> On 2020-08-14 4:48 am, David Kastrup wrote:
> > All of the elements in a score are routed through hooks you can
> > redefine. So you can just redefine your various hooks to do nothing and
> > then include the file.
>
> Would something like this work?
>
>
> \version "2.20.0"
>
> #(begin
>
Sure Harm, here you go: https://www.youtube.com/watch?v=YND32HckZqk&t=1m24s
Cheers,
Pierre
Le dim. 23 août 2020 à 11:02, Thomas Morley a
écrit :
> Am So., 23. Aug. 2020 um 10:52 Uhr schrieb Pierre Perol-Schneider
> :
> >
> > Dear Andrew,
> >
> > Le dim. 23 août 2020 à 08:09, Andrew Bernard
> a
Dear all,
thanks for the explanations!
I understand the pragmatics behind the decision to have the dynamic
performer at the voice context, because of the possible usage for
parallel and independent instruments.
But I am still not convinced: as Maurits has pointed out, nothing in the
syntax sug
Am So., 23. Aug. 2020 um 10:52 Uhr schrieb Pierre Perol-Schneider
:
>
> Dear Andrew,
>
> Le dim. 23 août 2020 à 08:09, Andrew Bernard a
> écrit :
>
>> I play bass gamba - I've always wanted to do the lovely curved beams
>> (and for Bach,. and the lot!). No chance lilypond will ever be able to,
>>
Dear Andrew,
Le dim. 23 août 2020 à 08:09, Andrew Bernard a
écrit :
I play bass gamba - I've always wanted to do the lovely curved beams
> (and for Bach,. and the lot!). No chance lilypond will ever be able to,
> I don't think!
>
I saw Harm (T. Morley) making a short presentation (no details) o
Le dim. 23 août 2020 à 07:56, Andrew Bernard a
écrit :
> Hi Pierre,
>
> Bass gamba in France has very detailed markups, such as poussez (p) and
> tirez (t), push and pull (up and down bow), and a whole swag more. I'll
> dig up some Marin Marais and send to you.
>
Thank you Andrew.
Thank you for the examples.
Le dim. 23 août 2020 à 07:59, Alasdair McAndrew a écrit :
> There are other issues with this music, which can bristle with expressive
> marks: bowing and fingering information, various shorthands for different
> sorts of ornaments, over and above the placement of the
Here:
http://lilypondblog.org/2013/08/adding-ornamentations-to-note-heads-part-1/
Andrew
Hello Alasdair,
Sooner or later you should grapple with doing these gamba signs
properly. There's some articles by Nicolas Sceaux on the lilypond blog
on how to go about it.
http://lilypondblog.org
I could give a hand if you so require.
Andrew
On 23/08/2020 5:31 pm, Alasdair McAndrew wro
Hi Alasdair,
You might start from the attached file provided by Nicolas Sceaux. I
did not test recently but with a previous version I had to play with
the code to add space when a mordent just follows a bar line. I used it
to edit the gamba part of Morel's chaconne a few years ago. I am not
curren
Hi,
It might be here that the Lilypond syntax leads you up the proverbial garden
path.
While voices are contexts within the scope of a staff, they are not nested
within each other.
So, whenever a new voice is created, it is created equal to the other voices
and consequently has only the Staff a
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