Hello Greg!
Maybe \RemoveEmptyStaves (or equivalently
\override VerticalAxisGroup.remove-empty = ##t ) would do the trick?
Also suspending bars in case of cadenzas is exactly what \cadenzaOn and
\cadenzaOff are for. But keep in mind that cadenzaOn will prevent automatic
breaking, as no bar line
Dear Valentin,
Confirmed that was the offending line. Warning is fixed. Many thanks for
your support and help!
Pax,
mattfong
On Sat, Oct 16, 2021 at 11:51 AM Valentin Petzel wrote:
> Hello,
>
> that warning probably comes from some \override
> VerticalAxisGroup.staff-affinity = #center I thre
Hello,
that warning probably comes from some \override
VerticalAxisGroup.staff-affinity = #center I threw in there for some example I
think. As the lyrics have staff-affinity top per default we get this warning
(which basically say if we have some sandwiched contexts the lower one should
not a
Dear Colin and Valentin,
Confirmed solution works. Also have the same warning.
Pax,
mattfong
On Sat, Oct 16, 2021 at 10:41 AM colin baguley wrote:
> Well done Valentin - that has worked!
> Although I do get an error message :-
> "Drawing systems...
>
> warning: staff-affinities should only de
Well done Valentin - that has worked!
Although I do get an error message :-
"Drawing systems...
warning: staff-affinities should only decrease"
But even so it works well
Thank you
===
Colin Baguley
co...@baguley.net
===
On Sat, 16
On Sat, Oct 16, 2021 at 6:27 AM Greg Lindstrom wrote:
>
> I am constructing a score with 4 instruments (tuba/euphonium quartet) and
> have come to a spot where Euph 1 has a cadenza. Since it is an extended
> passage, I would like to "suspend" the 4 lines of the score and have only the
> cadenza
I am constructing a score with 4 instruments (tuba/euphonium quartet) and
have come to a spot where Euph 1 has a cadenza. Since it is an extended
passage, I would like to "suspend" the 4 lines of the score and have only
the cadenza line, then go back to having the 4 line score after the
cadenza. Is
Hello, Erica. You can use \override:
\version "2.18.2"
notes = \relative c'''{
\repeat unfold 8 {g8 a}
\once \override Score.RehearsalMark.padding = #3
\mark \default g1
}
\score {
\new Staff {\notes}
}
You can read more about overrides here:
http://lilypond.org/doc/v2.22/Documentation
Thanks for quick answers, Jean and David! The function "ly:music-deep-copy"
is the solution I was looking for :-)
> module-ref and module-set! are useful for dealing with variables of which
the name is not known in advance.
Actually, in my case I don't know in advance the name of a variable which
I'm trying to figure out how to position rehearsal marks a bit farther from the
staff. It might be an easy fix (I hope so) but I couldn't find a solution yet.
My example below; especially with notes above the staff the rehearsal mark
seems to be too clingy.
\version "2.18.2"
notes = \relative
Robert Kubosz writes:
> I want to make a copy of a variable defined in a separate file, but run in
> the same current-module.
> The copy I make is a copy-by-reference, and in result any modifications I
> apply to the copy also appear in the original.
> How do I make a copy-by-value in a current-m
Le 16/10/2021 à 10:47, Robert Kubosz a écrit :
I want to make a copy of a variable defined in a separate file, but
run in the same current-module.
The copy I make is a copy-by-reference, and in result any
modifications I apply to the copy also appear in the original.
How do I make a copy-by-val
I want to make a copy of a variable defined in a separate file, but run in
the same current-module.
The copy I make is a copy-by-reference, and in result any modifications I
apply to the copy also appear in the original.
How do I make a copy-by-value in a current-module?
More detailed example is a
Hello Matthew, hello Colin,
I suspect that this is caused by the lyrics used to keep the line separator
alive is too long, as it is not aligned to some voice (although I don’t get
why this would keep the staff alive). So try doing
\lineSep \lyricsto someVoice someLyrics
And see if it solves th
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