Hi,
I just learned how to use the ossia staff. And I'm quite happy with the
results, except it seems that the measure numbers follow the hidden ossia staff
instead of the first visible staff. Can anyone think of a nice way to move the
measure numbers down? Below is a modified version of the exa
Thank you Aaron, it seems to work! But what does stencil mean exactly?
Best,
Erika
Lähettäjä: Aaron Hill
Lähetetty: lauantai 5. maaliskuuta 2022 18.35
Vastaanottaja: Erika Pirnes
Kopio: lilypond-user@gnu.org
Aihe: Re: DynamicTextSpanner spacing
On 2022-03-05 3
I would like the dotted line of the crescendo to start a bit later and end a
bit earlier. It is too close to "cresc.", in my opinion at least. And sometimes
too close to the "f" as well. (A tiny detail, for sure, but it looks annoying.)
Any ideas?
Minimal example below. (The problem with "f" di
Yes, I think the slur is way too close to the top note. Another issue with
slurs I have encountered is that they look very awkward when there is a line
break in the middle of a slur, because it looks like two slurs instead of one
longer one continuing over the line break. (I might try to produce
Thank you for the answers, Leo and Paul! It seems that \override
Script.font-size = #-1.5 works nicely, at least for now. There is something
about the stems that doesn't look right to my eye, but maybe it is not the
length.
Best,
Erika
Hi,
There are two things that I would like to achieve and haven't yet been able to
figure out. One is to globally reduce the accent size. I'm reducing the size of
the noteheads, and that makes the accents look ridiculously big. The other
thing is to have a more consistent length for stems. In m
I personally find the black text much easier to read than the syntax-highlighed
one in colors. I still have young eyes, but somehow the colored text feels
tiring. Maybe this is just what I am used to, as I am still using the standard
text editor to write my .ly files. Would it be terribly diffic
Thank you for all the answers! The solution that best suits my situation is
overriding the script.padding, what Vaughan suggested. I find the staccatos to
be too close to notes as well, so having it affect all articulations doesn't
seem like a problem (at least at the moment). As Lukas pointed o
Hi,
I would like to have the tenuto mark a bit farther away from the note. I had a
similar issue with tuplet numbers and then "\override TupletNumber.Y-offset =
#-2.5" fixed the issue. I don't know what I should replace "TupletNumber" by in
the case of tenuto lines.
Minimal example here:
\ver
I have used Timidity++. (I use Linux but apparently you can get the program for
Windows as well.) The sound quality is not too great but otherwise it does what
it's supposed to do: namely plays the most recent version of the file without
the need to close the program or open the file again.
Eri
What Aaron suggested seemed to work with the passage similar to the previous
rit-a tempo example, but the stretching 8-notes problem arises elsewhere, like
in the example below.
\version "2.18.2"
pocoaccel = \markup { \italic "poco accel." }
common = {
\override TextScript.extra-spacing-widt
Actually, it seems that my previous solution with "hideNotes" and rests leads
to collisions as well, and it also shifts down any dynamic markings below the
staff, which is not a desirable effect. I'm grateful for any suggestions on how
to solve the problem.
Again, the issue is that using textLe
I changed Paul's solution with "hideNotes" to use rests instead of notes, to
avoid the warning for clashing note columns. Aaron's solution works well for
the score, but my problem came up when I tried to write the individual parts.
The updated example below illustrates the problem and my solutio
Sure, using "hideNotes" to obtain better spacing is a cheat, but it works
better than anything I tried. (I actually tried a similar thing but with spacer
rests which did not produce the wanted result.)
Thanks!
Erika
I've been struggling with spacing issues. In my example below, the second
measure shows the default behavior, where the two markups are placed on top of
each other. (If I was playing this, I would find it very confusing.) I would
like to stretch the long note in the beginning of second measure,
I asked about adding time signature changes into a variable that can be used by
all instrument parts. The solution below (by Christian) worked perfectly, but I
don't recommend adding bar checks into the variable. I did that and it caused
the multi-measure rest compression not to work. It took qu
I'm trying to figure out how to position rehearsal marks a bit farther from the
staff. It might be an easy fix (I hope so) but I couldn't find a solution yet.
My example below; especially with notes above the staff the rehearsal mark
seems to be too clingy.
\version "2.18.2"
notes = \relative
Thank you for the answers! What I had not realized was that I can use spacer
notes in the "global" variable (I thought it was only for the beginning
key/time) and add two simultaneous "music layers" on a staff, in the style of
\new Staff << \first \second >>. This will certainly make life easier
t for all parts
separately.
(I know that for writing a score I only need the time signature changes in one
part, but if I leave the time signatures out of other parts, I'll run into
problems when I try to get the separate parts out.)
Thank you,
Erika Pirnes
I'm trying to add some instruction text in my score. I would like to position
it between the header and the music, but I cannot seem to figure out how to do
this, as markup cannot be placed inside a score block. I also tried taking the
header out of the score block which still seemed to produce
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