Re: Change clef too close to the chord after it

On Tue, Nov 8, 2022 at 2:42 PM Jean Abou Samra wrote: > > extra-offset is only a last resort though, for all the reasons listed at > https://lilypond.org/doc/v2.22/Documentation/learning/moving-objects.html > > Instead, how about: > > \version "2.23.80" > > rightHand = { \repeat unfold 16 { c'16 }

Re: Time signatures above score, aligning short instrument names

Le 08/11/2022 à 23:47, Nate Whetsell a écrit : Thank you for this! I’m not sure how it works—it looks like a Scheme engraver that changes the /x/ parent of some time signatures—but it sure does! Yes, that's it. Basically, in order to make TimeSignature support alignment via break-align-symbo

Re: Time signatures above score, aligning short instrument names

Thank you for this! I’m not sure how it works—it looks like a Scheme engraver that changes the x parent of some time signatures—but it sure does! > On Nov 8, 2022, at 2:59 PM, Jean Abou Samra wrote: > > Le 08/11/2022 à 14:13, Nate Whetsell a écrit : >> I’ve noticed two issues with this. First,

Re: Change clef too close to the chord after it

Le 08/11/2022 à 16:30, Knute Snortum a écrit : On Tue, Nov 8, 2022 at 5:30 AM Paolo Cantamessa wrote: Hi Knute, this in my environment works: rightHand = { \repeat unfold 16 { c'16 } } leftHand = \relative { % Remove the markup and all is well \clef bass g,8\noBeam^\markup \large \itali

Re: Time signatures above score, aligning short instrument names

Le 08/11/2022 à 14:13, Nate Whetsell a écrit : I’ve noticed two issues with this. First, the above-score time signatures are usually centered over bar lines, but not when a measure is preceded by a clef change. In this case, time signatures seem to be placed before the new clef rather than cent

Re: Change clef too close to the chord after it

On Tue, Nov 8, 2022 at 5:30 AM Paolo Cantamessa wrote: > > Hi Knute, > this in my environment works: > rightHand = { \repeat unfold 16 { c'16 } } > > leftHand = \relative { > % Remove the markup and all is well > \clef bass g,8\noBeam^\markup \large \italic "leggierissimo" > \once \overrid

Re: Lilypond EPS inside Adobe Illustrator

Hi Valentin, thank you for the reply! Yes, I found the solution of exporting into svg. The eps format, for me, would have been more preferable in those situations where I have to import the graphics into some other software that doesn't accept svg, only eps. So I'll have to make a second convertion

Time signatures above score, aligning short instrument names

Hi, I have a few questions related to score preparation. I’m putting time signatures above a score using— https://music.stackexchange.com/questions/90732/display-time-signature-as-single-number-above-the-staff#answer-90737

Re: Lilypond EPS inside Adobe Illustrator

Hi Rip, the problem is that while Lilypond will embed the glyphs into the eps it will reference them with a simple sequence. This cannot really be interpreted as text (the first glyph will be referenced as "1", which is the "Start of Heading" character). So either this will in fact fail to extr

Lilypond EPS inside Adobe Illustrator

Good morning, I noticed that if a score is exported in eps format, I'm not able to open the eps correctly in Illustrator. It renders the staff line, but not the other symbols included in the encapsulated font (Emmentaler, the default one). I'm running Lilypond 2.22.1 on Windows 10. Is it a known is