Hello folks,
This subject comes from time to time : maybe \transposeMidi would be a better
name?
JM
> Le 31 mai 2017 à 19:18, caag...@gmail.com a écrit :
>
> \transposition doesn't affect the generated score, it only affects the midi
> output. To transpose the score, do \new Staff { \transpos
Greetings Kieren,
Yes, I had considered that but had hoped that there would be a
smoother solution that would not then require me to change
shortInstrumentName for each part to reflect the desired abbreviations
to follow. But no matter; this is to me an insignificant hiccup in a
program that I oth
Hi Hwaen Ch’uqi,
> I am working on an orchestral score in which not all instruments begin
> together; hence, I would like to produce a Frenched score. Is there a
> way to redefine instrumentName such that, in combination with
> \RemoveAllEmptyStaves, the full name is printed when the part actually
Greetings all,
I am working on an orchestral score in which not all instruments begin
together; hence, I would like to produce a Frenched score. Is there a
way to redefine instrumentName such that, in combination with
\RemoveAllEmptyStaves, the full name is printed when the part actually
appears i
HI Johan.,
write b8 \rest instead of r b8.
That's all.
Groet,
Robert Blackstone
On 31 May 2017, at 23:17 , Johan Vromans wrote:
> Hi,
>
> In the attached example, I would like the 8th rest symbol at the same level
> as the 8th notes. See the right side of the attached image.
>
> How can I o
Johan Vromans wrote Wednesday, May 31, 2017 10:17 PM
> In the attached example, I would like the 8th rest symbol at the same level
> as the 8th notes. See the right side of the attached image.
>
> How can I obtain this?
r8 -> b8\rest
Trevor
---
This email has been checked for viruses by AVG.
Hi,
In the attached example, I would like the 8th rest symbol at the same level
as the 8th notes. See the right side of the attached image.
How can I obtain this?
-- Johan
\version "2.19.59"
\header {
title = "Largo"
tagline = ##f
}
global = {
\key d \major
\time 4/4
}
upper = \relati
At 10:16 31/05/2017 -0700, Sam Frybyte wrote:
If there is a time signature the beaming of 8th notes with
acciaccaturas between them is created as I expect.
in version. 2.18.2
with \cadenzaOn
\stemUp\acciaccatura c'8 \stemNeutral a8
\stemUp\acciaccatura b8 \stemNeutral ges8
\times 2/3 {f1
\transposition doesn't affect the generated score, it only affects the
midi output. To transpose the score, do \new Staff { \transposition f
\transpose f c {...} }. (In your case, the << >> can replace the inner {}.)
On 05/31/17 19:09, Jérôme Plût wrote:
I am typing a horn part in F. In the at
If there is a time signature the beaming of 8th notes with
acciaccaturas between them is created as I expect.
in version. 2.18.2
with \cadenzaOn
\stemUp\acciaccatura c'8 \stemNeutral a8
\stemUp\acciaccatura b8 \stemNeutral ges8
\times 2/3 {f16 [des des]} des4
I have not been able to figure
I am typing a horn part in F. In the attached file, \transposition
does nothing. Where should I put it: at the voice, Staff, Score level?
The documentation
(http://lilypond.org/doc/v2.19/Documentation/notation/displaying-pitches#instrument-transpositions)
is very unclear about this.
The file its
On Wed 31 May 2017 at 15:56:44 (+0200), Jonathan Scholbach wrote:
> Dear Ponders,
>
> I would like to typeset a certain type of notation, which can be found
> in liturgical context. I have an example image attached. (Ignore the
> lyrics written in Fraktur). I have two questions:
> 1. How is th
- Original Message -
From: "Jonathan Scholbach"
To:
Sent: Wednesday, May 31, 2017 2:56 PM
Subject: Re: certain type of vocal notation in liturgical contexts
Dear Ponders,
I would like to typeset a certain type of notation, which can be found
in liturgical context. I have an example
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