That's quite all right. The manuals are, for the most part,
beautifully written, but they often require several reads before fully
grasping something!
HC
On 7/30/22, Kenneth Wolcott wrote:
> How could I have missed that? Thanks for not ignoring me :-)
>
> On Fri, Jul 29, 2022 at 10:15 PM Hwaen
How could I have missed that? Thanks for not ignoring me :-)
On Fri, Jul 29, 2022 at 10:15 PM Hwaen Ch'uqi wrote:
>
> Greetings Ken,
>
> I have written a few things involving harp, and the instrument name
> that I had to use for MIDI was "orchestral harp".
>
> hth,
>
> Hwaen Ch'uqi
>
>
> On 7/30/
Greetings Ken,
I have written a few things involving harp, and the instrument name
that I had to use for MIDI was "orchestral harp".
hth,
Hwaen Ch'uqi
On 7/30/22, Aaron Hill wrote:
> On 2022-07-29 8:33 pm, Kenneth Wolcott wrote:
>> SInce a harp is not a recognized midi instrument, when usin
On 2022-07-29 8:33 pm, Kenneth Wolcott wrote:
SInce a harp is not a recognized midi instrument, when using midi to
verify that the rhythm and pitches are correct, should one designate
the midi instrument as an "acoustic grand" or will it automatically
resolve to that instrument?
As a long tim
Hi;
SInce a harp is not a recognized midi instrument, when using midi to
verify that the rhythm and pitches are correct, should one designate
the midi instrument as an "acoustic grand" or will it automatically
resolve to that instrument?
I'm looking to engrave (possibly) the full orchestral v
OK, my arrangement is finished, now I want to export it to make a nice, clean
original. So I am searching for a way to transfer the score (per instrument) to
a text file or export in logfile etcetera, so I can use that.
But no luck yet.
In the manual is says"
" Once the arrangement is finished,
> On 29 Jul 2022, at 15:21, Kieren MacMillan
> wrote:
>
> Hi Hans,
Hello,
>> Hindemith, "Training…", indicates that 6/8 is always bipartite, so the 3/4
>> is a metric shift in this music piece.
>
> Correct.
>
>> By contrast, 9/8 is tripartite, just as 3/4, so I do not see any obvious
>>
> On 29 Jul 2022, at 15:14, Paul Hodges wrote:
>
> From: Hans Åberg
>
> There is also the practise to write the triplet markers just a few bars, and
> then skipping them. Perhaps for simplifying handwriting and helping then
> engraver in the days this was done by hand, so would not be need
Hi Hans,
> Hindemith, "Training…", indicates that 6/8 is always bipartite, so the 3/4 is
> a metric shift in this music piece.
Correct.
> By contrast, 9/8 is tripartite, just as 3/4, so I do not see any obvious
> difference here.
The difference is that each of the three big beats in 9/8 is su
From: Hans Åberg
There is also the practise to write the triplet markers just a few bars, and
then skipping them. Perhaps for simplifying handwriting and helping then
engraver in the days this was done by hand, so would not be needed nowadays
when done electronically.
Not needed maybe,
> On 29 Jul 2022, at 14:27, Eef Weenink wrote:
>
> The question started with a piece of Liszt. It has to be played adante. Time
> is set:
> first part: 9/8 (3/4)
> second part: 6/8 (2/4) istesso tempo (means that a 1/4 stays 1/4. So the
> duration of the measure changes).
>
> Writing it th
> On 29 Jul 2022, at 13:30, Kieren MacMillan
> wrote:
>
> Hi Carl,
>
>> Just curious, because I know precious little about polymetry.
>> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
>
> Yes: the parenthetical notation is usually an instruction to alternate time
> signatures,
The question started with a piece of Liszt. It has to be played adante. Time is
set:
first part: 9/8 (3/4)
second part: 6/8 (2/4) istesso tempo (means that a 1/4 stays 1/4. So the
duration of the measure changes).
Writing it this way, prevents printing the triplet everywhere.
The feel of the
Kieren MacMillan writes:
> Hi Carl,
>
>> Just curious, because I know precious little about polymetry.
>> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
>
> Yes: the parenthetical notation is usually an instruction to alternate
> time signatures, not simply a clarification of intenti
On 29/07/2022 12:30, Kieren MacMillan wrote:
Hi Carl,
Just curious, because I know precious little about polymetry.
Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
Yes: the parenthetical notation is usually an instruction to alternate time
signatures, not simply a clarification
Hi Carl,
> Just curious, because I know precious little about polymetry.
> Does 9/8 (3/4) mean anything different from (3 + 3 + 3)/8 ?
Yes: the parenthetical notation is usually an instruction to alternate time
signatures, not simply a clarification of intention. For example, in “West Side
Stor
Carl Sorensen writes:
> On Thu, Jul 28, 2022 at 1:52 PM Eef Weenink wrote:
>
>> This score starts with \time 9/8, but i also should have 3/4 feeling, so
>> there is written:
>>
>> 9/8 (3/4) (in parenthesis).
>
>
> Just curious, because I know precious little about polymetry.
>
> Does 9/8 (3/4)
Carl,
The 9/8(3/4) time can be used in a situation where the music is in three beats
per measure but it changes between a triple and duple feel. There is exactly
such a thing in the Blazhevich "70 Studies for Tuba."
-David
- Original Message -
> From: "Carl Sorensen"
> To: "Eef Wee
On Thu, Jul 28, 2022 at 1:52 PM Eef Weenink wrote:
> This score starts with \time 9/8, but i also should have 3/4 feeling, so
> there is written:
>
> 9/8 (3/4) (in parenthesis).
Just curious, because I know precious little about polymetry.
Does 9/8 (3/4) mean anything different from (3 + 3 +
At 15:56 on 17 Jul 2022, Mark Knoop wrote:
I note a bug with the edition-engraver which can no longer address the
first moment of the score. This needs further investigation (unless
somebody else has already solved this?).
Further to this, I've just pushed a fix for the first moment bug to my f
> On 29 Jul 2022, at 09:44, David Kastrup wrote:
>
> Hans Åberg writes:
>
>>> On 28 Jul 2022, at 22:43, Jean Abou Samra wrote:
>>>
>>> Also here:
>>>
>>> https://myrealbook.vintherine.org/mesures-composees.html
>>
>> One also write I think:
>> \time #'(4 4 3) 11/8
>
> Slightly more huma
Hans Åberg writes:
>> On 28 Jul 2022, at 22:43, Jean Abou Samra wrote:
>>
>> Also here:
>>
>> https://myrealbook.vintherine.org/mesures-composees.html
>
> One also write I think:
> \time #'(4 4 3) 11/8
Slightly more human-readable:
\time 4,4,3 11/8
--
David Kastrup
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