change margin in a 2nd score block?!

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Hello, I have a piano piece for which the 2nd part is notated in seperat staffes for the left and the right hand. So I have two score blocks: 1st Part: \score { \new PianoStaff << \set PianoStaff.instrumentName = "Piano " \new Staff =

Re: misusing arpeggios

Am 05.11.2006 um 22:38 schrieb Mats Bengtsson: One solution is [...] /Mats Nice, it works fine, thanks! But I think I found a bug, when you use fingering instructions on the left in that setting. See attached example. For the record: I also put your solution into a function for easier

Re: Golpe & Slap

Am 29.10.2006 um 22:37 schrieb Kamal: How can a golpe or a slap notation be achieved in lilypond? You can use the \markup command: http://lilypond.org/doc/v2.9/ Documentation/user/lilypond/Overview-of-text-markup- commands.html#Overview-of-text-markup-commands slap = \markup{ \box \pad

misusing arpeggios

Hello, (Lily 2.9.28) I want to misuse \arpeggioBracket & \arpeggio to indicate barring over some strings in guitar music. E.g. when you play an a'', then a c'' and then an e'' (all three at the fith fret with finger 1), I want to indicate that you should use finger 1 at the a''. It should

wrong tuplet number positioning (bug?)

Hello, as you can see in the attached file, tuplet numbers are not positioned nicely, when the tuplet crosses staffs. maybe this is regarded as a bug. another question: for asthetics i want that the accidential in the second bar (lower staff) not to claim space as if there where no staf

Re: rest positioning and multiple vioces, esp. in a piano staff

-BEGIN PGP SIGNED MESSAGE- Hash: SHA1 Am 27.10.2006 um 14:36 schrieb Alexander Rose: Hi, Am 26.10.2006 um 21:31 schrieb Alexander Rose: The attached example (lily 2.9.26) should speak for itself. If you have two voices and a rest under a beam, that rest may collide with the

Re: rest positioning and multiple vioces, esp. in a piano staff

Hi, Am 26.10.2006 um 21:31 schrieb Alexander Rose: The attached example (lily 2.9.26) should speak for itself. If you have two voices and a rest under a beam, that rest may collide with the other voice. You can resolve this manually with an override, but than you may run into trouble in

stem directions and fusing with 2 1/2 voices

Hi, I want the 2nd measure to look like the 1st, but the \stemUp is ignored?! Thanks Alex temp.ly Description: Binary data PGP.sig Description: Signierter Teil der Nachricht ___ lilypond-user mailing list lilypond-user@gnu.org http://lists.gn

Re: Weird beam behaviour

Am 26.10.2006 um 21:22 schrieb Kamal: I am using lilypond 2.8.6 The following code snippet produces attached pic1: e8[ e''] while the following produces attached pic2: e16[ e''] Why is that & how can I make the beam in pic1 behave like the one in pic2? because of the variable auto-k

Re: remove time signature engr. inside music expression

Hi, Am 26.10.2006 um 18:41 schrieb Mehmet Okonsar: Can we remove the Time Signature Engraver of the staff INSIDE a music expression? You can use: \override Staff.TimeSignature #'break-visibility = # (vector #f #f #f) Example attached. From the manual: http://lilypond.org/doc/v2.9/Document

rest positioning and multiple vioces, esp. in a piano staff

Hello, thanks for lilypond!!! The attached example (lily 2.9.26) should speak for itself. If you have two voices and a rest under a beam, that rest may collide with the other voice. You can resolve this manually with an override, but than you may run into trouble in a piano staff system,

Re: Dead notes

Hi Werner Tobin, On Sun, Oct 03, 2004 at 10:08:08PM +0200, Werner Trobin wrote: > I've been using Lilypond for quite a while now, but I never found out how to > enter a "dead note" (e.g. the "thud" you get when you pluck a string on a > bass guitar while lightly laying the fingers on the string)

Re: date of composition

Hi Sean Reed, On Fri, Oct 01, 2004 at 02:50:41PM +0200, Sean Reed wrote: > is there a header for the date of composition? > I do not know... > i looked in the documentation but found only one for the not the dates > for the composer's lifetime within the mutopia project. > > Breitkopf and Haer

How to plot artificial harmonics in TabContext? Suggestions, anyone?

Hi, i am looking for ideas how to plot artificial harmonics in a guitar tabulatur. It is no problem with notes. But when it comes to a tab, it makes not much sense, even with the notes added above the tab. I thought about something that gives a hint of how the produce the articial harmonic: see ex

Re: Polyphony and TabStaff Context

Thanks Mats Bengtson it works the way you suggested. Thank you very much!

Polyphony and TabStaff Context

Hi all, it seams, that there is a problem with polyphony and TabStaff context. The notes get drawn twice in \context Staff and none in \context TabStaff greetings Alexander example: \version "2.2.5" partition = \notes { \relative c' { \time 3/4 c4 << { f d e } \\ { b c2 } >> } } \s

pull-off and hammer-on signs don't look good

Hi list, I'm using the debian lilypond (2.1.0-2) package. I made some tabs with lilypond, which worked ok. I attached slurs to "notes" and i get automatically a P for pull of and a H for hammer-on printed, but the P and H are to big and collide with the slur and the "note". How can I reduce the fo