Good morning to everyone,
I am preparing a large orchestral work.
In my writing style, each instrument often has two voices in its staff, for
various reason (for example, each clarinet can handle two voices when
playing multiphonics trills with threshold tones, or other techniques), but
in some oth
> On Jul 6, 2022, at 1:20 PM, Jean Abou Samra wrote:
>
> How about changing \Staff into \Voice?
>
> \layout {
> \context {
> \Voice
> \aikenHeads
> }
> }
>
> That way, it won't affect those NullVoice contexts.
>
> Best,
> Jean
>
Perfect. That does exactly what I wan
On 7/6/22 19:56, David F. wrote:
I have a collection of SATB hymns that I would like to engrave using shape
notes. The Lilypond files are all structured the same, as seen below—treble
clef with music and a NullVoice for aligning lyrics, then the lyrics, then the
bass clef.
%
\version
On 7/5/22 16:03, Kevin Cole wrote:
But your answer makes more sense to me and is what I really want to go
with. (The introduction starts with a "\partial" and ends with an
incomplete measure also. Then, when the vocals start it's another
"\partial".) I just have no idea what the syntax for star
Hi David;
Thank you for the elaboration, I think I will finally get this!
Thanks,
Ken
On Wed, Jul 6, 2022 at 11:41 AM David Wright wrote:
>
> On Tue 05 Jul 2022 at 23:56:36 (-0700), Kenneth Wolcott wrote:
> > On Tue, Jul 5, 2022 at 11:43 PM Hans Aikema wrote:
> > > On 6 Jul 2022, at 07:25, K
On Tue 05 Jul 2022 at 23:56:36 (-0700), Kenneth Wolcott wrote:
> On Tue, Jul 5, 2022 at 11:43 PM Hans Aikema wrote:
> > On 6 Jul 2022, at 07:25, Kenneth Wolcott wrote:
> > > However, the first measure that follows a repeat section (without
> > > alternatives) there is a slashed grace note that L
On Wed 06 Jul 2022 at 11:56:52 (-0600), David F. wrote:
> [ … ]
> The command to use aikenHeads comes from a separate style file that gets
> included for each hymn. But there is an unfortunate interaction between
> aikenHeads and NullVoice: Lilypond outputs the following error message:
>
> prog
On Tue, Jul 5, 2022 at 10:07 PM Andrew Bernard
wrote:
> Hi Kevin,
>
> For an eight bar intro you would normally leave the vocal line staff and
> use full bar rests. This actually makes it easier for the vocalist, and
> if you were making parts you would have to do this anyway. I would not
> try t
On Tue, Jul 5, 2022 at 8:47 PM William wrote:
Kevin, if you don’t mind, I’m interested what you mean by the first system
> ending with a partial measure and the second system including vocals
> beginning with a partial measure? If you mean to break in the middle of one
> continuous measure, you c
I have a collection of SATB hymns that I would like to engrave using shape
notes. The Lilypond files are all structured the same, as seen below—treble
clef with music and a NullVoice for aligning lyrics, then the lyrics, then the
bass clef.
%
\version "2.22"
\language “english"
% included
On 7/5/22 01:10, Thomas Morley wrote:
Am Di., 5. Juli 2022 um 00:34 Uhr schrieb Jean Abou Samra :
I just detected I can't compile my code with 2.22. any more, due to
the internal changes in \repeat volta.
Ofcourse it could have been any other change as well.
Should I code for both lily-versio
On 7/4/22 11:06, Jean Abou Samra wrote:
Do you volunteer to go update the installation instructions for the
new binaries (https://gitlab.com/lilypond/lilypond/-/issues/6310) and
test them on Linux + macOS + Windows? That would be very welcome (no
irony intended).
Well, saying that actually ga
Am 05.07.22 um 23:39 schrieb Lukas-Fabian Moser:
Hi Viktor,
Am 05.07.22 um 20:17 schrieb Viktor Mastoridis:
For educational purposes, I would like to see whether it's possible
to add a small note head after the key signature?
Like a single Ambitus note, really.
Why would I do it?
For examp
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