Hello!
I am looking for a way to simplify input in a book of psalms, namely to
be able to simply put an |*| in lyrics and make the character in red.
I tried with |#(add-text-replacements!|, but it only performs simple
character substitution, and I am afraid I am not fluent enough in
lilypond
I’m engraving a marching band score. The pitched instruments were fun.
Percussion is giving me a headache, though.
Each drum has its own part, e.g.:
% bass.ily
\version "2.18.2"
bassMusic = \drummode {
bd4 \f r bd r |
}
% bass.ly
\version "2.18.2"
\include "bass.ily"
\score {
\new Rhythmi
On Tue, May 19, 2020 at 4:13 PM David Kastrup wrote:
> Carl Sorensen writes:
>
> >> -- Forwarded message --
> >> From: Kieren MacMillan
> >> To: David Nalesnik
> >> Cc: Lilypond-User Mailing List
> >> Bcc:
> >> Date: Tue, 19 May 2020 10:22:15 -0400
> >> Subject: Re: Suggestion
Carl Sorensen writes:
>> -- Forwarded message --
>> From: Kieren MacMillan
>> To: David Nalesnik
>> Cc: Lilypond-User Mailing List
>> Bcc:
>> Date: Tue, 19 May 2020 10:22:15 -0400
>> Subject: Re: Suggestion to make sharps and flats persistent
>> Hi David,
>>
>> > But minor-mode
> -- Forwarded message --
> From: Kieren MacMillan
> To: David Nalesnik
> Cc: Lilypond-User Mailing List
> Bcc:
> Date: Tue, 19 May 2020 10:22:15 -0400
> Subject: Re: Suggestion to make sharps and flats persistent
> Hi David,
>
> > But minor-mode music is often a conglomeration o
Em seg., 18 de mai. de 2020 às 15:49, Tobias escreveu:
> Is it possible to add a new instrument? What are the necessary steps to
> do so?
>
Hey, Tobias. I think those are just names that map to General Midi [1]
instruments. On the back-end it is just assigning a number to identify
which instrume
Em seg., 18 de mai. de 2020 às 12:23, David Nalesnik <
david.nales...@gmail.com> escreveu:
> Is it possible to use the command in lilypond-book and
> not create a link to the LY file
> in an HTML document? I'm hoping there is some automation available
> with lilypond-book.
>
> Thanks,
> David
>
On 19/05/2020 16:04, David Kastrup wrote:
All because people think "it's not difficult to figure out how to make
it work" when actually it is once you aim for more than a "mostly
working" determination and keep shuffling around just which 10% you are
willing to let fall apart.
Too many people t
Jacques,
Most welcome.
Mark
-Original Message-
From: Jacques Menu [mailto:imj-muz...@bluewin.ch]
Sent: Tuesday, May 19, 2020 8:00 AM
To: Mark Stephen Mrotek
Cc: Jacques Menu ; lilypond-user
Subject: Re: Rests vertical position problem
Hello Mark,
Thanks a lot, I looked at the snip
Kieren MacMillan writes:
> Hi David,
>
>> But minor-mode music is often a conglomeration of the "forms" of the
>> minor scale which makes them of limited separate utility. Nothing is
>> in "harmonic minor." Notating something in minor by J. S. Bach could
>> be terrifying.
>
> Oh, I totally agre
Hello Mark,
Thanks a lot, I looked at the snippets doc and missed that…
Will make good use of it!
JM
> Le 19 mai 2020 à 16:45, Mark Stephen Mrotek a écrit :
>
> Jacques,
>
> Look at
> http://lsr.di.unimi.it/LSR/Search?q=merge+rests
>
> Mark
>
> -Original Message-
> From: lilypond-
> Le 19 mai 2020 à 16:42, Valentin Villenave a écrit :
>
> On 5/19/20, Jacques Menu wrote:
>> This doesn’t change the position of the rests in measure 2, since there’s a
>> single voice playing then.
