and that the Bar_engraver lives in the Staff, not Score context. Gosh,
I must be asleep.
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Sorry, totally forgot that _ has to be enclosd in quotes to show up.
May bad.
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While I'm sure there is, I'll say that lilypond's heavier look is
intentional (see http://lilypond.org/web/about/automated-engraving/typography-features)
. I'll say that the lighter look of the scores produced by most other
programs makes them almost impossible for me to read, at the very
le
Am 12.11.2008 um 13:49 schrieb guysnape:
I've just got Lilypond working, I want to use it to print some music
reading
practice sheets for my son who is learning piano. Is it possible to
produce
a page containing the following?
A text instruction (e.g. "Write the note name underneath each
e per directory. I just wish
I didn't have the annoying NONE/ all the time.
Am 13.11.2008 um 20:25 schrieb Patrick McCarty:
Hi James,
On Thu, Nov 13, 2008 at 6:15 AM, Bailey James E.
<[EMAIL PROTECTED]> wrote:
what am I looking for? I don't have /etc/fontconfig. BTW, I&
what am I looking for? I don't have /etc/fontconfig. BTW, I'm using
osx 10.5 and I build lilypond from sources.
Am 13.11.2008 um 15:01 schrieb Han-Wen Nienhuys:
Look at /etc/fontconfig ; the default locations may be distribution
dependent.
On Thu, Nov 13, 2008 at 10:02 AM, Bail
those are grace notes, with some cross-staff beaming
Am 13.11.2008 um 13:16 schrieb August Lilleaas:
I have no idea what this particular kind of notation is called.
Here's an image that has an example of the kind of notation I'm
looking for.
http://img.skitch.com/20081113-mqfri72ahrsgi431gj
Since there's so much talk of fontconfig caches, I thought I'd ask a
question. On my lilypond build, the fontconfig cache is recreated in
the working directory. So, for ~/lilypond\ project\ 1/test.ly when I
compile that file, I'll get the fontconfig directory structure in ~/
lilypond\ projec
I just noticed that the "first use" and "User help" links take new
users to the 2.10 documentation.
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Am 12.11.2008 um 21:43 schrieb Nick Payne:
I attempted to use an em dash on some fingerings. Two problems:
1. It causes the font size of the fingering number to increase by
about 50%
2. There is a space between the em and the 1
See attached png, which is the output from
\version "2.11.63"
Am 12.11.2008 um 21:02 schrieb Jonathan Kulp:
Francisco Vila wrote:
2008/11/12 Jonathan Kulp <[EMAIL PROTECTED]>:
For the sake of testing, I booted into my Vista Home Premium
partition and
installed the latest Lilypond binary from the download page. I
ran a
lilypond file once and it took
I have just general questions bout building the documentation,
texi2html or otherwise. I've been successfully building lilypond for a
while for OSX 10.5, but I've never been able to build the
documentation. It isn't a really big deal for me, I just disable the
documentation in my configure
I don't know how you're trying to change the font, but LyricText
supports font-interface, which has font-name as a user-settable
property. Remember that for lyrics, you have to have a space on both
sides of the period, i.e.: \override LyricText . font-name
On 09.11.2008, at 03:24, 胡海鹏 Hu Hai
convert-ly -s shows the changes that convert-ly makes to a file
between versions. You'll note that there are no syntax changes between
2.11.62 and 2.11.64. Additionally, you'll note on the lilypond front
page, the changes in 2.11.62 and 2.11.63 are mostly documentation and
translation updat
You mean onewordthatispartboldandpartregular? Oh, that would be
difficult indeed, as Kieren indicated, \concat may be the only way.
Am 06.11.2008 um 16:59 schrieb Till Rettig:
Bailey James E. schrieb:
Aha! this one I know.
music = \new Voice = stimme \relative {
c4 d e f
g a h c
Aha! this one I know.
music = \new Voice = stimme \relative {
c4 d e f
g a h c
}
lyrik = \new Lyrics \lyricsto stimme {
do \override Score . LyricText #'font-shape = #'italic re \revert
Score . LyricText #'font-shape mi fa
sol la \override Score . LyricText #'font-series = #'bold ti
Priority. See Controlling the vertical ordering of scripts in 1.3.1
Articulations and ornamentations
Am 04.11.2008 um 14:09 schrieb Michael Käppler:
Hi guys,
following example:
\version "2.11.63"
<<
\relative c'' {
a4^"blablablablablabla" g f e
d1^"blablabla"
}
>>
How can I decide whether
Am 03.11.2008 um 16:35 schrieb Toine Schreurs:
Redundancy is not the solution.
To which problem?
Yes, in general, repetition is a good
technique to become familiar with something unknown. The first read
gives
questionmarks, the second one gives the Aha's.
But it is almost impossible to m
Am 03.11.2008 um 15:12 schrieb Graham Percival:
On Mon, Nov 03, 2008 at 12:52:25AM +0100, Francisco Vila wrote:
http://lilypondwiki.tuxfamily.org/index.php?title=Where_is_the_app%3F
Which sometimes makes me think that the page is sooo bad that no one
dares to comment it. Does anyone think it
Your rests collide because they aren't where lilypond wants them. If
you let lilypond place the rest, instead of specifically placing them
(e2.\rest) then you'll see where lilypond wants them, you'll also
shouldn't get that error.
