Today, I found this snippet:
http://lsr.di.unimi.it/LSR/Item?id=872
+-[ Gergely Kontra ]--+
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On Thu, Jun 25, 2015 at 3:24 PM, Urs Liska wrote:
> Am 25. Juni 2015 15:07:51 MESZ, schrieb "Gergely K." :
>>The only drawback (which is quite big for me), is when you use
>>frescobaldi:
>>you edit violin-music.ly, and have to switch to violin.ly and press
>&g
On Thu, Jun 25, 2015 at 12:00 PM, Orm Finnendahl
wrote:
>
> Am Donnerstag, den 25. Juni 2015 um 11:35:18 Uhr (+0200) schrieb Gergely K.:
> > Hi all!
> >
> > I'd like to engrave orchestral music, one sheet for violinist, cellist and
> > one for conductor.
>
Hi all!
I'd like to engrave orchestral music, one sheet for violinist, cellist and
one for conductor.
I'd like to have the following structure:
base.ly -- name and time signature of the music
violin1.ly -- when opened in frescobaldi, should engrave violin1.ly
main.ly -- when opened in frescobaldi
On Thu, Jun 25, 2015 at 5:51 AM, Helge Kruse wrote:
>
> > Conductor will say bar number.
> Nope. From my experience I would say she says everytime something
> different:
> - from 3 measures before rehearsal mark B
> - from the lyric measure
> - second repeat, please
> - proabaly from a specific b
On Wed, Jun 24, 2015 at 7:42 PM, Paul Scott wrote:
> On Wed, Jun 24, 2015 at 07:35:16PM +0200, Gergely K. wrote:
> > On Wed, Jun 24, 2015 at 7:13 PM, tisimst
> wrote:
>
> > > It got me thinking, though. Why don't you want the viola to have the
> same \repeat
&g
% 5
bars
viola = \relative c' {c4 d e f | c2 c | c4 d e f | c2 c | c1 } % 5 bars
}
> -Abraham
>
> On Wed, Jun 24, 2015 at 9:48 AM, Gergely K. [via Lilypond] <[hidden email]
> <http:///user/SendEmail.jtp?type=node&node=178156&i=0>> wrote:
>
>> Hi all!
Hi all!
I am engraving an orchestral score, and ran into the following: one staff
has volta repeat with alternative ending, but the other staff has no
alternate ending.
When I engrave the score for the conductor, strange thing happens (one
staff is shorter, that the other)
I also would like to e
