amp;
"\startStaff" - that was exactly what I'd been looking for.
Many thanks both for the supportive community, and the incredibly
impressive documentation!
Dave
On Mon, 19 Jun 2023 at 22:32, Dave Shield wrote:
>
> I've been trying to adjust the width of the final line o
ng something obvious, but nothing I've
tried so far seems to work. Where am I going wrong?
Thanks
Dave
= example =
\version "2.22.1"
scale = \relative c' { c d e f g a b c }
halfscale = \relative c' { c d e f }
\score {
\new Sta
expected result (repeated notes, barline in wrong
place):
[image: lilypad-test-2.png]
Please tell me what I'm doing wrong.
Thanks,
Dave
This is perfect, thanks! It's all working.
Arguably this is not a super-common use case, but it is illustrative of how
these features work / are associated. Perhaps it should be added to the
snippets?
-Dave
On Thu, Oct 14, 2021 at 7:30 PM David Kastrup wrote:
> Dave Trombley
l voices?
It would be super if there was a way to temporarily turns this back on with
\override, but even just disabling it would be an improvement...
-Dave
ffsets, in this particular case, seemed like a more "objective" way
to indicate the pitches. But of course this is a matter of taste and
preference.
- Dave
On Thu, Oct 22, 2020 at 9:23 AM Hans Åberg wrote:
>
> > On 21 Oct 2020, at 12:43, Stefan Thomas
> wrote:
> &g
hat was written
using Python in the first place), and it's good for the brain to get
stretched into a different paradigm.
- Dave
On Mon, Oct 19, 2020 at 11:26 PM Aaron Hill
wrote:
> On 2020-10-19 7:51 pm, Dave Seidel wrote:
> > More succinct:
> >
> > #(begin
> >
More succinct:
#(begin
(use-modules (guile-user))
(if (not(defined? 'part))
(define partName "")
(define partName (string-append "S" (number->string part)))
)
)
though the warning still prints, but that's not a big deal for me.
On Mon, Oct 19, 20
PDF for the full score and a separate PDF for each part
(where the instruments are designated as S1 through S6). I guess I could
probably do it all in a single invocation, but I haven't gotten that far
yet -- only been using Lilypond for about a week now.
- Dave
On Mon, Oct 19, 2020 a
Thanks Jean! I need to read more carefully!
On Mon, Oct 19, 2020 at 5:45 PM Jean Abou Samra wrote:
>
> Le 19/10/2020 à 23:14, Dave Seidel a écrit :
>
> Hi all,
>
> I am trying to define a variable on the command line that I can use within
> the .ly file. I've tried b
ne partName (string-append "S" part))
)
In either case, I get the error
GUILE signaled an error for the expression beginning here
#
(if (= part 0)
Unbound variable: part
I guess I'm either defining the variable incorrectly, or dereferencing it
incorrectly within the script. Can someone help?
Thanks,
Dave
Thanks, Aaron.
On Sun, Oct 18, 2020 at 4:46 PM Aaron Hill wrote:
> On 2020-10-18 1:38 pm, Dave Seidel wrote:
> > Very cool, thanks! I'm curious -- could aBook and aBookPart have been
> > written as a lambda, or is it cleaner to use a void function?
>
> (Re-adding the
Having articulated the question, I figured out that apparently one can't
return a \bookpart from a Scheme function, but it's ok to return a \score,
so I am restructuring my code.
On Sun, Oct 18, 2020 at 10:28 AM Dave Seidel wrote:
> Hi,
>
> I have a multi-section piece, wit
t;>
\layout { }
\midi { }
}
}
#})
And I am trying to invoke it using
\scoreSection #"Part 1"
but I keep getting the error messages like this:
Parsing...
hexany_permutations.ly:127:1: error: bad expression type
\scoreSection #"Part 1"
What am I doing wrong? I'm a Lilypond and Scheme newbie (but a programmer
by trade).
- Dave
h these fonts so that
Lilypond will load them, such as copying them to some specific disk
location?
Proviso: I am a Lilypond and Scheme newbie (though no newbie to either
music or programming).
Thanks,
Dave
notes that are below the twelfth
fret of a guitar, regardless of the octave of the pitch given. I have
had some success, but it basically relies on calling ly:music-transpose
twice, which seems a bit inefficient, so I'll not post that yet. If I
work out an efficient way of doing, would people be prepared to critique
it for me if I posted it?
