Hi Andrew,
This came up as one of my queries a short while ago. It appears to be
a surprisingly tricky topic. Have a look back through the archives for
the full discussion. Here's the code I came up with. Hope this helps.
Andrew
%==
\version "2.19.82"
% manual staff hiding and showing .
Hello Stan,
This came up as one of my queries a short while ago. It appears to be a
surprisingly tricky topic. Have a look back through the archives for the
full discussion. Here's the code I came up with. Hope this helps.
Andrew
%==
\version "2.19.82"
% manual staff hiding and showing .
%
(resent with corrected subject)
I am setting a multiverse vocal piece with a piano intro and piano ending. I
wish to “French” the score. I am using “\RemoveAllEmptyStaves” to save space,
however I want the 5 measures of vocal rest to also be visible at the end to
show the repetition.
How can
I am setting a multiverse vocal piece with a piano intro and piano ending. I
wish to “French” the score. I am using “\RemoveAllEmptyStaves” to save space,
however I want the 5 measures of vocal rest to also be visible at the end to
show the repetition.
How can I revert the “RemoveAllEmptyStav
On 2019-03-28 3:14 pm, Thomas Morley wrote:
Am Do., 28. März 2019 um 22:22 Uhr schrieb Aaron Hill
:
On 2019-03-28 2:18 pm, Valentin Villenave wrote:
> On 3/28/19, Pedro Pessoa wrote:
>> I imagined something like:
>>
>> %%% pseudo
>> #(define var
>> (not (is-bound? var) 0))
>> %%%
>
> I’d p
On Thu 28 Mar 2019 at 21:45:31 (+0100), Lukas-Fabian Moser wrote:
>
> > I'm not trained in tonic solfa and don't find any advantage in singing
> > by using it. That said, I'm as likely to write "fah" over an entrance
> > that's difficult to pitch as writing "IV', but my "fah" relates to
> > the ke
Am Do., 28. März 2019 um 08:02 Uhr schrieb Werner LEMBERG :
>
>
> > here my factious approach: [...]
>
> Thanks a lot! Attached is the same sample code as with Aaron's
> solution. Do you see a possibility to make leading skips work in the
> second argument of \clefTst?
>
>
> Werner
Probably
Thanks, this is it.
--
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Am Do., 28. März 2019 um 22:22 Uhr schrieb Aaron Hill
:
>
> On 2019-03-28 2:18 pm, Valentin Villenave wrote:
> > On 3/28/19, Pedro Pessoa wrote:
> >> I imagined something like:
> >>
> >> %%% pseudo
> >> #(define var
> >> (not (is-bound? var) 0))
> >> %%%
> >
> > I’d probably probably do someth
On 2019-03-28 2:18 pm, Valentin Villenave wrote:
On 3/28/19, Pedro Pessoa wrote:
I imagined something like:
%%% pseudo
#(define var
(not (is-bound? var) 0))
%%%
I’d probably probably do something like
(null? (ly:parser-lookup 'var))
But I’m sure there are better ways :-)
(if (no
On 3/28/19, Pedro Pessoa wrote:
> I imagined something like:
>
> %%% pseudo
> #(define var
> (not (is-bound? var) 0))
> %%%
I’d probably probably do something like
(null? (ly:parser-lookup 'var))
But I’m sure there are better ways :-)
Cheers,
V.
___
Hello,
I want to init a variable only if it isn't bound. This seems a simple
matter, I was surpised I couldn't do it.
The thing is that it throws an 'unbound variable error' with anything I try.
I imagined something like:
%%% pseudo
#(define var
(not (is-bound? var) 0))
%%%
Cheers,
Pedro Pess
I'm not trained in tonic solfa and don't find any advantage in singing
by using it. That said, I'm as likely to write "fah" over an entrance
that's difficult to pitch as writing "IV', but my "fah" relates to
the key that the music *feels* like it's in at the time. (I have a
good memory for pitc
> Which do you want the tuplet brackets all the same or the bracket omitted on
> the last three notes?
I'd like the bracket omitted whenever there's three notes in a triplet.
NT
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On Thu 28 Mar 2019 at 09:52:26 (+0100), Valentin Villenave wrote:
> On 3/28/19, Aaron Hill wrote:
> > That said, I fully agree with advising folks who intend on moving music
> > around more fluidly to avoid \relative since it adds a maintenance chore
> > that would otherwise impede the creative pr
Federico,Thank you for the tip of using frecobaldi. Now its. No need to do
save & compile.Ming
On Thursday, March 28, 2019, 2:23:07 a.m. EDT, Federico Bruni
wrote:
There's an option in the preferences to always save a file before
compiling, in case you want to be safe.
The issue with
On 3/28/19, Freeman Gilmore wrote:
> Where are the physical locations of the fonts used by lilypond?
Greetings,
there’s a fonts/ subdirectory in your install folder, which you can
easily find depending on your operating system:
http://lilypond.org/doc/latest/Documentation/learning/other-sources-o
On 3/28/19, Aaron Hill wrote:
> That said, I fully agree with advising folks who intend on moving music
> around more fluidly to avoid \relative since it adds a maintenance chore
> that would otherwise impede the creative process.
Heh. This is one of the (few) subjects I’d tend to disagree with
K
> here my factious approach: [...]
Thanks a lot! Attached is the same sample code as with Aaron's
solution. Do you see a possibility to make leading skips work in the
second argument of \clefTst?
Werner
\version "2.19.82"
\layout {
\context {
\Voice
\name "ClefVoice"
\alias
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