sections. When I come across shared
>> rests, I’ve been putting in rests in one voice
I’m transcribing some piano music where it is helpful to use \voiceOne and
\voiceTwo for some extended polyphonic sections. When I come across shared
rests, I’ve been putting in rests in one voice and invisible rests in the other
voice. But rests in voices are vertically offset from the center d
Never mind, I read further down in the docs: \allowBreak.
> On Aug 10, 2023, at 1:21 PM, Jin Choi wrote:
>
> Thank you, that’s exactly what I was looking for. However, the candenza
> section just runs right off the right side of the page now. How do I get it
> to break?
>
Thank you, that’s exactly what I was looking for. However, the candenza section
just runs right off the right side of the page now. How do I get it to break?
> On Aug 10, 2023, at 11:47 AM, Jean Abou Samra wrote:
>
> Le jeudi 10 août 2023 à 11:36 -0400, Jin Choi a écrit :
>> I
I have a section of a score where all the barlines are absent. How do I
temporarily turn off automatic bar lines?
Thanks everyone. I was able to get what I wanted with your suggestions.
Anything I could be doing better in this snippet?
\version "2.24.1"
top = { \change Staff = "upper" \voiceTwo }
bottom = { \change Staff = "lower" \voiceOne }
upper = \relative c'' {
\new Voice {
\voiceOne
r4 d\(-
I’m trying to transcribe a piano piece (Rachmaninoff 3 first mvt) that has
several sections that are most easily written as polyphonic passages with
different voices.
As an example, from
https://s9.imslp.org/files/imglnks/usimg/5/59/IMSLP248685-SIBLEY1802.18602.bfe9-39087009348535score.pdf,
s
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