Best regards,
Dave
\once \omit Score.TimeSignature \time 4/4 c1 |
}
--
Dave Higgins
--
Are you a parent? Do you sometimes find yourself unsure as to what to
say in those awkward situations? Worry no more...
Do as I say, not as I do.
Do me a favour and don't tell me about it. I don
#:override '(baseline-skip . 0) #:number
(#:line (
(#:center-column (up down))
#:vcenter "("
(#:center-column (upp downp))
#:vcenter ")" )
--
Dave Higgins
--
Any philosophy that can be put "in a nutshell" belon
Is there a way to force the rehearsal mark to be under the tie (or
slur)? \override did not work either. I'm hoping I'm just misreading
the documentation.
\version "2.19.83"
\fixed c''' { \set Staff.RehearsalMark.outside-staff-priority = #1 a1 ~
| \
Try something like this:
\version "2.18.2"
\language"english"
\relative{
\time 2/4
c2*15/16 \f \< s2*1/16 \!
}
On Sat, 20 Oct 2018 at 13:44, Ethan Meltzer
wrote:
> LilyPond doesn't seem to like using a spanner over one note. Writing a
> one-note spanner like this leads to an error:
>
> \versio
In my previous question, I saw a change in \afterGrace. What other new
and interesting changes are there?
--
Dave
--
I marvel at the strength of human weakness.
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman
relative c' {
\compressFullBarRests
R1*2 \bar "" \cadenzaOn << { s4 } \new CueVoice { c4 } >>
\cadenzaOff \bar "|" |
}
--
Dave
--
I marvel at the strength of human weakness.
___
lilypond-user mailing list
lily
spacing each silence as the size of a note head. How would I change
that spacing?
--
Dave
--
How many weeks are there in a light year?
<>___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
rk like R1*2 (by putting the 2 in position over
the rest)? (rhetorical) Yes, I have a solution for this too, but again,
sloppy.
--
Dave
<>___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 10/29/2017 5:41 PM, Dave Hartley wrote:
I'm currently typesetting some music for our school choir, SATB with a
piano part and a small percussion part. I *tried* to get some additional
directions to the performers inserted as footnotes, but I don't seem to be
able to get the fo
I'm currently typesetting some music for our school choir, SATB with a
piano part and a small percussion part. I *tried* to get some additional
directions to the performers inserted as footnotes, but I don't seem to be
able to get the footnotes in *\markup attached to notes* working at all.
MWE:
%
Hi everyone
Just wanted to pass on my sincere thanks to everyone on this list who
contributes their knowledge to the wider community. I am currently
re-scoring a musical that we are doing at the school I teach at to make
the music more readable page turns more convenient (and correct typos in
the
I'd like to draw a box around this:
\mark \markup { \bold { \huge "A" \super "1" } }
But if I add in \box, e.g.:
\mark \markup \box { \bold { \huge "A" \super "1" } }
I get a box around the A and a box around the 1. On the graphics
documentation page, other than manually defining a box, is there
On 2 February 2017 at 12:22, Thomas Morley wrote:
> Hi Dave,
>
> I think it's a bug.
> Hence I opened
> https://sourceforge.net/p/testlilyissues/issues/5047/
> There you might get an idea for a workaround:
> use \mark \instead of \tempo or replace spacers with
ew Dynamics into the score. It just seems weird that adding in an
extra voice destroys the effect of \markLengthOn. Any ideas?
Dave
--
Stop the Madness. Boycott Word attachments.
<http://www.goldmark.org/netrants/no-word/attach.html>
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
see where you could change something like dashPlus = \sharp, but I
couldn't find a way to do that in the file.
--
Dave
Littleton, Colorado
--
Just as I cannot remember any time when I could not read and write, I cannot
remember any time when I did not exercise my imagination
That doesn't appear to move the tremolo in any direction. Tried (5 . 5).
On 05/12/2016 11:30 AM, Trevor Daniels wrote:
>
> Dave Higgins wrote Thursday, May 12, 2016 5:53 PM
>
>
>> I've noticed that with high notes that are tremolo'd (or short repeat),
>&
And make them lighter.
On 05/12/2016 10:53 AM, Dave Higgins wrote:
> I've noticed that with high notes that are tremolo'd (or short repeat),
> the tremolo covers the ledger lines.
>
> For example: a''''1:32 would give 4 ledger lines but it's hard
I've noticed that with high notes that are tremolo'd (or short repeat),
the tremolo covers the ledger lines.
