Wow, thank you all for your prompt responses! It was in fact the
lengthening of the ties that I was searching for.
Hwaen Ch'uqi
On 5/20/20, Andrew Bernard wrote:
> For sure your next question is how to make them longer. There are a few
> ways, but check LSR 715.
>
> Andrew
>
>
>
>
Hi Francesco,
Not sure if this gives you any help but the first thing I'd do in your case
is to secure the pdf with a password.
Cheers,
Pierre
Le jeu. 21 mai 2020 à 05:51, Francesco Petrogalli <
francesco.petroga...@gmail.com> a écrit :
> Hi all,
>
> apologies in advance for the slightly off topi
Hi all,
apologies in advance for the slightly off topic question, but after
doing my own research I am still unable to sort out how to publish a
composition.
I have written it with lilypond, but it hasn't been performed yet. I
wanted to secure the copyright before performing it. Given that there
For sure your next question is how to make them longer. There are a few
ways, but check LSR 715.
Andrew
Hi.
2020-05-21 2:28 UTC+02:00, Hwaen Ch'uqi :
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music?
No need to "force" ;-)
http://lilypond.org/doc/v2.18/Documentation/snippets/expressive-marks#expressive-marks-laissez-vibrer-ties
Regards,
Gilles
"Hwaen Ch'uqi" writes:
> Greetings,
>
> Is there a way to force LilyPond to engrave ties at the end of a
> snippet of music? I was hoping that \set tieWaitForNote = ##t would
> work, but it too had no results. Here is the snippet in question:
>
> \score {
> \new PianoStaff <<
> \new Staff {
On Mon 18 May 2020 at 14:32:31 (-0400), Fr. Samuel Springuel wrote:
> > On 18 May, 2020, at 11:30 AM, David Wright
> > wrote:
> >
> > If you were compiling a C program foo.c into an executable, what you
> > would be trying to avoid is recompiling fnbar.c into fnbar.o over
> > and over again (and
Dear Thomas,
Il giorno dom 17 mag 2020 alle ore 17:57 Thomas Scharkowski
ha scritto:
> warning: g_spawn_sync failed (0): gs: Failed to execute child process
> “gs” (No such file or directory)
this has been reported also on GitHub, see
https://github.com/frescobaldi/frescobaldi/issues/1305
I wil
Greetings,
Is there a way to force LilyPond to engrave ties at the end of a
snippet of music? I was hoping that \set tieWaitForNote = ##t would
work, but it too had no results. Here is the snippet in question:
\score {
\new PianoStaff <<
\new Staff {
\relative c' {
\key es \ma
"Fr. Samuel Springuel" writes:
>> On 20 May, 2020, at 10:22 AM, David Kastrup wrote:
>>
>> myNames = \language-pitch-names.english
>> myNames.do = c
>> myNames.re = d
>> myNames.mi = e
>> myNames.fa = f
>> myNames.sol = g
>> myNames.la = a
>> myNames.ta = bes
>> myNames.ti = b
>> language-pitch
> On 20 May, 2020, at 10:22 AM, David Kastrup wrote:
>
> myNames = \language-pitch-names.english
> myNames.do = c
> myNames.re = d
> myNames.mi = e
> myNames.fa = f
> myNames.sol = g
> myNames.la = a
> myNames.ta = bes
> myNames.ti = b
> language-pitch-names.solfegenglish = \myNames
> \languag
Humm, thank you Klaus, that looks pretty good!
Le mer. 20 mai 2020 à 22:29, Klaus Blum a écrit :
> Salut Pierre,
>
> Am 20.05.2020 um 18:00 schrieb lilypond-user-requ...@gnu.org:
>
> > toneCluster = #(define-music-function
> > (note1 note2) (ly:music? ly:music?)
> >
Valentin Villenave writes:
> On 5/20/20, Pierre Perol-Schneider wrote:
>> Anything better?
>
> Nothing better. I was about to suggest using a modifier Arpeggio
> stencil, but your solution is simpler and better.
>
> I’m not really sure why you’d need a music function at all, though:
>
>
>
>
Salut Pierre,
Am 20.05.2020 um 18:00 schrieb lilypond-user-requ...@gnu.org:
> toneCluster = #(define-music-function
> (note1 note2) (ly:music? ly:music?)
> #{
> {
> \once\override NoteHead.stem-attachment =
#'(0 .
> On 20 May, 2020, at 12:05 PM, Fr. Samuel Springuel
> wrote:
>
> Use of the -dbackend=eps (or setting the backend to eps in the file) also
> causes the production of several other files (*-systems.tex, *-systems.texi,
> *-systems.count, and the eps and pdf files for each system) while -E (or
On 5/20/20, Pierre Perol-Schneider wrote:
> Anything better?
Nothing better. I was about to suggest using a modifier Arpeggio
stencil, but your solution is simpler and better.
I’m not really sure why you’d need a music function at all, though:
toneCluster ={
\once \override NoteHead.ste
On 5/20/20, Christopher R. Maden wrote:
> ... I get rests scattered all over the place, not to mention redundant
> dynamics. Is there a way to combine the different drum parts on one
> staff without engraving a terrible mess?
Well, I’m not gonna lie: that’s a tough one. That’s typically what
\pa
As an exercise in Scheme programming (and because I’m something of a
perfectionist), I’m working on improving the output when using parse-only.ly by
having it account for `--format` flags and the various backends when
constructing the target portion of the make rule (the version I previously
po
Hello,
In the example below:
\relative c' {
1
1
}
Notice the difference in the position of the flat symbol in the G-flat. For
me, particularly, I find the first chord much more clean: after the double
flat, closet to the note (and it occupies less space). Is there a way to
change the positio
Here's another try:
\version "2.20.0"
toneCluster = #(define-music-function
(note1 note2) (ly:music? ly:music?)
#{
{
\once\override NoteHead.stem-attachment = #'(0 . 0)
\once \override Stem.l
"Fr. Samuel Springuel" writes:
>> On 20 May, 2020, at 9:43 AM, Paul McKay wrote:
>>
>> Todays thoughts are: when you specify \language, then part of what
>> you are doing is setting up the parser to understand which character
>> sequence should indicate an f-sharp. I would like to be able to
>>
Hi,
On Wed, May 20, 2020 at 8:35 AM Fr. Samuel Springuel
wrote:
>
> > On 20 May, 2020, at 2:41 AM, Witold Uchman wrote:
> >
> > Hello!
> >
> > I am looking for a way to simplify input in a book of psalms, namely to be
> > able to simply put an * in lyrics and make the character in red.
> >
>
W
> On 20 May, 2020, at 9:43 AM, Paul McKay wrote:
>
> Todays thoughts are: when you specify \language, then part of what you are
> doing is setting up the parser to understand which character sequence should
> indicate an f-sharp. I would like to be able to temporarily reconfigure this
> so tha
Hi guys
Many thanks for taking such an interest in this. I have been thinking. I
can see that using the key signature to automatically donate sharps and
flats is going to be a lot of work and cause problems.
Todays thoughts are: when you specify \language, then part of what you are
doing is setti
> On 20 May, 2020, at 2:41 AM, Witold Uchman wrote:
>
> Hello!
>
> I am looking for a way to simplify input in a book of psalms, namely to be
> able to simply put an * in lyrics and make the character in red.
>
I define a special function for this:
#(define aster #{ \set stanza = \markup \wi
Hi All,
I have this function to make a tone cluster:
\version "2.20.0"
toneCluster = #(define-music-function
(note1 note2) (ly:music? ly:music?)
#{
<<
{ #note1 }
{
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