>
> Well, yes: as I said, it doesn’t work yet. (And the way it’s
> currently written, I sus
Kieren,
On Tue, May 19, 2020 at 9:22 AM Kieren MacMillan
wrote:
>
> Hi David,
>
> > But minor-mode music is often a conglomeration of the "forms" of the
> > minor scale which makes them of limited separate utility. Nothing is
> > in "harmonic minor." Notating something in minor by J. S. Bach co
Jacques,
Look at
http://lsr.di.unimi.it/LSR/Search?q=merge+rests
Mark
-Original Message-
From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org]
On Behalf Of Jacques Menu
Sent: Tuesday, May 19, 2020 12:32 AM
To: lilypond-user
Subject: Re: Rests vertical position
On 5/19/20, Jacques Menu wrote:
> This doesn’t change the position of the rests in measure 2, since there’s a
> single voice playing then.
Well, yes: as I said, it doesn’t work yet. (And the way it’s
currently written, I suspect it would require some fairly substantial
changes. Or perhaps a who
Hi David,
> But minor-mode music is often a conglomeration of the "forms" of the
> minor scale which makes them of limited separate utility. Nothing is
> in "harmonic minor." Notating something in minor by J. S. Bach could
> be terrifying.
Oh, I totally agree with "terrifying" (and, in my opini
On Mon, May 18, 2020 at 8:20 PM Kieren MacMillan
wrote:
>
> Hi Wol,
>
> > how is lilypond supposed to know whether the g and f are supposed to be
> > sharpened? :-)
>
> \keyed \a \harmonicminor { a g g+ a }
>
> Is it really that difficult to figure out a rational input syntax?
> I could come up w
I tried:
\new Staff = "Part_POne_Staff_One"
\with {
\consists "Merge_rests_engraver"
}
This doesn’t change the position of the rests in measure 2, since there’s a
single voice playing then.
JM
> Le 19 mai 2020 à 10:14, Jacques Menu a écrit :
>
> Hello Valentin,
>
Hello Valentin,
> Le 19 mai 2020 à 10:02, Valentin Villenave a écrit :
>
> On 5/19/20, Jacques Menu wrote:
>> In the attached example, the \voiceOne and \voiceTwo commands used for the
>> first score lead to the eigth rests in measure 2 to appear too high.
>
> Well, it’s merely printed the way
Dear David,
Il giorno mar 19 mag 2020 alle ore 08:56 David Rodríguez Blanco
ha scritto:
> I can run Frescobaldi because don’t know how install Monospace font or instar
> it in Frescobaldi PATH
you have already opened an issue on GitHub
(https://github.com/frescobaldi/frescobaldi/issues/1304).
I
On 19.05.2020 09:25, Jacques Menu wrote:
Is there a way to use some equivalent of \voiceOne and \voiceTwo measure-wise
in such a case, using it only in measures that have more than one voice playing?
The rests in measure 1 occurs while another voice is playing. The rests
in measure 2 occur
On 5/19/20, Jacques Menu wrote:
> In the attached example, the \voiceOne and \voiceTwo commands used for the
> first score lead to the eigth rests in measure 2 to appear too high.
Well, it’s merely printed the way the source code’s requesting it.
\voiceOne rests are consistently placed at the top
I know I could use \rest to control the placement of rests manually, but this
code is created from MusicXML automatically.
musicxml2ly exhibits the same behaviour as the first score shown, BTW.
JM
> Le 19 mai 2020 à 09:25, Jacques Menu a écrit :
>
> Hello folks,
>
> In the attached example, t
Dear Aaron,
thanks for your help. It's exactly what I was looking for!
>
> On 2020-05-16 10:49 am, Stefan Thomas wrote:
Dear community,
is it possible to encircle a note in lilypond?
And could someone give a short example of code for this?
http://lsr.di.unimi.it/LSR/Item?id=722
Including the st
Hello folks,
In the attached example, the \voiceOne and \voiceTwo commands used for the
first score lead to the eigth rests in measure 2 to appear too high.
Removing them as in the second score makes the look more satisfying in this
regard, but then measure 1 gets awful.
Is there a way to use
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