For example: a1:32 would give 4 ledger lines but it's hard to tell
that there are 4 ledger lines because the tremolo covers it.
What's the syntax to lower the tremolo?
--
Life being w
Is there any way to generate statistics for a file? Things like, let
say, a concordance or the number of a's b's or bes's, or repeated
markup's? (I know I can do stuff like this with grep, but that's very
singular.)
--
Dave Higgins
Littleton, Colorado
dave.higg...
On 02/20/2016 09:15 AM, David Kastrup wrote:
Dave Phillips writes:
Greetings,
I wrote a piece for piano that I want to notate with LilyPond. The
piece has some difficult aspects regarding which I need some advice or
just confirmation that my strategy is sound (or not).
The piece is long
ng sucks anyway
sound-wise, I hadn't purchased Pianoteq then. I also plan to re-record
the piece with that software.
https://soundcloud.com/davephillips69/piano-zero
Thanks in advance for any advice and/or suggestions for an improved
working met
Is there a way to stretch text over some measures (other than manually)?
For example:
poco a poco crescendo
to:
poco a poco crescendo
I've looked up spanning and padding and other things, but can't seem to
find any thing to the above example.
--
___
At the end of a piece, one section has a long number of rests, i.e.
R1*42. Is there a way to hide the number or create a long rest without
actually being multi-measure?
--
Dave Higgins
--
Two wrongs don't make a right, but three lefts do.
___
lil
oment 1/8) \set
Timing.beatStructure = #'(3 3 3) bes,16 ( c d ees f g a bes c d ees e f
g a bes f d ) }
I've tried many, many combinations and have never found one that
accomplishes what I'd like.
Maybe I'm using the wrong constructs?
--
Dave Higgins
Secure64 Software Corpor
Is there a way to display various stats of a piece, e.g. number of notes
or other such information?
--
Dave Higgins
Littleton, Colorado
dave.higg...@dkds.us
See my photos at
https://www.dkds.us/gallery3
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
I want to
webdev.nl <http://abc11.webdev.nl>
> (82.94.241.173): icmp_seq=3 ttl=54 time=48.6 ms
>
> --- lilypond.org <http://lilypond.org> ping statistics ---
> 3 packets transmitted, 3 received, 0% packet loss, time 2003ms
> rtt min/avg/max/mdev = 48.344/48.647/48.903/
enter "="
(#:column (upp downp)))
On 03/04/2015 05:25 PM, Dave Higgins wrote:
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
Cre
I'm looking for an example of a time signature in the format of 3/4 =
6/8. I can find the compound meter, e.g. 1/2 + 2/4, but not with the =
sign.
--
Dave Higgins
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
Creditor, n.:
A man who has a b
Text over a multi-measure rest is centered. Is there a more elegant
solution to not center it then the one below?
<< { R1 } \\ { s4^\markup \left-align "text" } >>.
--
Dave Higgins
--
Karmageddon:
It's like, when everybody is sending off all these really
#(set-global-staff-size 20)
Is there a way to set this per page? Page 1-2 fit at staff-size 25, but
page 3 only fits with staff-size 21. This may be how it is.
I'm not sure if the \magnifyStaff works in this manner, nor am I sure
that fontSize works either.
--
o see.
--
Dave Higgins
Littleton, Colorado
dave.higg...@dkds.us
See my photos at
https://www.dkds.us/gallery3
--
http://www.geocaching.com/profile/?guid=60ac8b65-d115-42b7-9363-f2dff0c863cf
--
Karmageddon:
It's like, when everybody is sending off all these really bad
vibes, right? And then,
On 10/12/2014 11:35 AM, lilypond-user-requ...@gnu.org wrote:
Message: 2
Date: Sun, 12 Oct 2014 09:52:50 -0500
From: David Nalesnik
To: Piaras Hoban
Cc: lilypond-user
Subject: Re: Contemporary Music Notation
Message-ID:
Content-Type: text/plain; charset="utf-8"
On Sun, Oct 12, 2014 a
re, as the layout
description below indicates.
I'm not saying the staff feature is broken, just my staff lines in the
score are in the wrong places.
On 05/12/2014 11:06 AM, Phil Holmes wrote:
> - Original Message - From: "Dave Higgins"
> To:
> Sent: Monday, May 12, 2
Without the includes. Sorry.
On 05/12/2014 09:41 AM, Dave Higgins wrote:
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
Revisiting with a compilable example...
