Thank you, both,
Sometimes the scope of functions? is not always clear.
Paul
On 7/1/24 12:19 PM, Valentin Petzel wrote:
Hello Paul,
\afterGrace ees2~\startTrillSpan ees1 { d16( ees) }
correct would be
ees2~\startTrillSpan \afterGrace ees1 { d16( ees) }
or
\afterGrace { ees2~\startTri
Hello Paul,
>\afterGrace ees2~\startTrillSpan ees1 { d16( ees) }
correct would be
ees2~\startTrillSpan \afterGrace ees1 { d16( ees) }
or
\afterGrace { ees2~\startTrillSpan ees1 } { d16( ees) }
(note that the latter one may have weird implications depending on
afterGraceFraction, e.g.:
\
Le lundi 01 juillet 2024 à 12:05 -0700, Paul Scott a écrit :
> Hi,
>
> This MWE works as I expect for the 1st \afterGrace but not for the 2nd
> one. In both cases I want the 16th notes in curly brackets to be the
> grace notes. I have tried several places to put the tied note.
>
> \version "2.2
Hi,
This MWE works as I expect for the 1st \afterGrace but not for the 2nd
one. In both cases I want the 16th notes in curly brackets to be the
grace notes. I have tried several places to put the tied note.
\version "2.25.17"
\fixed c''' {
r2 \afterGrace f\startTrillSpan { g16( f } ees4)\s
Thanks Valentin
When I use your example, it does only display one stave and a percussion
one too - but all the notes have been compressed onto one line
But I ran with your suggestion and have now crafted what I wanted !!
I'm not proficient enough to be able to write short snippets (I'm unsure
Hello Phil,
when posting here please post a full and minimal working example. Else it is
much harder for us to help you. With your definitions doing
\new DrumStaff \agogo
\addlyrics \words
works quite fine on my end. So we’d need to know what you’re actually doing to
be able to understand your
Hi
I'm new to lilypond but I like what I've seen so far
Using \drummode and \DrumStaff I have written a score for the agogo bells
I now want to add some "lyrics" (mnemonics) to help remember the notes
so for
agogo = \drummode {
r8 agh4 agh8 agh4 agl
agl agh
thx Valentin,
that might work - I am suprised, that there is nothing for this yet,
very unusual for Lilypond 🙂
Cheers, Joei
Am Mittwoch, 12. Juni 2024, 09:53:51 MESZ schrieb Johannes Roeßler:
Hi Group,
is there a way to mark one tone and semitone steps in Lilypond? Haven't
found anything on
Hello Joei,
Please keep the Discussion on the list unless there is good reason not to.
Lilypond has no intention of supplying implementations for each way of
notating things, especially when there is no clear standard for that. But due
to the amount of control Lilypond offers it is quite easy t
thx Ivan, but this is not, what I am looking for... but closer than what
I've got so far - thx
Maybe "Analysis brackets" is what you are
looking for.
https://lilypond.org/doc/v2.25/Documentation/notation/analysis-brackets
On Wed, Jun 12, 2024 at 2:56 AM Johannes Roeßler wrote:
Hi Group,
Am Mittwoch, 12. Juni 2024, 09:53:51 MESZ schrieb Johannes Roeßler:
> Hi Group,
>
> is there a way to mark one tone and semitone steps in Lilypond? Haven't
> found anything on the web,
> maybe I am using the wrong English terms?
>
> Best regards
> Joei
Hi Joei,
Maybe checkout this:
https://mus
Hello Dimitri,
> My use case is that I want to manually change the accidentals of some
> specific pitches that were re-pitched using transpose for better
> readability.
It seems to me that you are trying to use enharmonics to avoid some unnatural
transposed accidentals. Have a look at this snipp
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