Dear all,
in the following example I expected to see two identical scores, but
in the first one the full bar rests after the rehearsal mark are not
compressed.
\version "2.19.82"
\score {
\compressMMRests
\new Staff <<
{
s1*5
\mark \default
}
{
c'1
R1*10
Hi Thomas
Despite or thanks to the rather lenghty code example you have been able
to grasp and answer almost every aspect/problem I had in mind.
I decided for two separate voices and omitting repeats according to your
recommendation.
The single (better: double ;-) ) voice as well as the SAATB (C
Oh I see.
For that reason I moved away from using the << ... \\ ... >> construct and
now I use \voices which by the way I find way more suited for my use case
of engraving piano music and then editing it with the edition engraver. I
use only one Voice per Staff, called "main", and spontaneous voic
Thomas
Thanks for your in-depth explanations. They help me understanding
lilypond more and more.
Your tips lead me to an absolutely satisfying result:
* Use \repeatTie and \laissezVibrer - clean code, comprehensible score
* Lyrics without \repeat / \alternative (in fact: not relevant in the
conte
Am Sa., 4. Mai 2019 um 23:39 Uhr schrieb mu...@gmx.ch :
>
> Hello again
>
> I'm having problems with ties over the repeat bar lines when adding lyrics.
>
> First let's look at the melody alone - without lyrics:
> The tie over the repeat bar line between the two volta spanners is wrong.
Yep.
It's a
Hi Stefano,
Am 05.05.19 um 06:12 schrieb Stefano Troncaro:
> Hi Jan Peter,
>
> I tested the newly merged refactor-override branch a little bit. As
> far as I could tell it seems to be working fine and the problem I
> described in my original post (where there was an error when a
> grob-property-pa
Am Sa., 4. Mai 2019 um 23:30 Uhr schrieb mu...@gmx.ch :
>
> Hello everbody
>
> The following example produces 2 compile warnings (cannot end slur,
> unterminated slur). I'm missing the slur between dis in bar 3 and d in
> bar 4, both in an additional temporary voice context.
>
> It's a snippet from
