Hi Greg, Hi Lukas,
Here is a slightly more powerful approach.
Cheers,
Valentin
Am Freitag, 7. Jänner 2022, 23:14:41 CET schrieb Lukas-Fabian Moser:
> Hi Greg,
>
> Am 07.01.22 um 22:05 schrieb Gregory Hollands:
> > This solution sounds ideal.
> > I would prefer to add the articulations directly
Hi Greg,
Am 07.01.22 um 22:05 schrieb Gregory Hollands:
This solution sounds ideal.
I would prefer to add the articulations directly to the music and just
filter them out when necessary.
Valentin already gave a solution involving a music function.
A dynamic solution (that might be switched o
Hi Lukas and Leo,
thank you for the extra suggestions. The line break issue was btw the next
thing I wanted to learn. It still needs a little tweaking (e.g. horizontal
spacing) but much more improved since the beginning. I think it would finally
result in a quite acceptable output.
Best regard
Hello Greg,
Maybe something like this?
Cheers,
Valentin
Am Freitag, 7. Jänner 2022, 22:05:23 CET schrieb Gregory Hollands:
> Lukas,
>
> This solution sounds ideal.
> I would prefer to add the articulations directly to the music and just
> filter them out when necessary.
>
> -Greg
>
> On Fri, J
Lukas,
This solution sounds ideal.
I would prefer to add the articulations directly to the music and just
filter them out when necessary.
-Greg
On Fri, Jan 7, 2022 at 3:13 PM Lukas-Fabian Moser wrote:
> Hi Gregory,
>
> >
> > My goal is to be able to turn articulations on and off easily,
> > es
Valentin,
Your solution to insert articulations simultaneouse with the music is
brilliant and simple.
\new Voice << \music \articulations >>
Using tags is too complicated for my purposes. My intention is to turn
on/off all articulations of a certain type. I don't need the granularity
provided by
Hello Paul,
I’d suggest to add some tweaks like this
g\tweak self-alignment-X #CENTER \tweak parent-alignment-X #CENTER
_\markup\dynamic"mf"
to get the TextScript to behave a bit more like an actual Dynamics marking.
Cheers,
Valentin
Am Freitag, 7. Jänner 2022, 18:51:43 CET schrieb Paul Hodges
Hi Gregory,
My goal is to be able to turn articulations on and off easily,
especially for different versions of the same score.
Questions
1. Is this the best way to separate articulations from the melody?
2. Is there a better way to turn articulations on and off?
3. How do I avoid collisions
Hello Greg,
First of all you should note that there is no reason to have the articulations
in a different Voice. As long as you manually create a Voice by \new Voice
(instead of relying on implicit creation) parallel music will in fact be
merged.
So by doing
\new Voice << \music \articulations
Some other changes:
- encapsulate the piece-break machinery in a function
- deal with pieces in c major :-)
- reset clef/key change settings
- etc.
Lukas
Am 07.01.22 um 17:20 schrieb Leo Correia de Verdier:
Adding
\once \override Staff.KeySignature. break-visibility = ##(#f #f #f)
Thank you Valentin and Paul!
These suggestions are going into my personal Lilypond snippets collection.
Thanks so much for awesome support!
Ken
On Fri, Jan 7, 2022 at 9:51 AM Paul Hodges wrote:
>
> The way I'd do it is:
>
> \relative f' { f\p\< g f g_\markup\dynamic"mf" | f g f g\f }
>
> Regar
Hi,
I'm using a separate voice to indicate articulations (bowing directions in
this example), but occasionally the articulations collide with the note
stems (as seen in bar 2 of the snippet below).
My goal is to be able to turn articulations on and off easily, especially
for different versions of
The way I'd do it is:
\relative f' { f\p\< g f g_\markup\dynamic"mf" | f g f g\f }
Regards,
Paul
From: Kenneth Wolcott
To: Lily Pond
Sent: 07/01/2022 6:28
Subject: How to prevent a hairpin crescendo from terminating when a dynamic
is specified?
Hi;
How to prevent a hairp
Adding
\once \override Staff.KeySignature. break-visibility = ##(#f #f #f)
\once \override Staff.Clef.break-visibility = ##(#f #f #f)
\once \omit Score.BarNumber
Together with \stopStaff helps avoids some of the strangeness if the new
piece’s start happens to coincide wi
On 2022-01-07 6:13 am, Hilber, Simon wrote:
in 2019 I produced a little booklet with Hebrew and German songs - in
version 2.18.2. The German text was rendered in a font with serifs, the
Hebrew text was in a font without serifs. Now (with a new pc and
version
2.20) with the input, text in both la
Hello,
in 2019 I produced a little booklet with Hebrew and German songs - in
version 2.18.2. The German text was rendered in a font with serifs, the
Hebrew text was in a font without serifs. Now (with a new pc and version
2.20) with the input, text in both languages is produced in a serif font. I
Am Fr., 7. Jan. 2022 um 02:31 Uhr schrieb Joel C. Salomon
:
>
>
> Yesterday, I wrote:
> > \version "2.23.5"
> > \include "articulate.ly"
> >
> > music = \relative c' {
> >c1
> >\repeat volta 2 {
> > e
> > \alternative {
> >{ g } { gis }
>
Hi Ken,
Here two quick possibilites:
{
c'\< c' << c' \new Voice s\sf >> c' c'\!
}
{
c'\< c' c'
-\tweak stencil #ly:text-interface::print
-\tweak text \markup { \dynamic sf }
_> c' c'\!
}
Cheers,
Valentin
Am Freitag, 7. Jänner 2022, 07:28:53 CET schrieb Kenneth Wolcott:
> Hi;
>
> Ho
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