Yes, this does solve my problem. I can use "s8" instead of "r8" because I
don't need a visible rest there. The written music can start with the
leading eighth note, but the midi needs the extra eighth rest to align with
the beat. The only drawback to this solution is that it causes a little bit
of
Link to the article:
https://www.nytimes.com/2025/03/11/arts/music/classical-music-editing-publishing.html?unlocked_article_code=1.304.BW6k.Fhv8VUgv47XR&smid=url-share
It should bypass the paywall as a gift article.
On 14.03.2025 15.20, Yoshiaki Onishi wrote:
Inside the Detail-Obsessed, Essent
On Mar 13, 2025, at 10:24 PM, stefano franchi wrote:Edit:I became aware of chordNameExceptions just after posting, and it might be the solution to my problem. However, I do not understand how the snippet in the manual works. More precisely, I do not understand the second block of code:% Conver
> Thought this audience might be interested in this New York Times
> article entitled, "Inside the Detail-Obsessed, Essential World of Music
> Editing." There's some quotes from Elaine Gould, and a link to "Behind
> Bars." No mention of Lilypond, but does mention Sibelius.
>
I came across this ar
The ultimate goal is to achieve a result like the screenshot. The annotations
were placed with an image editor.
[HG.png]
Le 14 mars 2025 à 08:09, Eric C a écrit :
The end result would be like in the attached code but instead of the text being
attached to the note, I would like it to be att
The end result would be like in the attached code but instead of the text being
attached to the note, I would like it to be attached to the chord name.
\version "2.24.4"
melody = \relative c' {
b'1^"0 2 2 0 0 0"
}
myChords = \chordmode {
e1:m
}
\score {
<<
\new ChordNa
Hello. I'm writing a book and after my ToC I need a blank page ("this page
is left blank purposefully") only if this blank page would have an odd page
number. If it falls under an even page number it must not be printed. I've
looked in the manual and didn't find an answer... any help would be
appre
Am 13.03.2025 um 17:22 schrieb Kevin Zembower:
Thought this audience might be interested in this New York Times
article entitled, "Inside the Detail-Obsessed, Essential World of Music
Editing." There's some quotes from Elaine Gould, and a link to "Behind
Bars." No mention of Lilypond, but does me
