Hi Knute,
On Tue, Sep 26, 2023 at 3:27 PM Knute Snortum wrote:
> TL;DR
> How do I engrave an alternating time signature and an initial cue clef?
>
> Scriabin has a prelude where he has written a time signature as
> alternating 5/8 and 4/8 time. After the initial one, no other time
> signatures
Hello. I have two votes. And each one sings the same note. For example, F. When the notes are stylized, they are combined using the \mergeDifferentlyHeadedOn command. But whole notes are not joined together with this command. Please help me. Maybe someone knows how to do it.Юрий Виноградов
On Wed 27 Sep 2023 at 01:13:09 (+0200), Jean Abou Samra wrote:
> After replacing “ ... ” with “ c' ”, I got the expected MIDI output with
> LilyPond 2.24.2, i.e., lots of silence and four C notes at the end.
I did the same, and I attach a screenshot of audacious playing the
file, called mid.midi.
On Tue 26 Sep 2023 at 18:52:52 (-0400), Kevin Cole wrote:
> Once again, I'm flummoxed by some syntax problem... I was hoping for 40
> measures of silence, as I plan to mix it with other parts, and want to be
> able to mute parts interactively. However the following doesn't give me 40
> measures of
After replacing “ ... ” with “ c' ”, I got the expected MIDI output with
LilyPond 2.24.2, i.e., lots of silence and four C notes at the end.
signature.asc
Description: This is a digitally signed message part
Once again, I'm flummoxed by some syntax problem... I was hoping for 40
measures of silence, as I plan to mix it with other parts, and want to be
able to mute parts interactively. However the following doesn't give me 40
measures of silence, but starts right in on PartTwo. What have I missed
THIS t
Thanks for the explanation! I was not aware of the previous behavior and
that was very confusing.
And I guess I was not expecting alternatives to work with /unfold/
either but that makes sense.
On 2023-09-26 23:53, David Kastrup wrote:
Stéphane SOPPERA writes:
I observed a strange behavior
Stéphane SOPPERA writes:
> I observed a strange behavior with a /repeat unfold/ inside a /repeat
> volta/ with /alternatives/. See the attached /bug_repeat__ok.ly/ for
> full source.
>
> Using Lilypond 2.24.1:
>
> \repeat volta 2 {
> %% Here we repeat three times the same music.
> *
Hi,
I observed a strange behavior with a /repeat unfold/ inside a /repeat
volta/ with /alternatives/. See the attached /bug_repeat__ok.ly/ for
full source.
Using Lilypond 2.24.1:
\repeat volta 2 {
%% Here we repeat three times the same music.
* \relative { c'4 e g r } |**
**
This is not about a Lilypond problem, strictly speaking, but it is
related indirectly, and since here there are very many LilyPond users
around here, I also hope to address at least a couple of Frescobaldi
users here with an unanswered question, hoping that someone can solve
this for me:
I am local
TL;DR
How do I engrave an alternating time signature and an initial cue clef?
Scriabin has a prelude where he has written a time signature as alternating
5/8 and 4/8 time. After the initial one, no other time signatures are
written. I have figured out a way to engrave this with help from a LSR
en
> A possible solution for this could be to do a similar thing to add
> certain note columns to separate NoteCollision grobs, so they can be
> spaced independently.
I've added Valentin's solution as a new snippet to the LSR.
https://lsr.di.unimi.it/LSR/Item?u=1&id=1172
Werner
Or alternatively (if you only need basepitch, not different octaves) you may
avoid parsing and directly pull the pitch from the pitch name mapping (less
powerful, but less chaotic and safer):
#(assoc-get (string->symbol "c") pitchnames)
or even (to avoid problems when changing language) from a
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