Jérôme Plût writes:
> I tried applying the contents of
> http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-within-systems
> to move the figured bass a bit closer to the staff:
>
> \version "2.19.54"
> \score { { \new StaffGroup <<
> \new Staff { \clef "F" c d e
I tried applying the contents of
http://lilypond.org/doc/v2.19/Documentation/notation/flexible-vertical-spacing-within-systems
to move the figured bass a bit closer to the staff:
\version "2.19.54"
\score { { \new StaffGroup <<
\new Staff { \clef "F" c d e f }
\new Lyrics \with {
\ov
On 11/3/2017 6:55 PM, David Nalesnik wrote:
On Fri, Nov 3, 2017 at 12:27 PM, Pieter Terpstra
wrote:
Ben wrote:
* \override Hairpin.shorten-pair = #'(0 . -5)*
Thank you kindly Ben, this line is not accepted by version 2.18.2.
It was introduced at some point in the 2.19 cycle.
-DN
Oh, yes
David Nalesnik writes:
> On Fri, Nov 3, 2017 at 12:27 PM, Pieter Terpstra
> wrote:
>> Ben wrote:
>>
>>> * \override Hairpin.shorten-pair = #'(0 . -5)*
>>
>> Thank you kindly Ben, this line is not accepted by version 2.18.2.
>
> It was introduced at some point in the 2.19 cycle.
Oh. 2.19.55.
On Fri, Nov 3, 2017 at 12:27 PM, Pieter Terpstra
wrote:
> Ben wrote:
>
>> * \override Hairpin.shorten-pair = #'(0 . -5)*
>
> Thank you kindly Ben, this line is not accepted by version 2.18.2.
It was introduced at some point in the 2.19 cycle.
-DN
___
Pieter Terpstra writes:
> Ben wrote:
>
>> * \override Hairpin.shorten-pair = #'(0 . -5)*
>
> Thank you kindly Ben, this line is not accepted by version 2.18.2.
His quotation/emphasizing style adds a spurious * at the front and end
of the line.
--
David Kastrup
___
Ben wrote:
> * \override Hairpin.shorten-pair = #'(0 . -5)*
Thank you kindly Ben, this line is not accepted by version 2.18.2.
Have a wonderful day,
Peter
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Noeck wrote:
> you tell lilypond to end the hairpin after the note by writing:
> 4. <>\!
> instead of
> 4.\!
> So you end it on an empty chord (which takes no time).
Thank you so much Noeck, that was what i was looking for.
Kindly,
Peter
___
l
caagr98 wrote
> What you're doing is just creating a text script, not an articulation. I
> use the following code to create a custom real articulation; you'll
> obviously have to adapt some of it to fit yours.
Fantastic, thank you so much! This solves both of my problems!
For anyone interested, h
What you're doing is just creating a text script, not an articulation. I use
the following code to create a custom real articulation; you'll obviously have
to adapt some of it to fit yours.
```
#(define (draw-unaccent grob)
(let ((stil (make-path-stencil '(M -0.435 0.435 C -0.435 0.185 -0.250
Hi all,
I am having a bit of trouble trying to create a custom articulation in
LilyPond. At the moment I have the following code:
%
\version "2.19.53"
doubleAccent = \markup {
\halign #-0.72
\combine
\musicglyph #"scripts.sforzato"
\raise #1.1
\musicglyp
2017-11-03 11:06 GMT+01:00 Werner LEMBERG :
>
> Folks,
>
>
> the horizontal position of ordinary grobs can be adjusted with
>
> \tweak X-offset ...
>
> or something similar. What's the equivalent for spanners to shift the
> beginning and/or the end horizontally? A quick search in both the
> doc
2017-11-03 9:42 GMT+01:00 Maurits Lamers :
> Hi,
>
> I have been using scheme based engravers to capture all kinds of music
> events. Until now I have dealt with bar lines by reading out the whichBar
> property on the context of an event through
>
> (ly:context-property (ly:translator-context eng
Folks,
the horizontal position of ordinary grobs can be adjusted with
\tweak X-offset ...
or something similar. What's the equivalent for spanners to shift the
beginning and/or the end horizontally? A quick search in both the
documentation and the internet didn't yield something significan
Hi,
I have been using scheme based engravers to capture all kinds of music events.
Until now I have dealt with bar lines by reading out the whichBar property on
the context of an event through
(ly:context-property (ly:translator-context engraver) 'whichBar)
However, this doesn't work for the f
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