On Wed, Aug 30, 2017 at 8:50 AM, Wols Lists wrote:
> Just because it's not normal practice doesn't mean people won't find it
> useful. I looked at tht document about music typesetting conventions for
> the first time in ages a day or so ago, and it finishes pretty much with
> the statement that, a
On Tue, Aug 29, 2017 at 1:46 PM, Simon Albrecht wrote:
> Hi Evan,
>
>
> On 29.08.2017 22:26, Evan Laforge wrote:
>>
>> In music where the time signature changes a lot, it's nice to show the
>> time signature on each line even when it hasn't changed.
>
&
I'm accustomed to using a short glissando line to indicate a rapid
glissando between notes. What I mean is that given 'c1 \glissando |
d1', the implication is that the player spends the whole duration
slowly moving. But if I want something like 'c2~ c4~ c8 c8 \glissando
| d1', then I omit the tie
In music where the time signature changes a lot, it's nice to show the
time signature on each line even when it hasn't changed. Is there a
way to get that to happen?
I experimented with the (undocumented?)
TimeSignature.break-visibility, but even with (#t #t #t) it doesn't
seem to have any effect
On Sun, Aug 14, 2011 at 7:27 PM, Kieren MacMillan
wrote:
> Hi Evan,
>
>> I'm guessing both of these are possible, but I don't know quite the
>> right knobs to tweak to modify a voice in this way. And I imagine it
>> must be a fairly common problem, so surely someone else has already
>> done somet
Hi everyone, I'm new to lilypond, so sorry if this is a simple
question, but I wasn't able to find an answer in either the
documentation or the archives.
I have a piece which is mostly monophonic, but occasionally has
another voice. Up until now I have been using << \\ >> to split the
voices as n
