Writing complex piano scores with Spontini

2020-07-01 Thread Paolo Prete
Hello, as I said a few days ago, I prepared a first example on how to use the Spontini editor to create very complex scores for piano, which combine cross-staff and polyphony. Other examples will follow, more and more complex. The bars are taken from a prelude of Debussy ("Danseuses de Delphes"):

Re: detecting the start and end of a polyphonic passage from scheme

2020-07-01 Thread Maurits Lamers
Hi all, The way the staff is usually printed (through format and display) already gave me that idea, but it is good to see it confirmed. Let me try to sketch my problem and perhaps you could help me find an answer on how to achieve it. I am trying to find a way that I can serialize the voices a

AW: Differentiate between contexts

2020-07-01 Thread sir.teddy.the.first
Thanks, that's what I was looking for. -Ursprüngliche Nachricht- Von: lilypond-user Im Auftrag von Aaron Hill Gesendet: Mittwoch, 1. Juli 2020 16:36 An: lilypond-user@gnu.org Betreff: Re: Differentiate between contexts On 2020-07-01 7:08 am, sir.teddy.the.fi...@gmail.com wrote: > How can

Re: Differentiate between contexts

2020-07-01 Thread Aaron Hill
On 2020-07-01 7:08 am, sir.teddy.the.fi...@gmail.com wrote: How can I explicitly reference the second ChordNames-Context, preferably by name? Does this work? (I assumed you wanted to modify chrdsII.) \version "2.20.0" \score { << \new ChordNames = "chrdsI" \with { chordChanges =

Differentiate between contexts

2020-07-01 Thread sir.teddy.the.first
Hi all, please consider the following snippet: \version "2.20.0" \score { << \new ChordNames = "chrdsI" \chordmode { \set chordChanges = ##t e1:min | 1 | 1 | 1 | 1 | 1 | 1 | 1 | } \new Staff \relative c'{ c1 d e f g a b c | } \new Chord

Re: detecting the start and end of a polyphonic passage from scheme

2020-07-01 Thread Thomas Morley
Am Mi., 1. Juli 2020 um 11:08 Uhr schrieb Maurits Lamers : > > Hi all, > > Follow up question: is there a way to know the "parent" of the voices as they > are defined in the code? > In the following example, I would like to determine that voice "two" splits > off from voice "one" without relying

Re: detecting the start and end of a polyphonic passage from scheme

2020-07-01 Thread Aaron Hill
On 2020-07-01 2:07 am, Maurits Lamers wrote: Follow up question: is there a way to know the "parent" of the voices as they are defined in the code? In the following example, I would like to determine that voice "two" splits off from voice "one" without relying on the context-id. (ly:context-paren

Re: detecting the start and end of a polyphonic passage from scheme

2020-07-01 Thread Maurits Lamers
Hi all, Follow up question: is there a way to know the "parent" of the voices as they are defined in the code? In the following example, I would like to determine that voice "two" splits off from voice "one" without relying on the context-id. (ly:context-parent ctx) gives me the staff, not the "

Re: ties between voices

2020-07-01 Thread Lukas-Fabian Moser
Hi Carl, I think you misunderstood.  The \voices command does not let slurs go across voices.  Rather, it allows existing voices to go into the << \\ >> polyphony expression. Previously (and still, if you don't use the \voices command), << \\ >> created two temporary voices, neither one relat