Hello Adam,i realize that i must go deeper into the reason why i said it would be great if lilypond could support turkish music notation:i am playing baglama (some lute like instrument) since 15 years now and since then it was a mess to put the music i am playing on paper. Notational differences (
thnx for ur very wise advice. but it actually didnt help me because the subject i was actually talking about is totally different from that u were talking. but anyway thnx hans.greetingsVerschicken Sie romantische, coole und witzige Bilder per SMS! Jetzt bei WEB.DE FreeMail: http://f.web.de/?mc=
Thanx a lot Mat.Thats exactly what i wanted.greetings.Erweitern Sie FreeMail zu einem noch leistungsstarkeren E-Mail-Postfach! Mehr Infos unter http://freemail.web.de/home/landingpad/?mc=021131
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Sounds very good to my ears. it would be very nice if this could be done some day. i know a lot of people that would use lilypond if it would support turkish music notation.but besides that: i have allready posted the following question but i am asking it again, since this is relevant to the topic
two questions hope u can help (could not find any info about it in the manual, using lilypond 2.6.3):- can anybody tell me if its possible to put a small number over a 'b' or a '#' in the key specification. This is necessary because i am writing oriental music which uses quarter tones.- if i write
"2.6.0"
> \score{
> \relative c'{
> c ( \grace{ \once \override Stem #'stroke-style = #"grace" d8 ) } d2. }
> }
>
>
>/Mats
>
> Ayhan Üretmen wrote:
>
> >does anybody the commands to do the following:
> >
> >i w
does anybody the commands to do the following:
i want what \acciaccatura does but the slure should be done to the note before
the little \acciaccatura note and not after.
It works if i take \grace and put a slure manually but the little note has no
slash then (its not a real \acciaccatura !?)
