Elaine,
I have my codes for 6, 12, and 13.
Mark
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Flaming Hakama by Elaine
Sent: Friday, August 14, 2020 12:00 PM
To: Lilypond-User Mailing List
Subject: kind of OT: bach inventions
I was
Hi Elaine,
Am 14.08.20 um 21:00 schrieb Flaming Hakama by Elaine:
I was working with one of the Bach inventions and was trying to find
public domain lilypond source, of either just the notes or an actual
edition.
All of mutopia's links seem to be down atm, was wondering if anyone
happened to
On Fri, Aug 14, 2020 at 12:00:10PM -0700, Flaming Hakama by Elaine wrote:
>I was working with one of the Bach inventions and was trying to
>find public domain lilypond source, of either just the notes or an
>actual edition.
>All of mutopia's links seem to be down atm, was wondering
I was working with one of the Bach inventions and was trying to find
public domain lilypond source, of either just the notes or an actual
edition.
All of mutopia's links seem to be down atm, was wondering if anyone
happened to know of such a resource that is available.
https://www.mutopiaproject.
Perfect!
Thanks a lot!
Il giorno ven 14 ago 2020 alle ore 19:04 Pierre Perol-Schneider
ha scritto:
>
> Hi Francesco,
> How about a simple markup? E.g.:
>
> \version "2.20.0"
>
> half = \markup\concat\fontsize #-5 { \raise #.6 "1"\raise #.2 "/" "2"
> \hspace #.2 }
>
> {
> \clef "G_8"
>
>
Hi Francesco,
How about a simple markup? E.g.:
\version "2.20.0"
half = \markup\concat\fontsize #-5 { \raise #.6 "1"\raise #.2 "/" "2"
\hspace #.2 }
{
\clef "G_8"
-\tweak X-offset #-2.5
^\markup\concat\tiny {
\half "C" \hspace #.2 "II"
\magnify #0.5 { \lower #.1 " ┐" }
}
}
H
When working on a project in Lilypond I usually set things up to
generate midi files as well as printable output, mainly for note-
checking. But it is interesting to generate an ensemble midi file too.
I play these files with TiMidity, using the fluidr3_gm soundfont.
I know the (very) basics abou
Hello to everyone, I'm struggled with the lyrics tie character when using
an alternate font from Music Type Foundry.
Since lilypond uses character from the music font, when using an alternate
font with the character missing, it doesn't show.
I have a workaround that goes like this:
Cuer -- \mark
On 2020-08-14 4:48 am, David Kastrup wrote:
All of the elements in a score are routed through hooks you can
redefine. So you can just redefine your various hooks to do nothing
and
then include the file.
Would something like this work?
\version "2.20.0"
#(begin
(use-modules (ice-9 re
Hello to everyone, I'm struggled with the lyrics tie character when using
an alternate font from Music Type Foundry.
Since lilypond uses character from the music font, when using an alternate
font with the character missing, it doesn't show.
I have a workaround that goes like this:
Cuer -- \mark
Hi everyone,
I apologize for the banal request, but I did not find any suggestion.
I use \startBarre and \startHalfBarre, as shown here:
http://lsr.di.unimi.it/LSR/Item?id=952
How is possible using the same notation (of both kinds of barré,
normal and half) without a text spanner, in order to ma
Jérôme Plût writes:
> Hello everybody,
>
> I have some lilypond files that contain both music variables and
> typesetting instructions, like this:
>
> soprano = \relative {
> % music here...
> }
>
> \bookpart {
> % typesetting here...
> }
>
> I would like to include this file while importing
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