If you excuse the second double post in one thread - I really should think
before writing - this solution seems even better. It's a little fizzle work
to get the \voice commands right, but it works and is far easier to read
than my previous solution. Plus, it allows good continuation of the two
voi
Dear Peter,
I fear, this one was easy to miss, given the screenshot you sent us. ;)
It looks like you can put the part we had till now into a lowerVoice
variable, with the newly introduced upper voice into another and then
partCombine does a pretty good job. I don't know if this is a dirty hack t
Christian,
Thanks very much. Why didn't I think of using the lower voice for the rest?
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Monday, February 15, 2021, 4:01:00 PM, Christian Masser wrote:
Edit: I forgot the \hide Stem command , but it also works
Edit: I forgot the \hide Stem command , but it also works with
e,2.~ \hide Stem 4.~ 4 \revert Voice.Stem.transparent s8 |
instead of
e,2.~ 4.~ 4 s8 |
All the best
Christian
Am Mo., 15. Feb. 2021 um 16:56 Uhr schrieb Christian Masser <
christian.mas...@gmail.com>:
> Hi Peter!
>
> It seems t
Hi Peter!
It seems that the invisible e you add for the ending of the bow is drawn as
a note facing the left side (you can unhide it) which explains the
right-shift of the e2.
If you rearrange it to:
<<
\relative {
b,4.~( 8 c e 4. 4 b,8 |
2. s2.
}
\\
\relative
{
I'm trying to set this piece of slightly strange voice writing (see attachment).
It obviously needs three voices: one for the lower line (voice 2), one for the
upper line (voice 1) and a third for the rest at the end.
The closest I've got is below, but this has two problems with the final beat:
