Limiting line length

I am using BendAfter and the lines extend to the next note or rest, sometimes creating "flying" lines at the top of the next page of the score. Is there a way to limit the length of the line? A #maximum-length command of sorts? cheers, Andrea -- View this message in context: http://old.nabble.

Re: 2.15.9 binary is actually 2.14.2

I just downloaded 2.15.10 and it's working, but after reading your email, I checked, and sure enough, it says it's 2.14.2. I think it's just a mistake, because the real 2.14.2 was not working and 2.15.9 and 2.15.10 are. cheers, andrea -- View this message in context: http://old.nabble.com/2.15.

Re: MacOSX Lion

I did read that message, but it wasn't clear to me whether that was for regular schmoes like me or only for developers. But I'll give it a whirl... Thanks! Andrea flup2 wrote: > > Hello, > > Is seems that the last beta release (2.15.9) fixes the problem. You can > down download it from http:/

Re: MacOSX Lion

Any suggestions for people who a) don't really know how to use terminal and b) can't get JEdit to work properly either? flup2 wrote: > > Hello, > > As mentionned here ( > http://old.nabble.com/Error-opening-2.14.2-td32140373.html > http://old.nabble.com/Error-opening-2.14.2-td32140373.html

Re: Polymetric music and page breaks

This snippet seems to do the trick: global = { \repeat unfold 3 { \time 4/4 \once \override Staff.TimeSignature #'stencil = ##f { s1*4 } \bar "" \break { s1*4 } The override of the stencil removes the extra time signatures; the once command ensures that not all of the time signatures throughout

Re: Polymetric music and page breaks

When I use \repeat unfold, it changes the time signatures in the parts — actually it adds them to the ones that are already there. When I only use it once, it simply breaks the first system. http://old.nabble.com/file/p32000936/Screen%2Bshot%2B2011-07-05%2Bat%2B6.13.08%2BPM.png I didn't use \

Re: Polymetric music and page breaks

ndering if the fall-offs or the glissandi are creating problems. cheers, Andrea On Tue, Jul 5, 2011 at 3:05 PM, Neil Puttock wrote: > On 5 July 2011 17:01, Andrea La Rose wrote: > > > I've reduced the example to just viola 3 & 4 and included only up to the > > part

Re: Polymetric music and page breaks

Dear Phil, I've reduced the example to just viola 3 & 4 and included only up to the part where it stops working properly. The first line breaks mid-measure as I'd like, without my having to do anything special. But the second system runs off the page. Thoughts? cheers, Andrea http://old.nabble.c

Re: Polymetric music and page breaks

Dear Collective Wisdom, I'm at it again and trying new things. It looks promising, but still not working right. I looked at this snippet again: http://lilypond.org/doc/v2.14/Documentation/snippets/rhythms#printing-music-with-different-time-signatures And realized I missed this little tidbit: gl

Re: Polymetric music and page breaks

Jan-Peter, That is fantastic work! Thanks for sharing it. Unfortunately, neither my math nor my coding skills are anywhere near yours. Another issue is that I am creating a score where only parts exist at this point. (There was a handwritten score that I made the parts from, but that's on the o

Re: Polymetric music and page breaks

rs, > Andrea > > > On 5/30/11 1:08 AM, Andrea La Rose wrote: > > > > > It seems to me that there are two things preventing line breaking: > > 1) because you moved the Bar_line_engraver to the Staff context, you >

Re: Polymetric music and page breaks

I looked at the manual for \scaleDurations: http://lilypond.org/doc/v2.12/input/lsr/lilypond-snippets/Rhythms#Changing-time-signatures-inside-a-polymetric-section-using-_005cscaleDurations But the image example that's there is not what I want the music to look like. The image I posted is what I w

Re: Polymetric music and page breaks

Xavier, Sweetie, it's been a headache already! I'll give the \scaleDurations a go and report back... Thanks! cheers, Andrea Xavier Scheuer wrote: > > Maybe you should play with \scaleDurations in order to have a bar > that happen effectively _at the same moment_ in every staff and \break >

Re: Polymetric music and page breaks

Urs, The staves aren't grouped because they all have independent time signatures. None of the bars line up until after 10 minutes of music has gone by. I tried manually entering invisible bar lines, but that had no effect. I attached the .ly file to my original post, but here's a screen shot: ht

Re: Polymetric music and page breaks

Urs, I read about hidden barlines and the \break command in the documentation, too; and tried using them strategically across all eight parts, but that hasn't worked. It simply un-beamed anything that is beamed. cheers, Andrea Urs Liska-4 wrote: > > I'm absolutely no expert here, but did you

Re: Polymetric music and page breaks

Laura, Yes, I've got that in there. Still no page/line breaks, however. Thanks for trying! cheers, Andrea Laura Conrad wrote: > > > I haven't looked at your piece, but what I do with the Renaissance music > where there's no good place for Lily to break the score is: > > \con

Re: Polymetric music and page breaks

Phil, Thanks for responding. Do keep in mind that this is only an excerpt of a 40 minute piece. I excerpted enough so that the problem would be apparent. So I realize that everything in the excerpt is unequal and therefore confusing. There is about 10-minutes-worth of this kind of polymetry, so n

Polymetric music and page breaks

Dear Collective Wisdom, I posted here about a year ago about my piece. You were all very helpful and I hope you can help me once again. Yes, it's the same pesky piece. I've entered all the parts and need to finish editing it. I can't seem to get it to paginate properly. I've tried inserting \bar

Re: line break in unequal bars

Dear Urs, No worries! I was just kidding. I still write everything on paper first. (I'm a newbie to lilypond, but not to composition...) cheers, Andrea On Mon, Jul 12, 2010 at 11:17 AM, Urs Liska wrote: > Am 12.07.2010 11:03, schrieb Andrea La Rose: >> >> ... >>

Re: line break in unequal bars

Dear Neil P., Does the forbid_line_break have to go under \Voice or can it go under \Staff? In the meantime, I have temporarily solved my pagination woes by making an imaginary 2m long piece of paper, simply to be able to make edits! Thanks for your help. I may never write another polymetric pie

Re: line break in unequal bars

Dear Hans, I've got the same issue! I'll post if I find a solution... My current plan is to try to find a good spot in each part to force a common line break and then put in the \break command. cheers, Andrea -- ™™ http://reloadsanear.com http://antisocialmusic.org __

Re: polymetric help

Dear Phil, Thanks again for your help. It was a brackets 'n' braces problem all along! Seeing your copied example helped me see that (why that didn't work when actually looking at the documentation, I don't know...). I understood what the code was supposed to do, but it wasn't doing it — because

Re: polymetric help

Dear Collective Wisdom, I've almost got it! It was indeed an order of operations issue. Despite reading the manual, I wasn't clear on this, so I made a mini-primer: * \version "b.l.a.h" \layout { blah } \header { blah } \new Score { \relative c' { % << tells the progr

Re: polymetric help

Dear Phil, Thanks for your reply. I used that exact code that you pasted, minus everything after the comment because I copied and pasted it into my own document. (aside: If this helps, I'm trying to put these eight parts into one score: http://reloadsanear.com/composition/putrefaction.html) Fir

polymetric help

Dear Collective Wisdom, I am a lilypond noob using version 2.12.3. I am working on making a score for a piece where each part has its own independent time signatures like this example ""Staves with different time signatures, unequal bar lengths": http://lilypond.org/doc/v2.12/Documentation/user/l