Sign for Flattement (Finger vibrato)

2023-05-08 Thread Franz-Rudolf Kuhnen
prallprall". In addition, as can be seen in the example, it should be between the two notes. Can someone help me? Thanks in advance. Regards Franz-Rudolf Kuhnen https://www.kuhnen-musik.de https://noten.kuhnen-musik.de

Re: Arpeggio by Dieupart

2020-06-01 Thread Franz-Rudolf Kuhnen
Hi Urs, hi Andrew, Thank You for Your help. The solution with openlilylib works really great! Regards Franz-Rudolf https://www.kuhnen-musik.de https://noten.kuhnen-musik.de http://www.alte-musik-am-mittelrhein.de

Arpeggio by Dieupart

2020-05-31 Thread Franz-Rudolf Kuhnen
Hi, in his "Six Suittes de Clavessin" Dieupart used a specific sign for an arpeggio. -> Attachment How can I do that with Lilypond? Thank You in advanced for Your help Regards Franz-Rudolf https://www.kuhnen-musik.de https://noten.kuhnen-musik.de

Re: Adding Ornamentations to Note Heads

2020-05-25 Thread Franz-Rudolf Kuhnen
Hi, thank You for the excellent help. I also demanded Nicolas Sceaux about his solution and he answered me also yesterday. He advised me to use the following file: https://github.com/nsceaux/nenuvar-lib/blob/master/nenuvar-side-ornementations.ily[1] This works without problems with lilypond

Adding Ornamentations to Note Heads

2020-05-24 Thread Franz-Rudolf Kuhnen
914/5000 Hi, I'm in the process of transcribing the suites from Charles Dieupart from the original. Like Rameau, Dieupart also uses special ornaments that are aligned directly with the notehead. ("Port de voix" and "Pincé"). I found an interesting article about the realization under Lilypond by

Figured Bass: Order of Digits

2009-09-24 Thread Franz-Rudolf Kuhnen
t;3- 6 5> <6 3+> <7 3+> | s2 | } >> %% End example%%%%% Sorry for my bad english and thank You for Your help. Best regards Franz-Rudolf Kuhnen http://www.kuhnen-musik.de <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Figured Bass: Order of Digits

2009-09-24 Thread Franz-Rudolf Kuhnen
t;3- 6 5> <6 3+> <7 3+> | s2 | } >> %% End example%%%%% Sorry for my bad english and thank You for Your help. Best regards Franz-Rudolf Kuhnen http://www.kuhnen-musik.de <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Figured Bass: Order of Digits

2009-09-23 Thread Franz-Rudolf Kuhnen
t;3- 6 5> <6 3+> <7 3+> | s2 | } >> %% End example%%%%% Sorry for my bad english and thank You for Your help. Best regards Franz-Rudolf Kuhnen http://www.kuhnen-musik.de <>___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

Re: White notation in french baroque

2007-02-26 Thread Franz-Rudolf Kuhnen
16*22 b2 e,2. fis16 g | \partial 8*6 fis8[ a b a g fis] |} \header { piece= \markup "Again 'NoteHead #'duration-log = 1' and some ugly cheats"} } End %% Regards Franz-Rudolf Kuhnen http://www.kuhnen-koblenz.de ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gnu.org/mailman/listinfo/lilypond-user

White notation in french baroque

2007-02-26 Thread Franz-Rudolf Kuhnen
Hi, how can I realize white notation with lilypond? In the french baroque some composers used white noteheads in slow pieces, mainly in 3/2-time. A quater looks there like a eighth with a white notehead. Look at the picture. I hope, someone could help me Regards Franz-Rudolf Kuhnen http

French baroque: Trills, Grace and Slurs

2007-02-21 Thread Franz-Rudolf Kuhnen
\version "2.10.19" \paper { line-width = 6\cm } \score { \relative c' << \new Staff { \time 2/4 a'4 \afterGrace b\trill( { \stemDown a16[ b16]) } \bar "|" a4 \afterGrace b-+( { \stemDown a16[ b16]) } } >> } Best regard