Hello Lukas-Fabian,
Thanks, didnt’ think of the good old empty chord trick!
JM
> Le 2 févr. 2022 à 13:36, Lukas-Fabian Moser a écrit :
>
> Hi Jacques,
>
>> Is there a more natural way of obtaining this result than with a sequence of
>> shorter and shorter skips?
>
> The following seems to w
Hi;
I figured out how to get the formatting of the "a tempo" and "rall."
merged with the text spanning; but I still can't seem to figure out
how to get the "a tempo" to be above the ottava marking.
Updated screenshot attached.
Attached full Lilypond code as well.
Thanks,
Ken
On Fri, Feb
Hi Valentin,
Have you looked at Harm's work in this sphere?
e.g. https://lists.gnu.org/archive/html/lilypond-user/2019-09/msg00159.html
It really would be nice for Lilypond to have a built-in, unified,
custom/on-the-fly dynamic function/framework that supported an intuitive
interface [like the
On Fri, Feb 4, 2022 at 11:42 AM achar wrote:
>
> Thank you for the reply.
> Let me specify : in the following example V7 / IV is not associated with the
> Eb7 chord
> but with the note G. Is it possible to pair it with the Eb7 chord ? Thanks
I'm really going to need a tiny example (just two meas
Hello,
LSR 393 contains many methods to align a piece of custom dynamics text like
"sub. pp" or something on the dynamics, with each methods having some
drawbacks, like using TextScript, overriding X-offset, adding nonsensical
horizontal space at the end, setting the dimensions of the text to (
Thank you for the reply. Let me specify : in the following example V7 /
IV is not associated with the Eb7 chord but with the note G. Is it
possible to pair it with the Eb7 chord ? Thanks
Le 04/02/2022 à 17:19, Knute Snortum a écrit :
On Fri, Feb 4, 2022 at 7:57 AM achar wrote:
Hello everyone
On Fri, Feb 4, 2022 at 7:57 AM achar wrote:
>
> Hello everyone.
> When performing a harmonic analysis of a jazz standard,
> I would like to associate each chord with its Roman numeral equivalent.
> However, this is not possible in all cases because, for example,
> if a measure contains a whole not
Hello everyone. When performing a harmonic analysis of a jazz standard,
I would like to associate each chord with its Roman numeral equivalent.
However, this is not possible in all cases because, for example, if a
measure contains a whole note and there is a chord change on the 3rd
beat, I cann
