Hi Nick,
you'll find more noteheads here:
http://www.lilypond.org/doc/v2.19/Documentation/notation/the-feta-font#shape_002dnote-notehead-glyphs
.
This snippet by Victor Adan shows how to use them in a score:
http://lsr.di.unimi.it/LSR/Snippet?id=475.
An example:
cowbell = {
\once \override
Hi Urs,
you could try:
\override Staff.LedgerLineSpanner.length-fraction = 0.5
/ Fredrik
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> That example doesn't make much sense to me, but an earlier example
> by Han-Wen using pedalSustainStrings set to ("Ped." "-P" "*")
> makes more sense. In this case it indicated an intermediate pedal
> lift. This example is no longer in the code base, having been replaced
> by the pedalSustainSt
Hi Daniel,
here:
http://www.lilypond.org/doc/v2.19/Documentation/snippets/keyboards#keyboards-changing-the-text-for-sustain-markings
is one example of Staff.pedalSustainStrings.
Best / Fredrik
On 2 April 2014 11:18, Daniel Spreadbury wrote:
> I'm currently looking in detail at the repertoire o
Piaras: looks wonderful, thanks for sharing.
>> haven't added it (it shouldn't be too difficult) as I tend to prefer
>> functions that don't have long lists of arguments which I can never
>> remember :)
It is *possible* to have optional arguments with default values:
http://lilypond.org/doc/v2.19
> ...a way to override the distance between notehead and stem...
\override Stem.Y-offset = 2
(Sorry about the typos in my last message -- I wrote "beam lenghts"; I
meant "stem lengths of beamed notes".)
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Hi Urs,
> - How could I remove the gap between the first two stems?
Maybe try with a temporary
\set Score.proportionalNotationDuration = #(ly:make-moment 1 8)
for that particular group of notes?
As for the beam lengths, I'm not sure what the best solution would be --
\override Stem.details.bea
Hi Thomas,
if I understand you correctly, you want the two voices to share a
notehead -- even when they are not simultaneous? Interesting.
Here's one possibility, scaling the durations in the upper voice to fit:
{
\relative c'' {
\time2/8
<<
{
c8..*20/21 [ c32*4/3]
}
\\
{
\t
Hi Mathias,
maybe you're looking for this:
http://lilypond.org/doc/v2.16/Documentation/notation/horizontal-spacing-_005cpaper-variables#_005cpaper-variables-for-two_002dsided-mode
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Hi Ming,
someone with more knowledge about Unicode (and Windows) could perhaps
explain why that happens, but since you also asked for a workaround:
Instead of using \bookOutSuffix, you could try with \bookOutputName, like this:
\book {
\bookOutputName "+中国曲子+"
Which works fine over here (vers
Hi Kevin,
if you want one syllable to be sung on more than one note, add a slur across the
notes to create a melisma.
This is standard lyrics notation and Lilypond will behave as you would expect.
And if you *really* want that extender line after "sleigh", you should
use two underscores, not three
Hi Daniel,
\chordmode { e:m5.8 }
seems to work as well. This formula is very practical if you need something
like:
\chordmode { e:m5.15 }
More examples here:
http://lilypond.org/doc/v2.16/Documentation/notation/chord-mode
/ Fredrik
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