prallprall". In addition, as can be seen in the
example, it should be
between the two notes.
Can someone help me?
Thanks in advance.
Regards
Franz-Rudolf Kuhnen
https://www.kuhnen-musik.de
https://noten.kuhnen-musik.de
Hi Urs, hi Andrew,
Thank You for Your help. The solution with openlilylib works really great!
Regards
Franz-Rudolf
https://www.kuhnen-musik.de
https://noten.kuhnen-musik.de
http://www.alte-musik-am-mittelrhein.de
Hi,
in his "Six Suittes de Clavessin" Dieupart used a specific sign for an
arpeggio. -> Attachment
How can I do that with Lilypond?
Thank You in advanced for Your help
Regards
Franz-Rudolf
https://www.kuhnen-musik.de
https://noten.kuhnen-musik.de
Hi,
thank You for the excellent help. I also demanded Nicolas Sceaux about his
solution
and he answered me also yesterday.
He advised me to use the following file:
https://github.com/nsceaux/nenuvar-lib/blob/master/nenuvar-side-ornementations.ily[1]
This works without problems with lilypond
914/5000
Hi,
I'm in the process of transcribing the suites from Charles Dieupart from the
original. Like Rameau, Dieupart also uses special ornaments that are aligned
directly with the notehead. ("Port de voix" and "Pincé").
I found an interesting article about the realization under Lilypond by
t;3- 6 5> <6 3+> <7 3+> |
s2 |
}
>>
%% End example%%%%%
Sorry for my bad english and thank You for Your help.
Best regards
Franz-Rudolf Kuhnen
http://www.kuhnen-musik.de
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t;3- 6 5> <6 3+> <7 3+> |
s2 |
}
>>
%% End example%%%%%
Sorry for my bad english and thank You for Your help.
Best regards
Franz-Rudolf Kuhnen
http://www.kuhnen-musik.de
<>___
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t;3- 6 5> <6 3+> <7 3+> |
s2 |
}
>>
%% End example%%%%%
Sorry for my bad english and thank You for Your help.
Best regards
Franz-Rudolf Kuhnen
http://www.kuhnen-musik.de
<>___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
16*22 b2 e,2. fis16 g | \partial 8*6 fis8[ a b a g
fis] |}
\header
{ piece= \markup "Again 'NoteHead #'duration-log = 1' and some ugly
cheats"}
}
End %%
Regards
Franz-Rudolf Kuhnen
http://www.kuhnen-koblenz.de
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Hi,
how can I realize white notation with lilypond?
In the french baroque some composers used white noteheads in slow pieces,
mainly in 3/2-time.
A quater looks there like a eighth with a white notehead. Look at the picture.
I hope, someone could help me
Regards
Franz-Rudolf Kuhnen
http
\version "2.10.19"
\paper {
line-width = 6\cm
}
\score {
\relative c' <<
\new Staff {
\time 2/4
a'4 \afterGrace b\trill( { \stemDown a16[ b16]) }
\bar "|"
a4 \afterGrace b-+( { \stemDown a16[ b16]) }
}
>>
}
Best regard
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