Am 03.11.2008 um 14:33 schrieb Tom Cloyd:
If someone has a m
I think I've figured it out. If someone could just confirm for me (it
seems to work okay) that this won't break anything fundamental, I'll
add it to my \include file.
partialGermanChords = {
\set chordRootNamer = #(chord-name->german-markup #t)
% \set chordNoteNamer = #note-name->german-m
I'm getting better with chordmode (I still don't really understand it,
but that's okay). with the default chord settings, something like c:/g
shows "C/G", with the german (or semiGerman) chord settings, c:/g
shows "C/g". I'm okay with the difference, say, if I want a minor
chord as the root
Unless I misunderstand your question, the best place for instructions
is probably Nicolas Sceaux' at
http://nicolas.sceaux.free.fr/index.php/2008/04/10/26-building-lilypond-from-git-sources-on-mac-os-105-intel
Am 02.11.2008 um 15:12 schrieb Jesús Guillermo Andrade:
Hi. I wasn't sure if this is
oops, sorry, I didn't realise what was going on there, you should move
the clef change to the voice.
\score {
\new Staff <<
\new Voice {
\clef treble
\acciaccatura {
\stemDown
ais8
\stemNeutral
}
b4.->
}
>>
Try adding \grace s8 to the other voice (which currently has no music).
Am 02.11.2008 um 08:54 schrieb Peter Wright:
Hi David,
On 02/11 07:45:18, David Bobroff wrote:
I only glanced at your PDF output but I suspect you've hit a known
issue and there is a workaround. See:
http://lilypond.org
Again, thanks for all this. It's a bit too much for me at the moment,
especially with a project due, but maybe one day in a couple of
months, when I have time to break apart every piece of it and figure
out what they all do, I'll get it.
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There's more in the archives, but http://lists.gnu.org/archive/html/lilypond-user/2008-09/msg00422.html
is probably as good a place to start as any.
Am 31.10.2008 um 23:02 schrieb Craig Bakalian:
When I attempt to update my syntax on Mac OX with Lilypond 2.11.61 I
am getting a request to upda
Wow. For all intents and purposes, it's syrian to me, but I thank you
for your time and diligence, and I will certainly try this out tomorrow.
Am 31.10.2008 um 19:34 schrieb Roman Stawski:
Hi James
I'm not sure if this is what you're looking for but here's a snippet
with examples ranging fro
I just realised this because of some trial and error, but en- and em-
spaces are recognised by lilypond, but not treated as spaces.
Particularly useful if you want to add comments at the end of the
lyrics where there are no notes.
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There are two easy ways to start lyrics not at the beginning of the
music:
1) Use skips in the lyrics to move them over,
2) define a different voice context in the music to align the lyrics to.
You can find more specific ways to do these on the list archive or in
the snippets.
Am 31.10.2008
oh god, it's that easy?
Am 30.10.2008 um 00:31 schrieb Neil Puttock:
Hi James,
2008/10/29 Bailey James E. <[EMAIL PROTECTED]>:
The first is directly from the documentation, and the second is
from my
actual musical example. Why doesn't mine work?
You're not trying to
niel Hulme:
On Wed, Oct 29, 2008 at 11:33:07PM +0100, Bailey James E. wrote:
I'm having some difficulty understanding where I'm going wrong. I
have:
Well, if what you put in your mail is pasted straight from your file,
it's easy. This line:
Stimme = \relative d' {
Stimme
I don't know if 2.7.2 on customising chords has been rewritten yet,
but I'm having a difficult time understand how to customize chord names.
First, to be absolutely clear, this is the first time I'm using
\chords. Second, I've be reading and re-reading this section for about
10 minutes, and
I'm having some difficulty understanding where I'm going wrong. I have:
Stimme = \relative d' {
StimmeABC = \relative {
c4 c2 << c2 {s4 \break } >>
c2 c4
}
StimmeXYZ = \relative d' {
d2\fermata << r4 { s4 \break } >> f4
f4. f8 b2
}
\score {
\new Staff \new Voice \with { \remove
For
I'm having some difficulty understanding where I'm going wrong. I have:
Stimme = \relative d' {
StimmeABC = \relative {
c4 c2 << c2 {s4 \break } >>
c2 c4
}
StimmeXYZ = \relative d' {
d2\fermata << r4 { s4 \break } >> f4
f4. f8 b2
}
\score {
\new Staff \new Voice \with { \remove
al-and-error
basis when lilypond fails (since my web app is setup to email me
anytime an error occurs), but if someone knows the details of what
characters will cause problems for lilypond and how to escape them,
that would be really helpful.
On Mon, Oct 27, 2008 at 1:08 AM, Bailey James E
title and composer accept normal text markups. I know nothing about
web applications, but in a normal lilypond file, if I wanted the
composer to be, say, "me\you", I would make it composer = \markup "me
\you".
Am 27.10.2008 um 03:33 schrieb Myron Marston:
I have a web application (http://fra
Where are you having difficulty?
Am 25.10.2008 um 20:03 schrieb Stefan Thomas:
Dear Bayley,
sorry, I expressed it not quite clearly. I thought of a stroked out
(hope this is the right expression in english) notehead.
2008/10/25 Bailey James E. <[EMAIL PROTECTED]>
Yes, see section 1.
Yes, see section 1.1.4 of the Notation reference on NoteHeads.
Am 25.10.2008 um 19:03 schrieb Stefan Thomas:
Dear lilypond-users,
is it possible to get slashed note-heads?
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