> Le 30 août 2023 à 18:27, Pierre-Luc Gauthier a
> écrit :
>
> Exactly this with the correct ties and slurs interpretation or lyrics.
>
> music = \repeat unfold 50 { c'4(~ 1) d'8 e' }
>
> words = \repeat unfold 100 \lyricmode { a b c }
>
> <<
> \new Devnull = "2" \music
> \new Lyrics \lyr
> Le 30 août 2023 à 04:21, David Wright a écrit :
>
> Internals Reference says:
>
> "2.1.6 Devnull
> Silently discards all musical information given to this context."
>
> so I'm guessing all that's left is the note columns.
Not even note columns. A DevNull simply creates *nothing at all*.
On Wed, Aug 30, 2023 at 2:45 AM samarutuk wrote:
> Hello Carl,
>
> Michael (Werner) may have just found a solution.
>
Yes, I really like Michael's solution. He found an existing context and
grob that he could tweak into a brass position indicator. I think that is
a very clever approach to gett
On 30/08/2023 09:17, samarutuk wrote:
Hi Michael,
thanks a lot, this looks very, very promising! I will fine tune it a bit
more and then send it back to this list. The great thing is that you can
also adapt it for other brass instruments e.g. tuba, French horn etc. I
think the Lilypond code f
Le mar. 29 août 2023, à 22 h 20, David Wright
a écrit :
> But I'm not really sure what you're after exactly.
Exactly this with the correct ties and slurs interpretation or lyrics.
music = \repeat unfold 50 { c'4(~ 1) d'8 e' }
words = \repeat unfold 100 \lyricmode { a b c }
<<
\new Devnull =
Hello Carl,
Michael (Werner) may have just found a solution. But I promise, if I win
the lottery, I will make a donation to Lilypond (and several other open
source projects I really appreciate, like Gimp, Inkscape, LibreOffice,
Krita, MuseScore, Thunderbird...).
Sometimes you just don't have t
Hi Michael,
thanks a lot, this looks very, very promising! I will fine tune it a bit
more and then send it back to this list. The great thing is that you can
also adapt it for other brass instruments e.g. tuba, French horn etc. I
think the Lilypond code for my sheet music is often ugly too, an
Hi,
that is, of course, correct. With F attachment, you also have to move
further than the default position, the lower you play. For C2/c, you
have to move to the 7 position with F attachment. Adam Griggs also noted
this yesterday in his attached PDF with a handy overview of the default
tenor
