Use TTF font for text in working directory?

2020-12-06 Thread Stefan Hante
Hello everyone! I'm using a TTF font for Notenames by \context NoteNames {    \override NoteName.font-name = "customFont"    ... } I am on Windows and at the moment I have copied the customFont.ttf to the directory C:\Users\\.fonts\ I find this a little unintuitive. Is it somehow possible to

Re: Stanza Collision

2020-12-06 Thread Matthew Fong
Hello Fr Samuel, It sounds like we are solving almost the same issue with note entry, and Aaron Hill created a function which basically scales note values so that they group together nicely. And the clutter from manual scaling is removed entirely. However, I am using fixed time (1/4). And to 'for

Re: Stanza Collision

2020-12-06 Thread Kieren MacMillan
Hi there, > It tightens the spacing between notes which are inside a slur so that the > musical sense is clear without the usual bow (though, it’s a separate setting > to actually omit the bow). Attached are two versions of the same antiphon: > the first uses the usual bow for slurs, the secon

Re: Combining custom bar line with standard elements

2020-12-06 Thread Fr. Samuel Springuel
> On 6 Dec, 2020, at 1:47 PM, Thomas Morley wrote: > > Ok, then my initial understanding >> Iiuc, you want to change thick-thickness and font-size for barlines >> containing "[" or "]". > was wrong. You rather want a different thick-thickness for the thick > line in bracket-barlines and for the

Re: Combining custom bar line with standard elements

2020-12-06 Thread Thomas Morley
Am So., 6. Dez. 2020 um 17:53 Uhr schrieb Fr. Samuel Springuel : > > > On 6 Dec, 2020, at 6:39 AM, Thomas Morley wrote: > > > > \layout { > > \context { > >\Staff > >\override BarLine.before-line-breaking = > >#(lambda (grob) > > (let ((glyph (ly:grob-property grob 'glyph))) > >

Re: Stanza Collision

2020-12-06 Thread Fr. Samuel Springuel
> On 6 Dec, 2020, at 12:00 PM, Kieren MacMillan > wrote: > > I’m hoping to avoid the Slur_spacing_engraver entirely. ;) > What does it do exactly? > It tightens the spacing between notes which are inside a slur so that the musical sense is clear without the usual bow (though, it’s a separate

Re: Stanza Collision

2020-12-06 Thread Kieren MacMillan
Hi, > Closer to just left of the first choir word. There can be some “springiness” > in its placement for spacing reasons, so long as it doesn’t collide with the > words on either side and there is some clear whitespace around it (i.e. I’d > like to avoid a “word*word” look). Thanks. > In th

Re: Combining custom bar line with standard elements

2020-12-06 Thread Fr. Samuel Springuel
> On 6 Dec, 2020, at 6:39 AM, Thomas Morley wrote: > > \layout { > \context { >\Staff >\override BarLine.before-line-breaking = >#(lambda (grob) > (let ((glyph (ly:grob-property grob 'glyph))) >(if (and (string? glyph) > (or (string-contains glyph "[") >

Re: Stanza Collision

2020-12-06 Thread Fr. Samuel Springuel
> On 6 Dec, 2020, at 10:37 AM, Kieren MacMillan > wrote: > > Where is the asterisk supposed to sit? > > Horizontal: Just to the right of the last cantor-only word? Just to the left > of the first choir word? Centred between those words? Closer to just left of the first choir word. There can

Re: horizontal position of augmentation dots

2020-12-06 Thread Richard Shann
On Sun, 2020-12-06 at 16:52 +0100, Pierre Perol-Schneider wrote: > Hi Richard, > How about: > > \version "2.20.0" > A = {f2~  f8. s16 s4 } > B = {bes,2~   >      \tweak Dots.extra-offset #'(-.8 . 0) >      bes,8. bes,32 a, bes,16 c d e } > > \score { > \new Staff  <<  >  \new Voice   {\voiceOne \

Re: horizontal position of augmentation dots

2020-12-06 Thread Pierre Perol-Schneider
Hi Richard, How about: \version "2.20.0" A = {f2~ f8. s16 s4 } B = {bes,2~ \tweak Dots.extra-offset #'(-.8 . 0) bes,8. bes,32 a, bes,16 c d e } \score { \new Staff << \new Voice {\voiceOne \clef bass \A } \new Voice {\voiceTwo \B } >> } Cheers, Pierre Le dim

Re: Stanza Collision

2020-12-06 Thread Kieren MacMillan
Hi, > This is working fine for my hymns, but when I tried using it with the > antiphons, which have an asterisk in them to indicate when the choir joins > the cantor, the spacing around said asterisk is too tight in some cases. Where is the asterisk supposed to sit? Horizontal: Just to the rig

horizontal position of augmentation dots

2020-12-06 Thread Richard Shann
I struck me that this score: 8><8><8><8><8><8><8><8><8><8><8><8><8><8>< \version "2.20.0" A = {f2~  f8. s16 s4 } B = {bes,2~  bes,8. bes,32 a, bes,16 c d e } \score { \new Staff  <<   \new Voice   {\voiceOne \clef bass \A }  \new Voice  {\voiceTwo \B } >>     } 8><8><8><8><8><8><8

Re: Combining custom bar line with standard elements

2020-12-06 Thread Thomas Morley
Am Sa., 5. Dez. 2020 um 17:45 Uhr schrieb Fr. Samuel Springuel : > > I have a couple of customized bar lines defined and have come across an > instance where I want to combine them with a standard bar line element. > However, my naive attempts aren’t working as expected. My first attempt > res

Re: How should I convert an existing ".ly" file to a MIDI file containing audible arpeggios?

2020-12-06 Thread Thomas Morley
Am Sa., 5. Dez. 2020 um 21:42 Uhr schrieb Petr Pařízek : > > Thomas Morley wrote: > > > > Amending the shared code, you could probably do > > [snip] > > Could you explain what your suggested piece of code actually does -- > i.e. what's the supposed input data and what's the supposed output? > Than

Re: square brackets around rehearsal marks 2.21.81

2020-12-06 Thread Paul Scott
> On Dec 5, 2020, at 9:43 PM, Aaron Hill wrote: > > On 2020-12-05 10:30 am, Paul Scott wrote: >> Is there a way to put square brackets around a rehearsal mark (bar >> number if relevant)? > > bracketify-stencil should do what you need. Here's a wrapper for it: Works perfectly! Thank you,