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
part1:staff2
part2:staff2
Obviously for the score, I'd like:
part1:staff1
part1:staf
Clarification:
part1 = Violin 1
part2 = Violin 2
On 04/18/2014 10:31 AM, Dave Higgins wrote:
> I'm transcribing a piece that has multiple parts and in those multiple
> parts, I have multiple staves.
>
> After compiling, the staff layout becomes:
> part1:staff1
> part
I'm transcribing a piece that has multiple parts and in those multiple
parts, I have multiple staves.
After compiling, the staff layout becomes:
part1:staff1
part2:staff1
part1:staff2
part2:staff2
Obviously for the score, I'd like:
part1:staff1
part1:staff2
part2:staff1
part2:staff2
I'm sure I j
Thanks for the suggestions, but still no luck.
I've tried both settings for ragged-right; neither work.
setting ragged-right=##f makes the systems stretch to fill the whole line; I
do not like the way that this looks for, for example, a two-bar item.
(setting it to true gives the behaviour indicat
I'm trying to make music-snippet images using lilypond, but I'd like each
snippet to always have trailing "whitespace" so that each of these images is
of the same width. Ultimately, these images will be embedded in an
emacs-org file (I am aware of lilypond-book).
I'm following the suggestions f
Greetings,
Just adding my noise to the praise chorus. There's lots to like in other
LP editors but Frescobaldi is my current favorite. I'm completing my
article on LilyPond for the Linux User/Developer magazine, Frescobaldi's
all over it. :)
I uninstalled the repo version 2.0.0 for Ubuntu 12
On 09/16/2013 10:18 AM, Janek Warchoł wrote:
Hi,
a somewhat late answer...
Hi Janek,
Thanks for your comments and suggestions, I agree with your judgements.
Umeko needs a complete code rewrite, the Sonatina somewhat less. The
trios are the most ambitious things I've done in LP, I've a lot
Btw, I've used vim for some editing jobs Frescobaldi doesn't do so well.
Hard to beat it for things like
%s/foo/foobar/g
good to see you around, dave, looking forward to reading your article!
It's good to be around. :) I'll post a note here when the article is
published
Greetings,
Some time ago I wrote to this list with some questions which were
answered promptly by various members here. Thanks to their assistance I
got re-started with LilyPond, and I've been busy using it via the
Frescobaldi program.
I've revised some pieces and added some new things here
Hi Urs, hi Mike,
On 08/21/2013 08:25 AM, Urs Liska wrote:
And don't forget the closing angled brackets that may have been
swallowed by email.
Which indeed were annihilated by email. Thanks for the reminder. :)
Mike, thanks for clear example, I'll try it this afternoon.
Best,
dp
_
contribution.
Best regards,
Dave Phillips
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 9 January 2013 16:03, Janek Warchoł wrote:
> What i meant is: i would feel sorry if i couldn't use LilyPond's new,
> unique, custom-designed professional font to engrave polish national
> anthem or any other polish song because someone decided that polish
> language is not important enough to b
The price depends on the details of the project; mainly the number of
family styles, the character set, and the delivery schedule. Designing
a single style latin-1 font in 2 weeks is relatively expensive ($3,000
minimum) versus a 10 style family with latin 1-2-3-4 in 2 months
($10,000 min)
___
ages would be useful
> also.
Assuming 4 styles (reg bold italic bold-italic) for that character
set, I'd estimate $40,000 is a minimum.
--
Cheers
Dave
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Impallari's Libre Baskerville, perhaps? www.impallari.com
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
his case
will appear in the middle of measure. I understand how to get it at the
end of a measure but not over a bar in the that occurs in the measure.
Thanks,
Dave
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Greetings,
Not sure how relevant this discussion is to the LP mailing list though.
Okay. Thanks for reading Louigi's message, but it's a little out of
context, you'd have to read his former messages to get the full sense.
I have to praise LP as the one piece of music-related OSS that is
Greetings,
An interesting take on an experience similar to Johnny Ferguson's :
http://www.linuxmusicians.com/viewtopic.php?f=12&t=2591#p11388
Best,
dp
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lil
starting from scratch in compiling it.
Thanks!
Dave.
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Hi All,
When I output to MIDI, it seems that notes on my DrumStaff do not go to
channel ten--in the MIDI file, they are assigned a basic GM piano sound. Is
there a way to explicitly assign MIDI channel 10 to DrumStaff?
Thanks,
Dave
___
lilypond-user
Jan Nieuwenhuizen wrote:
Hi Dave,
Hi Jan ! Sorry for this delayed reply, I've been a bit overwhelmed here.
Too much work, too much family stuff going on, too much of everything
except spare time.
If your objection to LWN is re: someone else's comment on my articles
ttp://www.linuxjournal.com/article/7657 "LilyPond, Part 1"
http://www.linuxjournal.com/article/7719 "LilyPond, Part 2"
http://www.linuxjournal.com/article/8928 "LilyPond Helper Applications"
Best regards,
Dave Phillips
M Watts wrote:
> Unfortunately, the link to Hans Lub's site (author of midi-input mode)
> from linux-sound.org is dead http://utopia.knoware.nl/~hlub/uck/software/
A moment with Google and we find this updated URL:
http://utopia.knoware.nl/~hlub/uck/rlwrap/
I searched for "hans lub midi".
arking is under a note the note must be an octave higher,
> and never lower for this instrument.
>
> The use of flageolets for harmonics is best restricted to open strings
> rather than artificial harmonics. Regards, daveA
>
>
>>
>> On Sun, Dec 14, 2008 at 09:00:01PM -0500
ough and will allow me to finish
this score and should be clear enough for most performers.
Thanks,
David Bellows
> Cheers,
> - Graham
>
> On Sun, Dec 14, 2008 at 09:00:01PM -0500, Dave Bellows wrote:
>> Hello everyone,
>>
>> I'm using Lilypond 2.11.65 to c
Hello everyone,
I'm using Lilypond 2.11.65 to create a score for guitar. Here's the
basic snippet I'm working with:
{a4 d b} \\
{f4 g r}
I need the top line to be artificial harmonics but the lower line to
be regular noteheads. If I write:
{\override Staff.NoteHead #'style = #'harmonic-mixed
Dave Trowbridge davetrowbridge.com> writes:
When I try it in a command window, this is what I get:
C:\Program Files\LilyPond\usr\bin>lilypond --pdf bwv1007_prelude_clarinet.ly
GNU LilyPond 2.10.33
programming error: cannot find absolute argv0
continuing, cross fingers
ERROR: In pro
When I select "Generate PDF" in the right-click menu in Windows explorer, no PDF
file is generated, and the log file reads as follows:
# -*-compilation-*-
Changing working directory to `C:/Program Files/LilyPond/usr/bin'
Processing `C:/Program Files/LilyPond/usr/bin/bwv1007_prelude_clarinet.ly'
Pa
Valentin Villenave wrote:
I've tried denemo ; it's a bit rude but definitely useable to. I'm
afraid they are'nt developing it anymore, and it's really a pity since
it was the ONLY lilypond-oriented graphical editor.
Denemo (http://denemo.sourceforge.net/) is still alive. A small but dedicated
Hi Samuel,
Apparently there's something deeply wrong with my setup. I'm now using
OOo 2.0.4, LilyPond 2.8.6, and I receive the identical error as before:
terminate called after throwing an instance of
'std::logic_error'
what():basic_string::_S_construct NULL not valid
I'm inclined to believe
but when I click on the
LilyPond button I receive this cryptic error:
terminate called after throwing an instance of 'std::logic_error'
what():basic_string::_S_construct NULL not valid
The error appears to be related to C++. Any suggestions towards a so
Chuckk wrote:
I am using evince to view Lilypond's pdf output, and in fairly simple
things (output by Rosegarden), and I'm seeing note stems of different
thicknesses. If I zoom in, they are still different thicknesses, and
some of the stems don't exactly line up against the noteheads. Is
there
Greetings:
"Nicolas" == Nicolas Sceaux <[EMAIL PROTECTED]> writes:
Nicolas> I was wondering whether some LilyPond users were blogging
Nicolas> about their use of LilyPond.
I've written a bit about LilyPond in some of my articles for the Linux
Journal:
http://www.lin
tion. It's quite inelegant, but it at least demonstrates that, as
Paul Scott said, all the pieces are there.
Best regards,
Dave Phillips
% metmark.ly
% simple example of
% swing rhythm equivalency
\version "2.8.4"
\layout
{
ragged-right = ##t
}
metMarkTriplet = \mark \marku
Paul Scott wrote:
Dave Phillips wrote:
Paul Scott wrote:
I'm not aware of any recent spacing changes. Could you produce a
very short example which shows this behavior with the two different
versions?
