Hi everyone,
I am trying to adjust the line width in a lilypond-book example, but
whatever I try, it always look like a ragged right style. What I want is
to stretch the line, in order to the chords places more distant one from
each other.
I searched in earlier messages and someone named Morton had
I am pretty sure that someone asked this question before, but I couldn't
find it in the web. Anyway, here it goes again.
I am writing a atonal music for solo instrument, so it would be easier
to read if every note had its own accident (natural, sharp or flat), so
the performer wouldn't worry about
Here goes an attached example. The figure in eps was created in Inkscape an
imported to Lilypond inside the lyrics option:
acordes = \lyricmode {
\markup { \epsfile #UP #1.6 # "VI.eps" }
}
Hugo Ribeiro
Brazil
p.s. acordes means 'chords'
2009/6/14 Patrick Schmidt
> Dear list,
>
> is it pos
I asked a similar question more than a year ago. But I was looking for
traditional harmony analysis. The answer came as a lyrics option. Now I
realize that the best way is to create your symbol in Inkscape, then import
it to your lilypond code. It is easy. You can do it.
Now I don't have my example
Thanks a lot.
Hugo
2008/6/30 Patrick Horgan <[EMAIL PROTECTED]>:
> Here's a small sample built from the beginning of your code:
>
> \version "2.10.10"
>
> bracketUp = {
> \override Staff.HorizontalBracket #'direction = #UP
> }
> bracketRevert = {
> \revert Staff.HorizontalBracket #'di
2008/6/11 Mats Bengtsson <[EMAIL PROTECTED]>:
> If you search the mailing list archive, you will for example find
> http://lists.gnu.org/archive/html/lilypond-user/2008-04/msg00127.html
> which contains an attached example that might be useful.
>
>
That is what I was talking about. But, anyway, it
I think this would be a wonderful implamentation for a future version of
Lilypond. I know that lots of people would benefit from a context like this.
Hugo
2008/6/11 Jesse Engle <[EMAIL PROTECTED]>:
> I hoped there might be a seperate context for roman numerals similar
> to the ChordNames context,
thanks.
hugo
2008/4/11, Graham Percival <[EMAIL PROTECTED]>:
>
> On Fri, 11 Apr 2008 20:33:19 -0300
> Hugo Ribeiro <[EMAIL PROTECTED]> wrote:
>
> > If I put it into the main file, everything goes ok. Put if I put this
> > same code into any file that is in a subdirectory, like
> > '../Cap01/cap01-
Dear all,
I have just created a Lilypond list in Portuguese for those who can't manage
to read or understand the manual or posts in English. So, I would like to
invite all those who can write in Portuguese to sign in this group.
[EMAIL PROTECTED]
Thanks all for your attention.
Hugo Ribeiro
p.s
Dear all,
I have just created a Lilypond list in Portuguese for those who can't manage
to read or understand the manual or posts in English. So, I would like to
invite all those who can write in Portuguese to sign in this group.
[EMAIL PROTECTED]
Thanks all for your attention.
Hugo Ribeiro
_
Sorry asking again,
I searched in the manual and I didn't find the answer. When I change the
Clef in the middle of the melody (or exercise), the new clef appears smaller
than the first one. How can I do to make lilypond show all the clefs in same
size as the first one?
Hugo
__
Dear all,
how can I insert a key change without all those cancelation symbols of the
previous key. This is intented for harmony exercises in lots of keys.
Ex.
\version "2.10"
\relative c' {
\key e \major
cis4 dis e fis
\key ees \major
g f ees d
}
Thanks
Hugo
<>_
Is there a way for Lilypond, in 3/4 meter, to join automatically the beams
each pair of eights? Because in this meter, if the measure there is only
eights, Lilypond join all the beams together, and to split them I have to do
it manualy. In a small music I can do it, but in a big score it is a hard
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