See the LP notice at the bottom of this page:
http://www.linux-sound.org/dlp-
Greetings:
I've written a part in even eight notes, but I want to indicate in the
metronome marking that the rhythm of the even eighths should be played
with a swing rhythm, i.e. an eighth-note triplet with a quarter note
followed by an eighth. In a score the rhythm would be {\times 2/3 {c'4
Paul Scott wrote:
Dave Phillips wrote:
Since you seem to know about the global settings: The default text
font spacing for my 2.8.4 LP is twice as wide as it used to be (this
is on a home-built LP under Linux, Debian Etch). What happened ?
I'm not aware of any recent spacing ch
Paul Scott wrote:
#(set-global-staff-size 21)
at the top of each .ly file, where "21" is a global font size which
can be fractional.
Very cool, thanks for the tip.
Since you seem to know about the global settings: The default text font
spacing for my 2.8.4 LP is twice as wide as it used to
Anthony Youngman wrote:
I'm guessing you're in America. What size is your output pdf? A4? If it
is and you tell the printer to print unscaled, then you're losing the
bottom 2/3" of the page.
First way round that is to tell acrobat to "scale page to fit printer".
Second way is to look at the rel
Greetings:
I've written some music for flute, guitar, and harp, it's on-line at
http://linux-sound.org/dlp-music-lilypond/gfhtrio4/gfhtrio4.html. The
score is naturally three staves (the harpist is a novice, her part fits
in a single clef), and the printout is lovely. Alas, the printout is
a
Jan Nieuwenhuizen wrote:
Dave Phillips writes:
With this system I compiled and installed LilyPond 2.8.4, with no
problems during the build. The binary appears to be working
Any reason for not using the GUB binaries?
Only that I have no idea what's a GUB binary. :)
Best
Greetings:
Okay, here's the low-down :
Demudi 1.3, Debian Etch
GCC 4.0.4
Guile 1.8
Python 2.4
With this system I compiled and installed LilyPond 2.8.4, with no
problems during the build. The binary appears to be working correctly,
no error reports from Guile. I'm working on a ne
Greetings:
As reported, the Python errors are gone, but the build still fails here:
Processing `/home/dlphilp/lilypond-2.8.4/ly/generate-documentation.ly'
Parsing...[/home/dlphilp/lilypond-2.8.4/out/share/lilypond/current/ly/init.ly[/home/dlphilp/lilypond-2.8.4/out/share/lilypond/current/ly/dec
Mats Bengtsson wrote:
See http://lists.gnu.org/archive/html/bug-lilypond/2006-06/msg00061.html
Thanks, Mats, that's taken care of the Python errors. I've run 'make
clean' and am now recompiling. I'll report again after the build
succeeds or fails.
Best,
dp
Mats Bengtsson wrote:
Dave Phillips wrote:
I have exactly the same code at that point. Perhaps I should try it
with Guile 1.7 ?
I have compiled and installed 2.8.x without problems using Guile
1.6.7, so
upgrading shouldn't be necessary.
FWIW, I'm also receiving errors regard
Jan Nieuwenhuizen wrote:
Hi Dave,
Hi Jan, thanks for the reply.
error: GUILE signaled an error for the expression beginning here
#
(use-modules (scm display-lily))invalid module name for use-syntax
((srfi srfi-39))
Can anyone tell me what's going on ? Guile is version
Greetings:
I recently upgraded my Debian Etch system (Demudi 1.3) and discovered
that my home-built LP 2.8.1 failed with a report concerning Guile. I
decided to compile 2.8.4 and got the same report near the end of the build :
Parsing...[/home/dlphilp/lilypond-2.8.4/out/share/lilypond/curren
I see the same thing:
{
1
1
1
1
}
This looks weird.
On 4/20/06, [EMAIL PROTECTED] <[EMAIL PROTECTED]> wrote:
> Previously:
> > I've been using 2.8.1 for a while now, and it really seems to me that
> > the spacing of measures is non-optimal.
>
> I've noticed the same thing. It looks like an acci
That's not really what's meant by "free" in this case.
http://en.wikipedia.org/wiki/Free_software
http://en.wikipedia.org/wiki/Open-source_software
On 4/18/06, Rick Hansen (aka RickH) <[EMAIL PROTECTED]> wrote:
>
> Oh, knowing that I'll just print to CutePDF (which is free) and make a PDF.
> Can I send it in Microsoft Word format
Given that these are free software programmers who use Linux and buy
into the GNU philosophy, I don't think they would take too kindly to
receiving a proprietary file format they almost certainly despise...
___
1 - 100 of 138 matches
Mail list logo